O Segredo dos Incas

This exciting picture deals with a ruthless adventurer called Harry Steele (Charlton Heston) wearing brown leather jacket, fedora, tan pants, over-the-shoulder bag, and wielding revolver and is hunting a priceless Inca jewel . As he searchers for hidden treasure in the Peruvian jungles . He is accompanied by a gorgeous drifter named Elena Antonescu (Nicole Maurey), a refugee fleeing from communists . She can help him get a plane and he can help her escape Peru for the relative safety of Mexico ; as she more than matches him as the feisty heroine who follows him through mountains , rivers , cliffs and all kind dangers .

Jungle thriller plenty of tremendous adventures , action , a love story , and wonderful scenarios . This is a 1950-style high adventure and driven along with enormous panaché , including enjoyable screenplay from Sydney Bohen and Ronald MacDougall . Hopper direction is uninspired , the Pine-Thomas unit in Paramount gave him his first chance at filmmaking , but his movies for them , though attractively set , all-action subjects such as this ¨The secret of Incas ¨and ¨Hurricane Smith¨ were not specially distinguished . Charlton Heston is pretty good as a rough adventurer ; here is a rugged as well as rogue young transformed into a intrepid man of action at the drop of his spectacles . Heston had played for director Hopper , two passable films : the historical Western ¨Pony Express¨ and ¨The private war of Major Benson¨ , a comedy about the relationship between a martinet commander and a very small cadet . Charlton Heston gets nice support cast from veteran Hollywood characters such as Thomas Mitchell , Glenda Farrell , Michael Pate , Leon Askin and Robert Young , in fact it was the final theatrical film of this veteran actor , who thereafter moved exclusively into television, where he enjoyed a highly successful career for over 30 years . The movie is often cited as a direct inspiration for the Indiana Jones franchise of films, with many of the scenes in Secret of the Incas bearing a striking resemblance in tone and structure to scenes in Raiders of the Lost Ark . Adequate special effects by the veteran John P.Fulton and and colorful cinematography by Lionel Lindon, though is urgent a perfect remastering . Being set on location in Cuzco , Peruvian jungles and Machu Pichu , Peru . Evocative Original Music by David Buttolph , including strange as well as hypnotic songs sung by Yma Sumac as Kori-Tica ,she is billed third on the posters .

The motion picture produced by Mel Epstein was professionally directed by Jerry Hopper , but with no enthusiasm . Hopper firstly worked for Paramount , them he crossed to Universal and immediately proved himself on more intimate subjects , particularly those with veins of comedy or sentiment . Hopper directed all kind of genres such as Western : Madron , Pony Express , The Bull of the West ; gritty Thriller : Naked alibi , The Atomic City , The square jungle ; Comedy : The private war of Major Benson ; Adventures : Alaska seas , The Sharkfighters , and The Missouri traveler, it was the best of Hopper's later movies before he became entrenched in television . As Jerry Hooper also filmed a great quantity of TV episodes such as Voyage to the bottom of the sea , The fugitive , Perry Mason , Shenandoah , Adams family , Caravan and Gunsmoke .

Several years ago I met a Production Assistant who worked on RAIDERS OF THE LOST ARK and was told an interesting story: that SECRET OF THE INCAS was indeed the inspiration for RAIDERS... but it went much further than that. The PA stated that George Lucas had seen SECRET years before and adapted the story into his own vision for Indiana Jones. Lucas screened SECRET -in secret- for Spielberg who immediately attached himself to the project. Here's where it gets interesting: Spielberg quickly negotiated the rights to SECRET and the contract demanded it be shelved and never released in the United States so there couldn't be any direct comparisons to RAIDERS. That's why even today you can't buy an official NTSC copy of SECRET; my region-free disc came from the U.K.! And the similarities between Heston's costume and Harrison Ford's some 30 years later were no accident, either: the PA told me that the RAIDERS creative staff were required to watch SECRET and use it as source material as much as possible to save production time/expense. And, it's clear they took a lot of notes! Others have mentioned the obvious similarities, but there's another really quick one that most people overlook: it's a little musical phrase on the SECRET soundtrack that is identical to one that John Williams used later on when he scored RAIDERS. Listen closely and it'll jump right out at you. Another coincidence? I'm not so sure! Further, Charlton Heston was famous for talking about his filmmaking experiences, yet he never directly -or publicly- mentioned SECRET... not even in his detailed autobiography, "In The Arena". He would only say that he once made a film high in the Andes where it was very difficult to breathe! Privately he allegedly had plenty to say: that he was contractually prohibited from mentioning his work on SECRET and that he seriously resented the fact that Spielberg had so thoroughly usurped his character and with little alteration turned it into the cult-status-cash-cow that Harrison Ford's Indiana Jones attained.

'Secret of the Incas' never really gets going, for me.

I adore that it was filmed on location in Peru, it gives us some beautiful shots of the South American country; most notably of Machu Picchu. That's where the greatness ends though. It isn't a poor film by any means, but nothing else springs to mind in a positive manner about it.

The cast are solid if a little mundane. Charlton Heston does a fine job in the lead role as Harry, with Thomas Mitchell supporting competently. The plot execution is what lets this down in my opinion, as it's an attractive premise but never feels like the majestic adventure that it should be.

The sunlight coming into the cave reflecting off the golden 'mirror' that Heston holds that then reveals the location of the treasure of the Incas remains in my mind as one of the most persistent movie memories from when I was nine years old in 1954 watching the film at the Bing Theater in Springfield, MA. Years later, Steven Spielberg seems to have been influenced by that image and includes a similar scene in "Raiders of the Lost Ark". I can't help but think that Mr. Speilberg must also have seen the "Secret" fresh on the big screen when he was a child. And I cannot find the movie at any, as yet, visited video store to rent it and thereby return to the marvelous scenes of the Andes and the stirring sounds of singer Ima Sumac's four-octave range present at least once in the film. All other movie book references to Heston's work seem to omit this forgotten 'gem' of an enjoyable film that filled one memorable Saturday afternoon at the neighborhood cinema.

An American adventurer in Cuzco, Peru, halfheartedly works as a tour guide, but his real interest is a priceless Incan artifact. He schemes to steal a Romanian official's plane to make it to the lost city of Machu Picchu in the remote high country of the Andes, where he's surprised to discover an archaeological dig is taking place. Robert Young plays the leader of the scientists.

"Secret of the Incas" (1954) is an adventure flick that became the blueprint for Indiana Jones in the 80s, the first film of course being the exceptional "Raiders of the Lost Ark." While Harry Steele (Heston) certainly dresses like Indiana Jones, he's not a noble professor; he's a cynical and avaricious treasure hunter, not to mention opportunist. In the last act there is a tomb sequence featuring a revealing shaft of light similar to the Map Room scene in "Raiders."

Being shot in 1953, this naturally has a quainter tone by comparison. The first 45 minutes, for instance, entirely take place in a remote Andes town with a lot of talk and little action, which might turn off fans of Indiana Jones. But I enjoyed Heston's towering presence and nonchalant mojo. His character, Harry Steele, is similar to Taylor in "Planet of the Apes" (1968), just fourteen years younger.

The Andes sequences are scenic and striking Peruvian vocalist Yma Sumac plays the role of Kori-Tica with a couple of extraordinary singing sequences. Meanwhile Nicole Maurey is sharp as the Romanian defector, Elena.

The film runs 1 hour, 41 minutes, and was shot in Peru at Cuzco and Machu Picchu with (obvious) studio scenes done at Paramount Studios in Hollywood. The studio sets are surprisingly well done and convincing enough.

GRADE: B-/B.