Porto da Violência

Similar to its Brother-Genre "Police Procedural", is the Sub-Genre that Emerged in the Low-Budget World of B-Movies in the 50's were "Exposes" with Sub-Titles like "Uncensored, Confidential, Exposed" Etc.

Usually Attached to a Big-City or Big-Corps (Garments, Docks) that Organized Crime Infiltrated after the Repeal of Prohibition.

Most were Unremarkable, although a Few like "Kansas City Confidential" (1955) and "The Phenix City Story" (1955) are Bona-Fide Classics of the Genre.

This One, takes an Obvious Cue from "On the Waterfront" (1952) the Marlon Brando Award Winner.

It Pales in Comparison but does have a Certain Gravitas Helped by B-Movie Stalwart Director William Castle.

Arthur Franz who Made quite an Impression in the Psychological, Pathological, Film-Noir "The Sniper" (1952), is Solid as the Protagonist.

Also some Good Character Actors like Mike Mazurki, Michael Ansara, and B-Movie Babe Beverly Garland Help this Rise Above Average.

The On-Location New Orleans Footage Helps Set the Stage and the Movie Contains some Genuine Intrigue of Mob Infiltration, On the Docks Violence, and Worker Intimidation.

Overall, Better than Most.

Dan Corbett (Arthur Franz, "The Sniper") is an ex-sailor from California who's come to New Orleans to buy a boat and start a business. In need of a steady supply of money, he finds work on the docks, and ultimately becomes aware of the complex schemes being engineered by local racketeer Floyd "Zero" Saxon (Michael Ansara, "The Doll Squad").

Although this routine B crime picture is no great shakes in terms of direction (by William Castle) or script, it still remains pretty watchable, thanks largely to its setting (the film is partly a little love letter to New Orleans) and to its solid cast, which also includes lovely ladies Beverly Garland ("Not of This Earth") and Helene Stanton ("The Big Combo"), Stacy Harris ('Dragnet'), William Henry ("The Thin Man"), Michael Granger ("Creature with the Atom Brain"), Ed Nelson ('Peyton Place'), and notable tough-guy character actor Mike Mazurki ("Some Like It Hot"). A few of the local personalities also have roles in the film as authority figures.

In any event, "New Orleans Uncensored" is short & fairly snappy, with convincing atmosphere and some decent action sequences. (Such as the big brawl that erupts early on the picture.) Much like other 1950s movies, it's told semi-documentary style, with a narrators' voice turning up here and there.

Six out of 10.

"New Orleans Uncensored" sounds like some sort of porno flick, but it isn't. It's a dandy crime film, much like the Louisiana version of "On the Waterfront". Like in this other film, it's about a thug and his goons who want to run the docks....and pilfer as much cargo as they can. Into this racket arrives a new guy, Dan (Arthur Franz) and he soon gets pulled into this mess. Can Dan possibly survive or will he end up pushing up daisies like two of his new and fated friends.

This is a very good story and although it doesn't star any big names, a lot of 1950s and 60s character actors are in it and they do a great job. I enjoyed not only the story and the acting...but also loved seeing 1950s New Orleans and its French Quarter. If you've been to this great city, you'll enjoy seeing the likes of Antoine's and Cafe du Monde...as well as many great institutions that have long since vanished. Well worth seeing.

By the way, one minor gripe I have about the movie are the characters Marie and Alma. The two actresses (Beverly Garland and Helene Stanton) look so similar that I was confused until I could figure out how to tell them apart!

William Castle directed this 1955 film, New Orleans Uncensored, filmed on location. It stars Arthur Franz, Michael Ansara, and Beverly Garland.

Dan Corbett (Franz), a Navy vet, buys a dilapidated government ship and looks for a job so that he can keep up with the payments and fix it up.

What he runs into is a racketeer, Zero Saxon (Michael Ansara) who is stealing cargo and switching it with phony cargo. Many people are on the take and afraid of Saxon's ruthless killers.

Dan befriends Joe Reilly and his wife Marie, unaware that Joe is on the take. When he tries to quit, he is murdered. Dan winds up working for Saxon, but then helps the cops investigate Saxon, putting himself in danger.

This is done with some narration, very common for this type of film done in the '50s. Also several of the local politicians played themselves.

New Orleans' crooked government and police force is well known. In fact, a family friend, a civil rights attorney, had to move north to keep from being killed.

The film is well done. Both Garland and Saxon's girlfriend (Helene Stanton) had short blond hair - a mistake, as they looked too similar.

Beverly Garland, as Joe's unhappy wife, does a great job. She was one of my favorite people- I was privileged to meet and interview her. She was a delightful, upbeat woman with a wonderful sense of humor and fantastic anecdotes about her years in show business. I miss her.

This waterfront drams is set in the French Quarter and on the docks of New Orleans.

The film has everything for a low budget film that is worth watching.

The viewer is in the action from the opening sequence. Freight is being stolen from the docks and there several suspects. We're not kept in the dark over who dunnit. Instead, we watch as a crime network is destroyed.

An especially bright spot is the beautiful Beverly Garland who performs very well Beside her, other stars and supporting actots tell an engrossing story with the help of tight writing, editing and direction.

A downside is the camerawork. Though sufficient, there are many ill advised angles as if the photographer were stretching for an arty, noir look but failed.

Otherwise this is a fine movie. Suspenseful though we know the guilty party ... that's hard to do but NEW ORLEANS CONFIDENTIAL does it and then some in captivating style.