Marcado para a Morte

A big time lawyer is shot on a street. The cops investigate, finding a tangled web of suspects, while the head cop gets involved with one of the suspects.

Thoroughly forgettable crime drama (not noir). Two reasons for watching might be to catch evil-eye Lee Van Cleef as a cop, of all things, and still early in his unusual career. Then there's Vera Hruba Ralston often mocked as Hollywood's worst actress. She's not too bad here as a lounge singer. Can't help but sympathize with her fruitless effort to become the Hollywood queen Republic's head honcho Herbert Yates insisted upon. And that's despite her not speaking English and having little talent. She does show some accomplishment here, however. Note, in passing, the spiffy suits the men wear, even the cops. Like maybe, they just came off the studio rack, which I expect they did. Too bad pedestrian Joe Kane directs without a single imaginative touch, while actor Brian literally walks through his cop part. Anyway, the cars are clean and shiny, the candy-box colors near perfect, and the run- time fairly brief. So it all swallows down easily if unmemorably.

A nightclub singer , Ilona Vance (Vera Hruba Ralston) is "Accused of Murder" in this 1956 Republic movie filmed in "Naturama." A shadt lawyer (Sidney Blackmer) is in love with Ilona. After she rejects him, he winds up murdered in his car.

Police Lt. Hargis (David Brian) doubts that Ilona is the killer - he's a little smitten with her. A hostess at the club (Virginia Grey) sees a man near the murder scene and tries to blackmail him (Warren Stevens). He gives her a good punch in the face and warns her not to tell anyone.

Though Ilona says she does not recognize the murder gun, a man sees the gun in the paper and identifies it as a gun an associate of his gave to Ilona. She insists that she is being framed.

This is a short film (76 minutes) and it goes nowhere. With the exception of Elisha Cook Jr., Virginia Grey, and Lee Van Cleef in supporting roles, the acting is flat.

Ralston's singing is dubbed, and the singer does not have a Czech accent.

Naturama was a wide-screen technique used by Republic Pictures. It evidently didn't catch on.

Vera Hruba Ralston is a nightclub singer who has just had her opening night. Sidney Blackmer, a lawyer who's been stealing from the mob, asks her to marry him, but she doesn't love him. Mob boss Richard Karlan tells Warren Stevens to kill him, and he does so... with dance hall hostess Virginia Grey spotting him on the street just after the shot is fired. When homicide detectives David Brian and Lee van Cleef start investigating, the trail leads them immediately to Miss Ralston. Their problem is that the story she tells is not the story shown on the screen, nor does it match up their background checks.... and Miss Grey's attempts to blackmail a killer are not as smart as she would imagine....

It's wide screen and color and from a story by W.R. Burnett and shows promise, but director Joseph Kane doesn't know how to direct the scenes for the sexual heat that Burnett's story demands, so the abrupt changes are a bit cringeworthy. Still, there's a good scene with Elisha Cook Jr. as a sweaty alky and Frank Puglia is rather sweet as a sympathetic night club owner. There's not a spot of chemistry between the leads, however, and the result is a sub-par time waster.

A lovely immigrant night club singer gets involved in a murder case, and the man murdered had just proposed to her and been rejected, and he was deeply involved in fishy business and desperately in debt. A hoodlum was paid for having killed him, but he didn't do it. The lieutenant in charge of the case gets involved with the lovely singer and thus makes the mess worse. Another lovely lady from a dancing school happens to look out the window after the murder and recognizes the paid assassin, but instead of immediately reporting him to the police, she tries to blackmail him, whereupon he almost slugs her to death, but she survives just enough to be able to identify him when they try to put her together again at the hospital. The lovely immigrant (Vera Ralston) is still being held a suspect of murder, and the case is far from clear. Eventually she returns to go on singing at the night club. It is not a very convincing noir, but it is worth watching for the lovely colours, which are very unusual for a noir.

If for no other reason, I have three (3) absolutely insane reasons to enjoy watching this movie.

1-baby blue Continental automobile was a separate "make" from the Ford Motor Company for just the 1956 and 1957 model years.

2-Virginia Gray sweating profusely, and her bright blue eyes.

3-the almost matching (different color jackets) blackamoor lamps at the ends of the bar in the nightclub.

And a color picture from Republic in 1956 because the studio boss' wife was the singer.