Fora da Lei

Rather good noir with an interesting story of some counterfeiting corruption and a splendid gun fight among the coaches in the bus garage. Leigh Snowden is great in this but only made about ten films although she did make the fantastic, Kiss Me Deadly (1955) and Grant Williams was also good although he made a few more and his most famous one as The Incredible Shrinking Man (1957) Of course this gives us a clue as the director made this and the other film by Jack Arnold and if this isn't a wonderful one it is certainly well shot and no messing around and no boring moments. He was 56 when he made this one and before he had Tarantula (1955) and Creature from the Black Lagoon (1954) - not bad even if there aren't really any beasts in this one.

"Johnny" (Ray Danton) is an ex-soldier drafted in by the US authorities in Germany to help investigate the death of one of his old army pals. Not long out of prison, he is keen to clear his name and is soon on the trail of a clever gang who are counterfeiting cash and taking advantage of the post-WWII confusion to, quite literally, make a mint. His search is further complicated by the involvement of both his father - the policeman who gives him the gig in the first place and with whom he has a strained relationship; and with the widow of the murdered man "Maria" (Leigh Snowden) who is as keen to get to the bottom of this perlous mystery and, of course, a romance starts to blossom. There's no getting away from it. Handsome as he is, Danton is as wooden as a plank. He has precisely no charisma and that really impacts on this film that, from a criminal perspective, is actually a little bit better than a routine caper. There's far too much by way of chatter and really very little action until the last ten minutes when the threads start to pull together. A bit more creative casting could have made this more memorable, but as it is - well it's worth a watch but you'll never remember it afterwards.

Jack Arnold directed this subpar Universal-International movie, a Ray Danton vehicle of one-dimensional characters and flat, boring story elements.

The culprit is screenwriter Danny Arnold (no relation). Right through to the corny, blah ending, his work is quite poor, hardly indicative of hi great success later in TV producing and creating hits "That Girl" and "Barney Miller".

Danton plays an ex-con and WW II vet chosen by his estranged father to become an undercover government agent to help break up an international counterfeiting ring. He glides effortlessly through the role, while Arnold's iconic hero (of "Incredible Shrinking Man") Grant Williams sleepwalks through a cast-against-type assignment as chief heavy. The uneasy re0lationship between Danton and his dad Onslow Stevens is central to the story but comes across as completely artificial. Leigh Snowden is the pretty but overly "nice" heroine, as Danny's script fails to give her character an edge or any possibility of being a femme fatale.

It adds up to being a forgettable, boring programmer.

It's a very conventional thriller with a lot of technical intricacies about details in investigating counterfeit money, but there is a girl involved who is wholly agreeable, knowing nothing of the racket in which her husband was involved before getting murdered, while his colleague has some past sins to make up for, being on parole, and getting his chance when he is offered the possibility to make a clean slate of his records if he helps sorting out his colleague's being mixed up with advanced gangsters. It so happens that he is offered this opportunity by his father, who is a police, and the most interesting part of the film is their relationship. The father looks constantly worried and concerned about his son, who resents the whole business and wants to pull out because of some previous disagreement with his father, which we never learn anything about. He reminds very much of Dean Martin but without any humour, which this film is entirely without. It is interesting though, there is a grand finale with fisticuffs and shootouts, and Onslow Stevens as the father makes a great performance which couldn't be more convincing.

Ex-con Ray Danton is recruited by his father, Onslow Stevens, to help track down and break a gang of counterfeiters in Germany. Danton is angry with his father, but accepts. Stevens can't keep his love for his son from interfering with the operations.

It's a nice, murky little movie directed by Jack Arnold, with some love interest provided by Leigh Snowden, and a general air of "just doing my job" on the part of the other agents and the counterfeiters, even when they look like they're about to get violent. Utility cinematographer Irving Glassberg shows his usual high level of professionalism in the sort of throwaway programmer that Arnold was able to put something extra into.