AVALIAÇÃO DA IMDb
6,7/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSuperman comes to Earth as a child and grows up to be his home's first superhero with his first major challenge being to oppose The Spider Lady.Superman comes to Earth as a child and grows up to be his home's first superhero with his first major challenge being to oppose The Spider Lady.Superman comes to Earth as a child and grows up to be his home's first superhero with his first major challenge being to oppose The Spider Lady.
- Direção
- Roteiristas
- Artistas
Fred Aldrich
- Cop at Museum
- (não creditado)
Phil Arnold
- Cabbie
- (não creditado)
Jimmy Aubrey
- Wave Tracer
- (não creditado)
Robert Barron
- Ro-Zon
- (não creditado)
Avaliações em destaque
This is a great serial. What people tend to forget when watching it today, is that it was made in 1948 and was aimed at the Saturday matinee crowd.
The special effects, to be sure, are primitive by today's standards, but take a closer look. Remember this was 1948. The opening sequence and Superman's flying effects were achieved through some excellent animation.
Don't forget that Superman IS a comic book character. The transition from live action to animation in the flying sequences, is performed seamlessly and realistically. I thought that this was pretty innovative for its' time.
Kirk Alyn was born to play Superman. He gives a realistic and credible performance as both Superman and Clark Kent. The diminutive Noel Neill makes an excellent Lois Lane, girl reporter, Timmy Bond (Formerly "Butch" of the Our Gang comedies) is good as Jimmy Olsen and veteran Pierre Watkin is suitably cranky as Perry White.
Carol Forman brings a cold and icy sexiness to the role of the Spider Lady, Superman's chief nemesis. Serial veterans Charles Quigley, Charles King, Terry Frost and Rusty Wescoatt round out the cast in various villain roles.
The special effects, to be sure, are primitive by today's standards, but take a closer look. Remember this was 1948. The opening sequence and Superman's flying effects were achieved through some excellent animation.
Don't forget that Superman IS a comic book character. The transition from live action to animation in the flying sequences, is performed seamlessly and realistically. I thought that this was pretty innovative for its' time.
Kirk Alyn was born to play Superman. He gives a realistic and credible performance as both Superman and Clark Kent. The diminutive Noel Neill makes an excellent Lois Lane, girl reporter, Timmy Bond (Formerly "Butch" of the Our Gang comedies) is good as Jimmy Olsen and veteran Pierre Watkin is suitably cranky as Perry White.
Carol Forman brings a cold and icy sexiness to the role of the Spider Lady, Superman's chief nemesis. Serial veterans Charles Quigley, Charles King, Terry Frost and Rusty Wescoatt round out the cast in various villain roles.
The 15-chapter serial, SUPERMAN (1948), is best in its early chapters as it details the more familiar parts of the Superman story, including an elaborate sequence on Krypton dealing with the planet's destruction and Jorel's sending his son off in a rocket to Earth. We see Clark growing up with the Kents and heading off to Metropolis and a job at the Daily Planet where he meets Perry White, Lois Lane and Jimmy Olsen. We see Superman doing superheroic things in these early episodes like rescuing people from a burning building or rescuing miners trapped in a tunnel.
However, after roughly the first third, each episode follows tried-and-true serial formula with standard cliffhanger endings as Superman gets hit with kryptonite or Lois gets trapped somewhere and only Superman can save her. There are even long stretches where Superman doesn't use his powers at all. It all comes to a disappointingly abrupt ending and anticlimactic resolution.
Superman fights an unlikely villain in the Spider Lady (Carol Forman) and her gang of standard-issue thugs--middle-aged crooks in suits, ties and fedoras who are constantly slugging Jimmy and kidnapping Lois. The Spider Lady gets help from a renegade scientist who has an agenda of his own, but he's so badly acted that he slows the film down considerably. The Spider Lady (who loses her ridiculous mask after her first few appearances) is more of a standard serial villain, and, while not unattractive, is coiffed and dressed like a film noir floozie and would probably have been more at home sidling up to Humphrey Bogart in a gambling joint than fighting Superman.
That said, there are considerable points of interest here. When Superman flies, the effect is created through animation as a fluidly animated Superman cartoon figure takes over for the live actor (Kirk Alyn). This tactic allows the makers to show Superman flying through a variety of locales and settings. While the contrast may be jarring at first, it does acknowledge the comic book origins of the character.
Noel Neill is a perfect Lois Lane and is as spunky as they come. When thugs attack, she recklessly plunges into each fight with the verve and daring normally associated with the standard square-jawed cliffhanger hero. When she's not fighting, she's smiling, always eager to get the story and clearly loving her job. A seedy character named Hawkins (played by Frank Lackteen with undetermined accent) is an informant who gives Lois tips about Spider Lady's activities. Lois is always happy to see him and at one point pays for his tips by taking him to lunch at a restaurant called Luigi's (surely a foolhardy act for an informant). None of the characters gets a single change of costume throughout the serial, but it's more noticeable on Lois. Neill played Lois in a second serial, ATOM MAN VS. SUPERMAN, and later in the TV series, "Superman," opposite George Reeves.
Jimmy Olsen, on the other hand, gets little of consequence to do, other than getting constantly knocked out by thugs and stating the obvious when needed. He's played by Tommy Bond, better known as Butch from "The Little Rascals." (In the TV series, Jack Larson was a vast improvement in the role.) Pierre Watkin makes a good, dyspeptic Perry White, behaving more like J. Jonah Jameson from "Spiderman" than the Perry we know and love.
A point should be made here about the sequel, ATOM MAN VS. SUPERMAN (1950). It improved on this serial greatly and had a more comic book-like villain in Lex Luthor (well played by Lyle Talbot). It also had Superman doing a great many more Superman-like things and offered a new twist in each episode. It had a better story structure and more satisfying resolution. The characters also got to change their outfits.
However, after roughly the first third, each episode follows tried-and-true serial formula with standard cliffhanger endings as Superman gets hit with kryptonite or Lois gets trapped somewhere and only Superman can save her. There are even long stretches where Superman doesn't use his powers at all. It all comes to a disappointingly abrupt ending and anticlimactic resolution.
Superman fights an unlikely villain in the Spider Lady (Carol Forman) and her gang of standard-issue thugs--middle-aged crooks in suits, ties and fedoras who are constantly slugging Jimmy and kidnapping Lois. The Spider Lady gets help from a renegade scientist who has an agenda of his own, but he's so badly acted that he slows the film down considerably. The Spider Lady (who loses her ridiculous mask after her first few appearances) is more of a standard serial villain, and, while not unattractive, is coiffed and dressed like a film noir floozie and would probably have been more at home sidling up to Humphrey Bogart in a gambling joint than fighting Superman.
That said, there are considerable points of interest here. When Superman flies, the effect is created through animation as a fluidly animated Superman cartoon figure takes over for the live actor (Kirk Alyn). This tactic allows the makers to show Superman flying through a variety of locales and settings. While the contrast may be jarring at first, it does acknowledge the comic book origins of the character.
Noel Neill is a perfect Lois Lane and is as spunky as they come. When thugs attack, she recklessly plunges into each fight with the verve and daring normally associated with the standard square-jawed cliffhanger hero. When she's not fighting, she's smiling, always eager to get the story and clearly loving her job. A seedy character named Hawkins (played by Frank Lackteen with undetermined accent) is an informant who gives Lois tips about Spider Lady's activities. Lois is always happy to see him and at one point pays for his tips by taking him to lunch at a restaurant called Luigi's (surely a foolhardy act for an informant). None of the characters gets a single change of costume throughout the serial, but it's more noticeable on Lois. Neill played Lois in a second serial, ATOM MAN VS. SUPERMAN, and later in the TV series, "Superman," opposite George Reeves.
Jimmy Olsen, on the other hand, gets little of consequence to do, other than getting constantly knocked out by thugs and stating the obvious when needed. He's played by Tommy Bond, better known as Butch from "The Little Rascals." (In the TV series, Jack Larson was a vast improvement in the role.) Pierre Watkin makes a good, dyspeptic Perry White, behaving more like J. Jonah Jameson from "Spiderman" than the Perry we know and love.
A point should be made here about the sequel, ATOM MAN VS. SUPERMAN (1950). It improved on this serial greatly and had a more comic book-like villain in Lex Luthor (well played by Lyle Talbot). It also had Superman doing a great many more Superman-like things and offered a new twist in each episode. It had a better story structure and more satisfying resolution. The characters also got to change their outfits.
If you've read any reviews of this first set of serials, most of them say the same thing. Superman turns into a cartoon (which I found fun!), the acting is wonderful, and the adventure is a real good yarn.
The problem is the Spider Lady. Not an interesting character, and she doesn't really give Superman enough challenges. The same 2 thugs seem to be beat up and nearly caught in every episode, and the plot really gets sluggish between episodes 9 through 13, and then picks up at 14 to a quick finish at episode 15.
The best are the first few--krypton, Jor-El, the Kents, Superman first meets Kryptonite, early use of his vision, 'up up and away,' etc.--and the last 2 episodes.
The 2nd serial set is superior, but this is still great fun to look at from time to time.
The problem is the Spider Lady. Not an interesting character, and she doesn't really give Superman enough challenges. The same 2 thugs seem to be beat up and nearly caught in every episode, and the plot really gets sluggish between episodes 9 through 13, and then picks up at 14 to a quick finish at episode 15.
The best are the first few--krypton, Jor-El, the Kents, Superman first meets Kryptonite, early use of his vision, 'up up and away,' etc.--and the last 2 episodes.
The 2nd serial set is superior, but this is still great fun to look at from time to time.
This low-budget, live-action Superman serial from 1948 is, literally, loaded with all sorts of unintentionally hilarious moments that are sure to keep all of the nostalgia buffs out there thoroughly entertained and chuckling away from start to finish.
Starring actor, Kirk Alyn in the dual-role of Clark Kent/Superman - This multi-chaptered cliffhanger pits our brave caped hero against the sinister Spider Woman (and her equally ruthless henchmen) who has (at her wicked disposal) a Relativity Reducer Ray (Wow! That's some weapon!) that poses all sorts of problems for Superman which he must quickly address and, then, set things right again.
All-in-all - I certainly don't have any hesitations when it comes to recommending this vintage presentation (on DVD) to potentially interested viewers.
Starring actor, Kirk Alyn in the dual-role of Clark Kent/Superman - This multi-chaptered cliffhanger pits our brave caped hero against the sinister Spider Woman (and her equally ruthless henchmen) who has (at her wicked disposal) a Relativity Reducer Ray (Wow! That's some weapon!) that poses all sorts of problems for Superman which he must quickly address and, then, set things right again.
All-in-all - I certainly don't have any hesitations when it comes to recommending this vintage presentation (on DVD) to potentially interested viewers.
A great serial especially in noting this was made 6 years after the golden era of serials. This serial features an outstanding and large serial cast led by Kirk Alyn as Superman. Mr. Alyn played the role in fine fashion and though he lacked the Roman jaw of George Reeves he easily makes a favorable impression. The rest of The Daily Planet crew also are quite good especially Noel Neill who is as feisty as Lois Lane as Kidder or Coates in later versions. Villains Carol Foreman and Charles Quigley both are memorable. The flying sequences are animated. I think it gave the screenwriters much more flexibility to the character than an actor or dummy on wires would have. This a film that is fun to watch more than once. It has a lot of spunk and humor as well as action.
Você sabia?
- CuriosidadesIn Superman: O Filme (1978), Kirk Alyn and Noel Neill have cameos as the parents of Lois Lane, in a train that is being passed by a running, teenage Clark Kent. Their scene was essentially cut from the original theatrical release but restored in the subsequent extended edition.
- Erros de gravaçãoIn Chapter 13, as Superman dismounts from the roof of a car, it is clearly visible that the back of his pants have split open, something Superman's super-costume couldn't have done.
- Citações
Jimmy Olsen: [unaware of approaching derailment] This train is really goin'. The engineer must be late for dinner.
Lois Lane: The way he's traveling he hasn't eaten all week!
[looks out window]
- Versões alternativasOpening chapter credits removed from the video release.
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Detalhes
Bilheteria
- Orçamento
- US$ 350.000 (estimativa)
- Tempo de duração
- 4 h 4 min(244 min)
- Cor
- Proporção
- 1.37 : 1
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