A Voz do Morto

... and that is understandable because by this time - 1949 - Warner Baxter was pretty much in constant pain due to his arthritis. It's painful for me to watch this film not because it isn't good but because you can clearly see the man is suffering.

Thus the usually supporting players take up the slack here, with Baxter really not participating that much in the action. Here we have a man, Steve Carter, getting paroled after serving three years for an arson he says he did not commit. The advice from the warden is for Steve to stay out of trouble, but with nothing but revenge on his mind for whoever it was who framed him, Steve isn't listening. The ever loyal Jane is waiting for him at the prison gates even though Steve threw her over for the more elegant Inez. Inez is now involved with tough guy George Goldie Harrison, played by Robert Armstrong, but that doesn't mean the two don't get locked in a passionate embrace the first time they meet after Steve's release. The news of this infidelity does not amuse Goldie.

It isn't long before one of the guys on Steve's short list of people who could have framed him turns up dead. Since Dr. Ordway (Baxter) recommended Steve for parole in the first place and Steve is acting quite guilty by running from the police, will the good doctor wind up with egg on his face? Watch and find out.

Making sure the mood doesn't get too heavy is Whit Bissell as a song writer who is obsessed with recording and performing just one awful tune. Is he harmless but annoying or is he the red herring villain that has ruined Steve's life for some reason real or imagined? Again I say, watch and find out.