Crepúsculo de uma Glória

Judy Garland's brief appearance in Till The Clouds Roll By as Marilyn Miller far outshines Ms. Haver's portrayal of Marilyn Miller. What a pity Ms. Garland couldn't be loaned out to Warner's to add some class to this otherwise paper-thin biopic. And what a treat it would've been to seen Judy and Ray Bolger together again on the silver screen, although I'm not sure if there would've been any chemistry between her and Gordon MacRae, whose stiff and lifeless performance is reminiscent of those given by Nelson Eddy in the 30's and 40's. And finally, I can't understand why Warner Brothers left off Ms. Miller's attempt to make it sound pictures. One of their biggest musical hits of 1929 was the film version of Sally, but their quick follow-up Sunny bombed.

When June Haver finally got the top musical role of her career, it was Ray Bolger who stole the show. A more accomplished musical actress might have made this musical more than a routine, pleasant backstage story that is actually an incomplete bio of the great Broadway star. The production numbers are fine, the supporting cast is excellent and the technicolor glows--but it's never more than a routine musical with June Haver appealing as the talented singer/dancer who became a Broadway favorite and Gordon MacRae in fine voice as the man she loves but ultimately loses to an untimely accident. Not great, but worth seeing for Ray Bolger's inimitable way with a dance step in some show-stopping routines. Nice supporting players include Rosemary DeCamp, Charles Ruggles and S.Z. ("Cuddles") Sakall.

If you love old fashioned musicals as I do, in glorious technicolor, I think you will enjoy this biopic of the extremely popular Broadway star of the early twentieth century, Marilyn Miller, here well played by June Haver. June Haver herself gave up movies shortly after this film, became a nun for a short while and then married Fred MacMurray and retired from movies. She has a similar build, having checked out Marilyn Miller on YouTube as I have, and is well cast, unlike so many movie castings. Perhaps less pretty than the real woman, June gives an effervescent performance throughout and my only gripe is that she didn't really have the charisma perhaps that Marilyn Miller clearly must have had to have been so popular. However, there are two charismatic performances, the leading actor and wonderful dancer, Ray Bolger, who played the scarecrow in The Wizard of Oz, and the future heartthrob singer and actor Gordon MacRae, he of Oklahoma! and Carousel fame. Ray Bolger plays Jack O'Donahue a star dancer who befriends Marilyn, and Gordon MacRae plays her first husband, Frank Carter. Bolger is outstanding as usual, displaying his dancing gifts which make you long for more of his movies to be shown, although he never made that many. The same for Gordon MacRae, who never made enough musicals, who for me had the best baritone voice Hollywood ever had, and here he is under-used, but it was his first musical. Sadly, all of these great musical stars were dropped by the studios when TV and rock 'n'roll took over in the mid fifties. A criminal waste of talent. Luckily for these two guys they could adapt to TV and Broadway to continue their careers. Catch them here in a really good musical (although sanitised according to reports on Marilyn Miller) before the studio chop came. The score here by Jerome Kern and Buddy DeSylva is just beautiful, including of course the title song. Good supporting actors include Charlie Ruggles and Rosemary DeCamp as Marilyn's parents who include her in their act when she is fifteen. June Haver is a little unconvincing at this stage as she looks too old, but then she has to age about fifteen years over the movie. Marilyn Miller died in her mid thirties from a sinus operation but the movie is cut short before this so as not to bring it down at the end, a clever decision I thought.

Typical, Hollywood, 1940s, musical biopic. You take what, by all accounts, was a sassy, lusty, four times married (five if you count the engagement that was going to result in marriage were it not for an untimely death brought on by botched nasal passage surgery) alcoholic gal and run her through Will Hays' and Joe Breen's handy dandy whitewash, censorship, bowdlerization, airbrush machine and, voila ! She comes out a G rated bore. As is this film. Aside from two great Ray Bolger hoofin numbers and one good Jerome Kern song (the title song) it's pretty much fast forward city. As for June Haver, there seem to be glimmers of talent in there somewhere, but David Butler sure aint the director to bring them out. C minus.

Underaged Marilyn Miller (June Haver) joins her idol Jack Donahue (Ray Bolger) on the vaudeville stage. He's already married and she ends up marrying her dance partner Frank Carter (Gordon MacRae).

This is a musical biopic. I don't know the characters and I have never heard of these songs. They are not my style of music, but I don't hear anything wrong with them. I'm no music major. It did get a music Oscar nomination. The dancing is ballet-like Broadway. In this case, it looks passable but I'm no dance major. As for the story, it is melodrama and rather limited drama. The character is underaged for most of the movie and June Haver is in her twenties. This seems like an average musical.