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Kim

  • 1950
  • Approved
  • 1 h 53 min
AVALIAÇÃO DA IMDb
6,5/10
2,3 mil
SUA AVALIAÇÃO
Kim (1950)
Trailer for this classic big screen spectacle filmed in India
Reproduzir trailer2:50
1 vídeo
31 fotos
Coming-of-AgeQuestAdventureDramaFamily

Durante o Raj britânico, o órfão de um soldado britânico se apresenta como hindu e está dividido entre sua lealdade a um místico budista e o auxílio ao serviço secreto inglês.Durante o Raj britânico, o órfão de um soldado britânico se apresenta como hindu e está dividido entre sua lealdade a um místico budista e o auxílio ao serviço secreto inglês.Durante o Raj britânico, o órfão de um soldado britânico se apresenta como hindu e está dividido entre sua lealdade a um místico budista e o auxílio ao serviço secreto inglês.

  • Direção
    • Victor Saville
  • Roteiristas
    • Rudyard Kipling
    • Leon Gordon
    • Helen Deutsch
  • Artistas
    • Errol Flynn
    • Dean Stockwell
    • Paul Lukas
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    2,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Victor Saville
    • Roteiristas
      • Rudyard Kipling
      • Leon Gordon
      • Helen Deutsch
    • Artistas
      • Errol Flynn
      • Dean Stockwell
      • Paul Lukas
    • 41Avaliações de usuários
    • 15Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    Kim
    Trailer 2:50
    Kim

    Fotos31

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    Elenco principal64

    Editar
    Errol Flynn
    Errol Flynn
    • Mahbub Ali, the Red Beard
    Dean Stockwell
    Dean Stockwell
    • Kim
    Paul Lukas
    Paul Lukas
    • Lama
    Robert Douglas
    Robert Douglas
    • Colonel Creighton
    Thomas Gomez
    Thomas Gomez
    • Emissary
    Cecil Kellaway
    Cecil Kellaway
    • Hurree Chunder
    Arnold Moss
    Arnold Moss
    • Lurgan Sahib
    Reginald Owen
    Reginald Owen
    • Father Victor
    Laurette Luez
    Laurette Luez
    • Laluli
    Richard Hale
    Richard Hale
    • Hassan Bey
    Roman Toporow
    • The Russian
    Ivan Triesault
    Ivan Triesault
    • The Russian
    Mimi Aguglia
    Mimi Aguglia
    • Food Purveyor
    • (não creditado)
    Patrick Aherne
    • General's Aide
    • (não creditado)
    Fernando Alvarado
    • Indian Boy
    • (não creditado)
    Michael Ansara
    Michael Ansara
    • Harem Guard
    • (não creditado)
    Lailee Bakhtiar
    • Native Girl on Road
    • (não creditado)
    Bobby Barber
    Bobby Barber
    • Cart Driver
    • (não creditado)
    • Direção
      • Victor Saville
    • Roteiristas
      • Rudyard Kipling
      • Leon Gordon
      • Helen Deutsch
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários41

    6,52.3K
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    Avaliações em destaque

    9eaglesnest-1

    The Quest is the Key

    When KIM came out (1950) I was 10 years old. I was fascinated with the intrigue of a boy like me getting involved in a spy situation. Dean Stockwell was 12 or 13 at the time. The film stuck so close to me over the years that I wrote about it later in high school and remember it well to this day some 54 years later.

    Yes, there is action but not the usual, now-a-days blood-and-guts for two hours. In between the chilling scenes were the spy intrigues of the British trying to hold on to their empire. It was easy to tell the good guys from the bad. I admired the skill of Stockwell then and still do. His career has spanned nearly 60 years now.

    Watch KIM -- again and again. I still get something new every time I see it.
    7ma-cortes

    Intense adventure with splendid production and impressive scenarios

    This is a nice version of Rudyard Kipling's notorious India tale, adapted in Hollywood style by Victor Saville and set in 1880s. Along with ¨Courageous captains¨, ¨Jungle book¨, ¨The Elephant boy¨ are the Kipling's most known adaptations. Kim(Dean Stockwell) is 15-years old boy posing as vagrant native , but he's actually son of a English sergeant. He's living on his own resources when finds a monk Lama(Paul Lukas) , a holy man. Kim is looking for a red bull an the Buddhist Lama on search for a river where Budda hurled an arrow becoming itself a sacred place. Kim also befriends an Afgan horse dealer named Mahbub Ali (Errol Flynn) . Later on , Kim is trained by English secret service(Arnold Moss) as spy. Then Kim receives orders of a Brit colonel(Robert Douglas) for a daring mission.

    This rousing adventure film packs emotion, feats, thrills and agreeable performances. Stars Paul Lukas does a magnificent acting as spiritual monk but is Dean Stockwell as the rogue waif , in the title role, who steals show. Although relies heavily on the enjoyable relationship between the protagonists , nevertheless the film is very amusing, providing some intense action scenes and lots of excitement. Enthusiastic supporting cast from Robert Douglas, Cecil Kellaway, Thomas Gomez, Laurette Luez and Reginald Owen as Father Victor, among them. Glamorous cinematography in glimmer Technicolor by William L Skall . Filmed on location in Rajasthan,Agra(India) and US, as Lone Pine, Alabama Hills, Sierra Nevada mountains of California and with production design by prestigious Cedric Gibbons and Hans Peters. Stirring and exotic musical score by Andre Previn. The picture is flavorfully directed by Victor Saville. Rating : Good and nice, it's an exciting family fare. It's remade for TV(1984) in an inferior version directed by John Davies and starred by Peter O'Toole as Lama and Blayr Brown as Ali.
    7Igenlode Wordsmith

    Kipling as children's entertainment

    "Kim" is a Hollywood attempt at a literary adaptation that doesn't quite come off: on re-reading the book I was surprised at just how much is lifted directly from Kipling's original dialogue, albeit not always in the original context, and many of the familiar images are there even where the plot strands that were attached to them have been omitted. The little boys still ride astride the great gun in Lahore, the smashed water-jar reforms itself on the floor of Lurgan's shop, and the old woman from Kulu peeps shamelessly from the corner of her curtained cart.

    A great deal has been condensed in order to meet the requirements both of length and of the cinematic form; the most memorable parts of Kim's adventures, like those of Mowgli, occur before he is 'civilised', and the film does a good job of trying to reduce the strung-out remaining two thirds of the novel into a reasonably short timespan. Many of the added scenes, such as the one where Mahbub Ali cheerfully dispatches a would-be assassin and Kim tries for equal equanimity but fails, Creighton's device for helping Kim escape his pursuers at Ambala, and the boy's hard bargaining with the disguised goat-herd in the mountains, are true to the spirit of the book. Someone clearly did try hard on this.

    But what I would guess that MGM were hoping for was another Kipling-cribbed adventure story along the lines of "Gunga Din", and "Kim" simply doesn't come to life in the same manner. British-made films of India such as "The Drum" or "North West Frontier" capture the local colour better, but they also have the advantage of more sophisticated political dialogue and a more inherently cinematic plot. Ironically, "Kim" probably sticks too close to source: Kipling's novel was never intended as a conventional thriller, and once you take out the philosophy, description and the unequalled ear for the demotic that conjure up the author's India at such length, there isn't that much actual action in the book. The screenplay supplies some extra thrills to take the place of the novel's ignominiously simple defeat of the Russians and adds a couple of rooftop chases earlier on, with the somewhat creaky device of a narrator used to fill in the gaps, but it didn't really catch my imagination.

    Dean Stockwell is no Sabu, but he acquits himself well in a film that absolutely depends on its central child actor. He handles Kim's long streams of abuse or cajolery with aplomb, and looks if anything more convincing in Indian clothes than European costume, where he seems more the 1950s schoolboy than a child of the nineteenth century.

    Casting Errol Flynn as Mahbub Ali, the Afghan horse-trader 'as prompt as he was unscrupulous', was clearly a publicity coup for MGM, who awarded him top billing for what is really only a supporting role, and rewrote the story to give the character a more heroic place in the action. For his part, Flynn sacrifices not only his trademark pencil moustache, but his entire head of hair to the studio, appearing at one point with a shaven scalp and at another with a bizarre ginger stubble that suggests someone had misunderstood the concept of a crimson-dyed beard... He wears his costumes well, and the script adds in a couple of winking nudges to Flynn's image as a screen Lothario that aren't really an improvement; but on the whole he plays it straight, although relatively uninspired. There's nothing wrong with the performance but nothing really memorable about it either, although there is a visible rapport between Mahbub and the boy.

    Paul Lukas gives a good performance as the holy man whom Kim loves and protects, once you've got over the fact that he looks nothing whatsoever like a Buddhist monk -- more like an elderly Cardinal! The fact that he is supposed to be Tibetan is perhaps wisely glossed over in the script, and Lukas brings out the quiet steel behind the old man's unworldly determination, as well as his affection for Kim.

    Ultimately, however, I felt this film neither had the depth of character of its source nor the magic and excitement of the type of adventure it's trying to be; it reads as a tea-time adaptation rather than a film in its own right. I'd rank it as a 7 on my personal scale: worth recommending if it's on, but not worth going out of one's way to see.
    emuir-1

    Stands up surprisingly well after 52 years

    I watched this film on Turner Classics as I had been entranced by it as a child, and wanted to see how it stood up to today's expectations. I was very pleasantly surprised to see that it was a rolicking good adventure yarn, that would be an ideal film for the family to watch together after a holiday dinner. As I had a tape of the TV version, with Peter O'Tool as the Llama, I was able to compare the two, which is why I felt that the 1950 version has worn well.

    The colour is excellent, the acting is very good, and the locations shots in India lend a great deal of authenticity to the production. I realise that many of today's audience will find the lack of sex and violence make for a tedious film, but it is precisely the lack of obvious sex and violence, it is implied rather than overt, which makes for a good family film. In fact it was a relief to see a film that did not include the obligatory chase and fisticuffs that we have seen in every film and TV series in the last 50 years.
    billyfish

    If you like the book, you'll like the film.

    Fans of The Great Game in general and Rudyard Kipling's Kim specifically will enjoy this film, I think, especially if they've read or re-read the book recently. While it is true the film shows its age, if you're not a nit-picker, you should remain engaged. Stockwell does a good job with the title character of Kim, who is the central character, just as he is in the book. While The Great Game swirls around Kim, the story is one of his education in the arts of spying and his devotion to his holy man. The courage portrayed by characters Mahbub Ali (played by Errol Flynn) and Hurree Chunder is reminiscent of the exploits of the real-life locals who served in the Indian Secret Service in the late 19th and early 20th centuries.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Errol Flynn was initially excited about going to India, and turned down the studio's offer of the lead in As Minas do Rei Salomão (1950) (which ultimately went to Stewart Granger). However, all of Flynn's scenes in this film were shot in the studio and matched in the editing room with long-shot second-unit footage of his double.
    • Erros de gravação
      When Kim is delivering a message in the evening, a Chuck-will's-widow can be heard calling. This species is found in the Western Hemisphere only.
    • Citações

      Mahbub Ali, the Red Beard: When a colt is born to be a polo pony, I think it would be a crime to bind him to a heavy cart.

    • Cenas durante ou pós-créditos
      The "I" in the title is dotted by a crescent.
    • Conexões
      Featured in Soldiers: The Face of Battle (1985)
    • Trilhas sonoras
      D'Ye Ken John Peel?
      (uncredited)

      Traditional

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    • How long is Kim?
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    Detalhes

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    • Data de lançamento
      • 26 de janeiro de 1951 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Russo
    • Também conhecido como
      • Rudyard Kipling's Kim
    • Locações de filme
      • Bundi, Rajasthan, Índia
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.049.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 53 minutos
    • Proporção
      • 1.37 : 1

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