Konyaku yubiwa

Jûkichi Uno is a tubercular patient, recovering at his home. Toshiro Mifune, his doctor, takes the bus to tend to him and meets Uno's wife, Kinuyo Tanaka. He does not know who she is. He thinks her a local, and asks for directions; she takes him into the house. As time goes on, they develop a yen for each other, and Uno suspects the worst.

Keisuke Kinoshita's drama offers a very un-Japanese view of morality, almost a Jewish one. For the characters in this drama, appearances are very little. What matters ultimately is what people do, not what they think or feel. Even so, those feelings are very important, and sometimes determine what they do; Miss Tanaka runs a fancy jewelry store in the Ginza. She has a fabulous diamond wedding ring, easily six carats, yet she leaves it off in her scenes with Mifune. These trigger resentment, self-loathing and suicidal thoughts in Uno; hope and a desire to abandon his responsibilities to his patient in Mifune; and shame in Miss Tanaka. The question, in the end, is not what they feel, or what others may believe. It is the actions of the people involved which are the only things which are important.

Once upon a time, "women's film" was a very popular movie genre. I'm not talking about romantic comedies but rather dramas that were aimed at middle-class and affluent women. Usually they were about wives and their spouses or families. The best known examples here in America are probably the Douglas Sirk melodramas from the 1950's. They were also pretty popular in Japan and here we have what was probably a typical example. An Engagement Ring (the Criterion print on Hulu calls it Wedding Ring) is about a successful business woman played by Kinuyo Tanaka. She is the president of a department store in Tokyo but she has to commute to a remote town every weekend to attend to her husband who has been sick with tuberculosis for years. Trouble arrives in the form of a hunky new doctor, played by Toshiro Mifune.

I have to admit I am not a big fan of the genre. I do like some of Sirk's movies, but this film is nowhere in their league. It does have some nice shots and it is interesting to see Mifune in a rather subdued role. But overall the story is not very compelling and the movie as a whole is rather dull. Completists of old Japanese films or of the director might enjoy it, but I think most people would be rather bored by it.