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The Late Edwina Black is directed by Maurice Elvey and adapted to screenplay by Charles Frank and David Evans from the play of the same name by William Dinner and William Morum. It stars David Farrar, Geraldine Fitzgerald, Roland Culver and Jean Cadell. Music is by Allan Gray and cinematography by Stephen Dade.

It's Victorian England and Edwina Black has just died. When a fatal dosage of arsenic is revealed to be the cause of death, suspicion falls on Edwina's husband Gregory (Farrar) and her house companion Elizabeth (Fitzgerald). More so when it becomes apparent that Gregory and Elizabeth are having a passionate love affair. Intrepid Inspector Martin (Culver) investigates as housekeeper Ellen (Cadell) looks on with interest from the shadows.

Under seen Brit period mystery resplendent with moody melodramatics and some spooky shenanigans. This is all about a mystery to be solved in a big Victorian house bathed in shadows and low lights. There is only three suspects, so for those paying attention from the off the mystery is a little weak, while there's some over acting indicative of the time.

However, Elvey and Dade prove very adept at creating a house of ominous atmosphere, where although the hinted at supernatural elements are not in the realm of horror, they work well in context of the back drop. Characterisations are nicely drawn, especially when the harmony of Gregory and Elizabeth's affair begins to crack.

It all builds to a quintessentially olde British finale, as the great Roland Culver gets to do his Hercule Poirot act, all neatly revealed over a cup of tea! Hooray! 7/10

The woman is dead but more alive than anyone else in the film, while they are all kept busy by her paranormal terror, using her life-long housemaid for an instrument. Jean Cadell is the housemaid and splendid as a formidable dinosaur. David Farrar is the husband and widower of the deceased and a victim of her terror for being just a poor school-teacher, while she was rich enough to own him. Geraldine Fitzgerald is the other victim as the secretary at the mercy of her whims of cruelty against her for being in love with her husband. So all have motives for disposing of the bed-ridden hag except Jean Cadell, who keeps her haunting and alive in the house after her death. Roland Culver is a very prudent police inspector who has to investigate a possible crime and who enjoys a cup of tea any time all around the clock. It's a great chamber play of tremendous passions with many outbursts of exploding tempers. Besides the tight and intensive dialog and the acute drama, it's a very beautiful film in a perfectly romantic environment in a great villa with a park and garden and a greenhouse and ideal music by Allan Gray. Everything combines to form a perfect domestic thriller of critical relationships driven to the brink of self-destruction, and nothing is missing to make it perfect. The only objection would be that it is too short - "the shortest full-length film I ever watched" as one reviewer aptly summed up his experience.

Suspicion falls on widower David Farrar and his pert young mistress (Geraldine Fitzgerald) when his sickly, shrewish wife dies of arsenic poisoning. Veteran director Maurice Elvey creates a nicely ominous atmosphere as the ghostly influence of the dead woman seems to pit the lovers against one another, but the middle act, in which Farrar and Fitzgerald grow increasingly suspicious of the other's possible motive for murder, tends to drag. Roland Culver as a dogged, no-nonsense Scotland Yard detective livens things up considerably.

"The Late Edwina Black" from 1951 stars Geraldine Fitzgerald, a favorite of mine, and David Farrar.

The story takes place in Victorian England. Gregory, Edwina Black's husband, is a schoolteacher. Edwina herself seems to be an invalid and independently wealthy. Her companion from childhood is Ellen (Jean Cadell).

The other person helping with Mrs. Black is Elizabeth. Elizabeth happens to be in love with Gregory, and he with her, and Ellen knows it.

One day Mrs. Black is found dead, and while at first it seems like a heart attack, it appears she was poisoned. A police inspector (Roland Culver) comes around as soon as it is learned how Mrs. Black died. His questions annoy Gregory and upset Edwina.

Before you know it, the two of them are suspecting one another. Elizabeth believes Edwina's spirit is still present and trying to destroy both of them.

Good movie, good mystery, with fine acting. It really does keep you wondering. The atmosphere is terrific, mostly inside a big, dark, gloomy house, which is perfect for the plot.

David Farrar was quite handsome but, like Dirk Bogarde before him, just wasn't cut out for Hollywood. While Bogarde's career in Europe continued and expanded after Hollywood, Farrar could not regain his momentum. He finally retired. Recommended.

The Obsessed is a nice example of English noir and of the murder mysteries they do so well and with such style. It's a wonderful case study on how suspicious minds can mess with your head.

Schoolmaster David Farrar's wife who's a rich sickly soul is given arsenic poisoning and that brings Scotland Yard in with Inspector Roland Culver. Farrar has been carrying on for some time with Geraldine Fitzgerald who is the wife's companion.

The bulk of the film is spent with Farrar and Fitzgerald each thinking the other did it and trying to keep their relationship intact. Housekeeper Jean Cadell, a nasty old soul is sure it was one of both.

A whole lot of emotions come into play with the scenes of the two leads often at the same time, hope, fear, anger, suspicion all fueled by the wife's poisoning.

As is usual the wise Scotland Yard inspector with some forensic help sorts it all out.

Great acting especially from the two leads.