Juventude Desenfreada

This is an interesting story about how stupid and self-destructive people—young people in this case—can be. This movie was released in 1960, but look around and it's clear that the issues it brings up—although in a somewhat overly melodramatic way—continue to be relevant today, and probably always will be as long as human beings exist. The previous reviewer has the right to their negative opinion, but I think they missed the big picture, perhaps they are just too young to know any better.

Besides following a good storyline, it is also well-shot. The cinematography is crisp. And the overall nature of the photography gives the film a fantastic and hermetic quality. It's gritty, and obviously seeks to be realistic, but it has the feel of a fable or a morality tale.

This is a curious film, definitely of its time, but not from France. The two lovers Kyoschi and Makoto have a devil may care attitude about things. At times, you want to shake the female lead (Makoto) and tell her to be more responsible. Kyoschi is sometimes just this side of brutal to her, both physically and psychologically. The film reminds me a bit of "Rebel Without A Cause" and even "Breathless", which is more than likely intentional. For a Japanese film, it is fairly gritty. My only complaint is that most of the characters besides the two star crossed/unfortunately matched lovers are underwritten. I wonder if anyone thought at that time to show this film to youths in Japan, to let them know that falling in love is not always the true path to happiness. An interesting, fully watchable film.

Kiyoshi is a student with a completely immoral attitude towards women (and other things too). His young lover Makoto seeks adventure with him. Unlike her younger sister, a former left winger she doesn't bother about changing the society but she just wants fun, but the completely egotist attitude of her lover brings about ruin for both.

the beginning of the film which is ingenious and visually very inspiring is followed by a rather mediocre middle part, where their method of gaining money by luring middle aged men into a trap is described excessively. Nevertheless you don't get to know if the first scene of the film is already a part of that profession or a mere accident.

But now watch the film for yourself.

I liked seeing a raw, edgy, uninhibited side of Japan, and director Nagisa Oshima's style which mirrored the French New Wave directors from this period whom he admired. I liked the nice cuts and shots he captured, the rock and jazz music in the soundtrack, and his unflinching look at the cynicism present in Japan following WWII. There are some who relate it to "Rebel Without a Cause", but I don't like the comparison, because "Cruel Story of Youth" is over-the-top in its darkness and nihilism, none of the characters are likable, and one doesn't get any sense of the 'tragic, misunderstood, disaffected youth' or feel empathy towards them. There's also not enough content which relates their delinquent behavior to their upbringing or the times which would allow us to see it as an indictment of society.

You could say all this darkness is because life in Japan after the war was far darker than America, and while there is some truth to that, the film's biggest problem is the cruelty towards women which pervades it. You'll see attempted rape, rape (twice), attempted forced prostitution, an extortion scheme that involves using a woman as bait in dangerous situations, using women young and old as sex objects without any feeling, and utter indifference to abortion from a surprise pregnancy. Cruel story, indeed. The lead female character is shockingly stupid. There are some characters in films who are just stupid, regardless of their sex, but this is part of a larger theme. The film is all about in-your-face rebellion in its content, frankness, and even style (which I ordinarily love) – and yet how sad is that Oshima perpetuates the (very traditional) theme of misogyny. It's the combination of this and the general unlikeability of the whole thing that tempers my review score to an average rating, for what is such a landmark film from a talented director.

I know that many consider this film to be a classic and my very low score will most likely trigger a lot of "not helpful" votes, but I just didn't like this film at all. I understand that the film is in many ways a Japanese film version of the important French film BREATHLESS, but like BREATHLESS, the leading characters are so unpleasant I had a hard time sticking with the film--though with THE CRUEL STORY OF YOUTH the characters a lot more unpleasant and slimy.

The girl is an idiot high schooler who slavishly follows after a college student who treats her like garbage. He rapes her twice at the beginning of the film and in return, she devotes herself to him!! The guy, in addition to being a rapist, is a violent user. The loves to fight and sleep around and does little to hide it from the girl. Considering that neither seem to ever go to class and don't have jobs, they earn money by setting up men to try to rape the girl--at which point the guy jumps out and beats up the men and takes their money. It sounds like a match made in heaven, right?! So why make the American title of the film "THE CRUEL STORY OF YOUTH"? What's cruel about the story--both characters choose to be evil and choose their fates. It isn't like they are somehow victims (though the film does try to paint it that way). Their lives are pointless and selfish. Rape, abortion, extortion, indifference--after a short time I found myself getting very tired of the whole thing and, oddly, when the film had it's supposed sad ending, I was thrilled! I say good riddance and bring me a film I can care about--not this nihilistic and nasty little film.