The Iron Maiden

I LOVE it! It's a classic British movie in the same guise as "Genieve", "True as a Turtle" and "Dads Army". I rarely pay much attention to movie experts and critics, because inevitably if they love a movie, I'II hate it and visa versa! .... and all the reports I've heard over the years about this movie only acknowledge my thoughts!

The Iron Maiden is just a good Saturday afternoon style movie with no violence, loud music or crazy film affects ..... I like to sit back and just enjoy it for the entertaining classic it is.

The Traction engines in the movie are a bonus, but what a bonus as is the cars and the scenery in general! It takes me back to a time when things were simpler and more basic and comedy was something that you instantly laughed or snickered at without having to think about it first!

I'd have to say it's one of my favorite British movies of the era.

It's not called 'The Swingin' Maiden' that is a recent made up name, for some unknown reason to me, it was originally titled and has always been 'The Iron Maiden' (note the name of the engine in the film).

I gave this review with that title. It's made by the Carry On team and includes some of their actors, it could have been called "Carry on Steaming", but maybe not, despite being made by them it's not really in the Carry On style, it's more like an Ealing Comedy, the Carry on actors included are Joan Sims and Jim Dale, with Cyril Chamberlain who also did Ealing comedies and Judith Furse who did a variety of stuff.

It's more of a 50's Rom Com (although made in the 60's) style, and similar style and content to Genevive with Kenneth More, this time it's got Michael Craig, with Anne Helm as his American love interest. Anyway it's a pretty good film, nice countryside, with good photography, and its well made. The big stars are of course the steam traction engines and the guest star the Handley Page Victor, one of the beautiful V-Bombers from the 50's.

If you want to fantasise what 1950's England was like, this is the film, although if it ever was like that it was only in small parts, it's not like that any more, and mostly it never was.

But it is a lovely film, and while the lockdown is in full flow, something very nice to watch any afternoon.

Update 2024, Having looked at it again, I noticed that IMDB have returned its true title to this film, and it is now back as "The Iron Maiden", and about time too.

THE IRON MAIDEN is a film that feels for all the world like the producers were able to hire a traction engine for a month or so and decided to write a script around it. What follows is a typically genteel British comedy full of the usual hijinks and appearances from familiar faces; it's hardly classic material, but it remains a fun if slight feature from beginning to end.

The film was made by the director/producer team of Gerald Thomas and Peter Rogers, best known for their long-running CARRY ON series, and indeed they throw in a couple of cameos for Jim Dale and Joan Sims early on in a bid to hammer home the similarities. Unfortunately the script is saddled with a couple of stiffs for the lead roles, but the supporting cast is much more enjoyable and includes parts for the familiar likes of George Woodbridge and Sam Kydd. Best of all is the alluring Anne Helm, impossibly glamorous as the female lead.

Which isn't saying much, let's face it. What is it about the British and old vehicles? Not only do we love them but we insist on making movies about them ('Genevieve' and 'The Titfield Thunderbolt', both from 1953, spring to mind). This film doesn't have the classic status of these earlier films. I think the writing has to take a lot of the blame, the characters are poorly drawn and not believable, while the editing often lets down what could be a punchline.

The cast also divides between those who can play comedy (such as Cecil Parker, Noel Purcell and Jim Dale) and those who can't (the lead players unfortunately).

To my mind the funniest character is Noel Purcell's Admiral Trevelyan with his blasphemous demands to his fireman (the local Vicar): "Hell's bells! Don't just stand there! Pray, blast ya, pray!!!"

The team of Peter Rogers & Gerald Thomas were getting into their stride when they tried to do a 'Genevieve' and to that end they splashed out on colour, rural locations, a mainstream leading man and cleaner jokes (although there's the inevitable one about "her big end".

Carry On' regulars are thin on the ground, apart from Joan Sims as Mrs Sam Kydd with Cyril Chamberlain representing the old and Jim Dale the new.

Michael Craig remains the film's biggest liability as he's far too abrasive for such a whimsical subject and never for one moment seems like the sort who'd have a penchant for traction engines.