As Sete Maldições de Lodac

THE MAGIC SWORD (1962) is a fantasy film that enthralled me as a child when I sat in a Bronx theater with a packed house of kids on a summer afternoon. We talked about it for days afterwards and acted it out in our street games. As a grown-up, when I returned to it on TV, I may have found some of the effects less than convincing, particularly the dragon, but I still found the film quite engaging and consistently memorable. The images have a bold graphic quality reminiscent of the best comic book art. Each shot cuts right to its essential information and uses whatever low-budget means at the filmmaker's disposal--make-up, costumes, color, lighting, simple optical effects--to make the image stand out. In addition, there are strong performers on hand who have a kind of comic book/fairy tale aspect to them, e.g. Estelle Winwood, as the hero's spell-casting guardian; Basil Rathbone, as the sorcerer villain; and Vampira as a beautiful woman the knights meet on the road, who turns monstrous at a moment's notice.

The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.

"The Magic Sword" is one of B-movie producer/director Bert I. Gordon's best known films. Granted, it's no masterpiece, but it is enjoyable on it's own terms. The plot, very loosely based on the 'St. George And The Dragon' legend, has a princess (Anne Helm) kidnapped by evil sorcerer Lodac (Basil Rathbone) and hunted by lovesick George (Gary Lockwood). Aided by his foster mother Sybil (Estelle Winwood) a good witch, George vows to save the princess and destroy Lodac. Although this plot has been done to death, it's the acting by the splendid Rathbone and Winwood which keeps this film consistently entertaining. Add some modest, but impressive special effects, and you have a very entertaining minor adventure for the family. Beware: this public domain film is available on several cut-rate DVDs, but only the newly released one from MGM/UA home video is worth the price. They have a beautiful print of the film (it was originally released by United Artists) which contains a fun theatrical trailer. This is the one to get!

When this came out to the people of that time it served its purpose well and became a good source of entertainment for its time. Children were deeply affected and even adults were able to sit through this making it believe it or not a family movie with fun, popcorn and memories. Scary by its time and standards and not so much today, those that captured this for the first time scored well. Who hasn't dreamed of a magic sword, a fast horse or pet, loyal friends and someone to love? How a bout a bad guy who doesn't like anyone? A silly old grandma who loves and spoils?

Why a re people so unkind to this very funny fantasy. Any adult can tell it is not meant to be taken as some sort of 'magnificent spectacle'. Yes it is low budget but it knows it, and Basil and Estelle seemed to be having a very sly old time brewing potent hammy acting to fling at each other and the hopeful cast. Kids love this film even today; it has the sort of 'crummy but fascinating' manginess cheap color fantasies have. Does anyone remember those equally hilarious and ghastly 'storybook productions' like Mother Goose or Jack and the Beanstalk? Terrible but lovably hopeless and thoroughly entertaining. THE MAGIC SWORD even has a pre 2001 Gary Lockwood; boy I bet he's glad Kubrick saw something in him after this. Kubrick would have seen this, you know, I am sure he saw everything Gary Lockwood made before casting him in 2001. And he still hired him. Besides, MAGIC SWORD has the unforgettable Estelle Winwood. She is like Edward Everett Horton in a dress. Pantomime? Sure. Hilarious? Yes. Enjoyable? Thoroughly in its mangy matinée way. Can you believe I saw this on a double feature with SINK THE BISMARK! Such were kids matinées in Australia in 1962. The next week we saw CAPTAIN SINBAD which almost looks like the out takes of THE MAGIC SWORD.

To compare this film unfavorably to the high standards we hold for today's films would be unjust. This film has to be judged by the era that made it. Great films like "Jason and the Argonauts", "Hercules Unchained" and others of that ilk were popular and had an audience albeit a limited one. I remember seeing this film at the ripe age of six and being awestruck and terrified. Basil Rathbone was sinister as the evil wizard. The dragon seemed an insurmountable obstacle to the hero. There were little people inside a large bird cage crying for help,an evil temptress witch with green glowing eyes that lured one of the good guys to his doom and a horrible bubbling swamp that ate the flesh off of one of the good knights when his horse stumbled and he fell in. I'm glad I was six when I saw this film. I've remembered it for years and just thought to pay it a visit again on this site.