Nurse on Wheels

Underneath the opening credits of this gentle, old-fashioned (even when it was made) corny comedy, we see Juliet Mills riding her bike through a provincial town. She looks very nervous; probably because she knew there'd only be one take, and that there were no safety measures. The producers of this British relic (I don't mean Ms Mills) were known for their cheese-paring parsimony. It shows in the lighting set-ups and the straightforward, episodic storytelling. That's not to say that Gerald Thomas didn't know how to tell a story. He had plenty of practice. He also knew that the host of tried and true character actors who populate this mild comedy, were prone to hamming outrageously if given the chance; he gave them the chance and they don't disappoint - with the exception of Mr Huntley and Ms Seyler, who are restrained. The handsome (and, film-wise, under-used, for health reasons, I understand) Ronald Lewis stars as the nurse's love interest; and Ms Mills, in her professional English way is a very charming nurse. I thought it very light when I first saw it at the Regal cinema, in Putney, in South London. Even then I was surprised it scraped in as a main feature. I expect it had some pretty strong support - a western perhaps, in colour. Nowadays Nurse on Wheels seems almost amateurish; but if you like those thesps of yore, check it out. They're the main attraction.

Juliet Mills was rewarded for her charming performance as a nurse in 'Twice Round the Daffodils' with the title role in this breezy little comedy in black & white.

A strong female supporting cast includes Esma Cannon as Mills's feather-brained mother ("How your mind wanders. I wonder who you get it from!"), Joan Sims in a refreshingly 'normal' role, with a name - Deborah Walcott - to match, and Athene Seyler in her final big screen appearance.

Among the men Jim Dale plays the first of two expectant fathers in a row for director Gerald Thomas, and Ronald Lewis (who's Land Rover carries a tax disc bearing an April 63 expiry date) is unfortunately a boor as Mills's supposed love interest (which makes it a pleasure to see him scared witless by her driving in a white-knuckle drive through the fictional village of Blandley which is probably the film's comic highlight).

She gets more screen time here than in most of her films and she grasps the opportunity with both hands.She is splendidly dithering.She reminds me of Billie Burke who played dithering matrons in Hollywood. Much of this film is familiar stuff.It looks as if Norman Hudis has taken the driving lesson sequence from Please Turn Over.Nevertheless it is still entertaining.

NURSE ON WHEELS does feel very much like a non-canon CARRY ON film, a feeling exacerbated by the presence of not one, not two, but three CARRY ON big names: Gerald Thomas as director, Peter Rogers as producer, and Norman Hudis as writer. Add in the presence of a number of CARRY ON players in support and you have pretty much a CARRY ON movie in all but name.

The tag line proclaims this as "funnier than CARRY ON NURSE!" and I would have to disagree with that statement. The early black and white CARRY ONs were all very good indeed; there was no time taken to get the series up to speed, they had the formula correct from the word go and the resulting films feel fresh and sparkly even now. NURSE ON WHEELS spoils things a bit by including a large romantic sub-plot which makes this sometimes feel like a light romance from the 1940s rather than an early '60s comedy.

Still, there are plenty of reasons to tune in, not least the efforts of the solid cast. Juliet Mills is full of warmth and humour as the district nurse lead, although the fish-out-of-water type humour feels very quaint and even antiquated for a modern viewership. Ronald Lewis is stuck with the stodgy role of a farmer, although Noel Purcell shines as the eccentric general store owner. Sadly, one of the best known of the CARRY ON actors, Joan Sims, has her comic talents wasted in the part of a jealous rival. Still, Esma Cannon is delightfully eccentric, old talents like Joan Hickson and Renee Houston remain amusing, George Woodbridge is cast delightfully against type, and Jim Dale makes a mark early on in his career.

A marvellous bit of whimsy from Britain's film industry of the early 60's, when we knew how to make this kind of light-hearted comedy/drama. Almost everyone is perfectly cast - especially the pretty and pleasant Juliet Mills as Nurse Jones - and her mother, played by the incomparable Esma Cannon very nearly steals the show; the scene with the sink plunger never misses. Raymond Huntley's vicar is a bit thin on plot, but then he is there only to provide Joan Sims with a purpose anyway. However, on every DVD and TV showing I've seen, the reels seem to have been assembled in the wrong order and the plot strand concerning Joan Sims applying for a job seems back-to-front! Despite this, Nurse on Wheels is a pleasant 90 minutes of classic British gentle comedy with a fine cast of regulars. I can only agree with other posters who have said 'they don't make them like this anymore'.