Papai Ganso

I have a certain fondness for this 1964 movie because it is one of the earliest I remember seeing in the back of my parents' 1963 Rambler station wagon at the now-defunct Burlingame Drive-In near San Francisco. The film's catchy theme song, "Pass Me By", was in my head for years. In the intervening years, I have come to recognize Cary Grant's immaculate precision as a comic actor, and even playing a grizzled, alcoholic beachcomber like Walter Eckland, he still exudes the sharp wit and crack timing that is his hallmark. In fact, Grant is at the top of his game here.

Sharply written by Peter Stone and Frank Tarloff, the story revolves around Eckland's futile attempts to remain reclusive aboard his boat tooling around the South Pacific. Unfortunately, WWII is raging on, and the British Navy need to use him as a hidden spotter of Japanese fighter planes. He is tricked into the role and remains shipwrecked manning his post on an isolated island. Enter Catherine Freneau, a priggish French schoolteacher, who has been stranded on another island with seven schoolgirls. Eckland fetches them, and they all cohabitate with inevitable shenanigans occurring.

Director Ralph Nelson, who generally made relatively lightweight fare, keeps the story fairly facile until they come under attack and a suspenseful element is carried through to the end. In what turned out to be his last leading role, romantic or otherwise, Grant was applauded at the time for dispensing with his suave manner to inhabit this character, but actually it's a throwback to the everyman characters he played in "Only Angels Have Wings" and "Gunga Din". The difference is that at age sixty, he displays his talents as both romantic comedy lead and action hero with such seasoned adroitness.

As Catherine, Leslie Caron demonstrates just how greatly underrated she is as a comedy actress. Even though her character threatens to be strenuously rigid, she conveys Catherine's vulnerability with subtle nuance and also has a very funny drunk scene where she gets to show off her ballet dancer gams. Grant and Caron have great chemistry. Trevor Howard dryly plays Eckland's friendly adversary, Commander Houghton, who transmits instructions by ham radio, and the girls are all gratefully portrayed with individual personalities. I have always been impressed how this film maintains its light heart and humor even though it's clear that the wartime setting is a critical element of the plot. It remains good, solid entertainment.

This second to last film of Cary Grant was one he spoke highly of in interviews.

It was my decided pleasure to be in attendance at his "A Conversation With Cary Grant" at the Front Row Theater in Cleveland shortly before his death. During this unforgettable evening, Grant fielded questions from an audience of over five hundred for nearly two hours.

Grant seemed to possess a photographic memory, recalling incidents of his life and career down to the smallest detail. "Father Goose" was revealed to be one of his favorite projects.

Looking at the film today, one can see the senior star enjoying his character and well polished script. He was nicely paired with Leslie Caron, and the two struck an engaging chemistry for these capers.

Grant also had the good sense to say farewell to these leading man parts (being aware that he could never become a "character" actor) threw in the towel and moved on to better things, like Fabrege.

We're left with another delightful Grant performance in an illustrious and remarkably diversified career.

It appears that many reviewers on IMDb want to consider Father Goose as a minor feature, lacking the sophistication of better comedies. I think it is worthy of a listing toward the top flight of comedic endeavor. What makes a "good comedy" after all? Can you comment on a more important event than WW 2 and attitudes towards it? Can you have a more able actor and supporting cast? Was the initial attack on the South Seas and attempts to defend more important than later efforts? Is the true story of humanity with all weaknessness, better expressed in any other WW2 movie? I think Father Goose is a first class movie in Script and performance. Why say it is less because it doesn't appear to address PC issues? I love this movie.

If you are looking for comparisons and don't mind a bit of a stretch, then you can consider "Father Goose" (1964) as another version of "Bringing Up Baby". In both Cary Grant gets to play a character experiencing a host of aggravations. Leslie Caron's Catherine Frenau is not as zany as Hepburn's Susan, but still manages to irritate Grant for most of the film until he finally realizes that he is in love with her. And instead of a leopard and a dog running amuck in rural Connecticut, "Father Goose" features seven schoolgirls of various nationalities running amuck on a Pacific island during WWII.

Everything works pretty well in this film although Grant is not quite up to an American accent so there are several awkward moments with the script. And the age difference makes the Grant-Caron romance unconvincing. Fortunately the producers skate over the romantic elements. In fact, the romance is treated so superficially that you wonder why they bothered to insert it into the story. A similar romance got much the same treatment that year in "My Fair Lady".

The film's real strength is the interaction between Grant and the seven schoolgirls as it manages a fair amount of believable characterization for each of them. The initially silent Jenny (Sharyl Locke), tomboy Harry (Jennifer Berrington), chronic complainer Anne (Pip Sparke), Elizabeth (Stephanie Berrington) and her imaginary friend Gretchen, coming of age Christine (Venina Greenlaw), and the French twins (Laurelle and Nichole Felsette). All have distinct personalities and it is obvious that Grant had a lot of fun working with each of them; so much so that he stayed in touch with them even after they grew up, married, and started their own families.

Grant's Walter Eckland is an American drifter hoping the war will just pass him by; illustrated during the opening credits by Digby Wolfe singing "Pass Me By" as Eckland (with an unwanted hitchhiking Pelican) steers his boat into the harbor. The war catches up with him there when the Harbor Master (Trevor Howard) tricks him into taking a coast-watching job until a replacement can be found.

His job is reporting by radio any movements by Japanese planes and ships near his island station. The reluctant recruit is rewarded with a bottle of whiskey (previously hidden somewhere on the island by the Royal Navy) each time one of his reports is confirmed.

Walter seems to thrive on this assignment until he has to share his island with a French teacher Catherine Frenau (Leslie Caron) and seven young charges. Miss Frenau hides the remaining whiskey bottles and the females take over Walter's hut.

Then again, what do I know? I'm only a child.

No this is not one of the greatest comedies of all time, but it is one of Grant's best comedic performances. He is at the very top of his game. Every movement, every gesture is well nigh perfect. It looks effortless on his part but it is all well thought out. Grant doesn't so much steal his scenes as make all the other actors seem funnier. The usually pleasant Leslie Caron rises to nearly Audrey Hepburn status in his presence.

Film historian David Thomson called Cary Grant the finest actor in Hollywood history and Time critic Richard Schickel once called him "a technician of genius". Watch Grant closely in this film and see why.