AVALIAÇÃO DA IMDb
7,1/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAnachronistic strict Regimental Sergeant Major Lauderdale (Sir Richard Attenborough), on a remote colonial African army caught in a local coup d'etat, must use his experience to defend those... Ler tudoAnachronistic strict Regimental Sergeant Major Lauderdale (Sir Richard Attenborough), on a remote colonial African army caught in a local coup d'etat, must use his experience to defend those in his care.Anachronistic strict Regimental Sergeant Major Lauderdale (Sir Richard Attenborough), on a remote colonial African army caught in a local coup d'etat, must use his experience to defend those in his care.
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- Ganhou 1 prêmio BAFTA
- 2 vitórias e 2 indicações no total
Avaliações em destaque
This is a brilliant representation of a classic Regimental Sergeant Major, and shows the classic values that should continue to thrive (and sadly don't) in our military of today.
Over the top? Yes... a little...but show me a TRUE RSM who isn't. Such men really existed... and they were a source of inspiration, guidance and customs and traditions for many.
Well done by Sir Richard.
From what I've heard, he spent a year preparing for this role by understudying real RSMs at the RSM-prep school in Sandhurst.
I've used this film as a training aid when teaching leadership to young soldiers - and I continue to enjoy it today.
Over the top? Yes... a little...but show me a TRUE RSM who isn't. Such men really existed... and they were a source of inspiration, guidance and customs and traditions for many.
Well done by Sir Richard.
From what I've heard, he spent a year preparing for this role by understudying real RSMs at the RSM-prep school in Sandhurst.
I've used this film as a training aid when teaching leadership to young soldiers - and I continue to enjoy it today.
I first saw 'Guns At Batasi' several times in its butchered for television version shown mostly on late-night TV, a pan-&-scan version which also deprived the film of its Cinemascope format. But I just saw the DVD which reproduces the original Cinemascope (and which includes an entertaining commentary track by John Leyton who plays Pte. Wilkes in the film) which let's us see 'Guns At Batasi' to its deserved advantage.
It's a splendid character study of a British Army Regimental Sergeant Major set in an absorbing - and rather accurately prophetic - plot of a post-colonial African revolution.
After Richard Attenborough, properly dominant as the thoroughly professional, no-nonsense Regimental Sergeant Major, the almost uniformly solid casting gives us nice turns by the four sergeants, Leyton as Pte. Wilkes, Flora Robson as the gullible MP keen to believe her ilk's pie-in-the-sky Marxisant p.c. propaganda, Errol John as the African rebel officer, and the always splendid Jack Hawkins as Lt. Col. Deal (an apt name considering the part his character fulfils in the story). Teenaged Mia Farrow has a small role (her first in cinema, I think) as a events-stranded UN secretary who shares a mutual lust interest with Leyton's Pte. Wilkes (Farrow's scenes were re-shoots owing to the originally-cast Britt Ekland's desertion from the filming to fly to her then-paramour Peter Sellers' side while he was working in the U.S.). The writing is very good and, as I said, prescient in view of the continuing undeserved credibility placed in chiefly venal Third World leaders by Western politicians, media, and p.c. types; Guillermin's direction is sure-handed; and production design and cinematography - some very good B&W work here aided by capable lighting - are a cut or two above workmanlike.
Though shot entirely at England's Pinewood Studios on a rather low budget, the strong script and fine acting raise 'Guns At Batasi' to the level of a minor classic well worth appreciating.
It's a splendid character study of a British Army Regimental Sergeant Major set in an absorbing - and rather accurately prophetic - plot of a post-colonial African revolution.
After Richard Attenborough, properly dominant as the thoroughly professional, no-nonsense Regimental Sergeant Major, the almost uniformly solid casting gives us nice turns by the four sergeants, Leyton as Pte. Wilkes, Flora Robson as the gullible MP keen to believe her ilk's pie-in-the-sky Marxisant p.c. propaganda, Errol John as the African rebel officer, and the always splendid Jack Hawkins as Lt. Col. Deal (an apt name considering the part his character fulfils in the story). Teenaged Mia Farrow has a small role (her first in cinema, I think) as a events-stranded UN secretary who shares a mutual lust interest with Leyton's Pte. Wilkes (Farrow's scenes were re-shoots owing to the originally-cast Britt Ekland's desertion from the filming to fly to her then-paramour Peter Sellers' side while he was working in the U.S.). The writing is very good and, as I said, prescient in view of the continuing undeserved credibility placed in chiefly venal Third World leaders by Western politicians, media, and p.c. types; Guillermin's direction is sure-handed; and production design and cinematography - some very good B&W work here aided by capable lighting - are a cut or two above workmanlike.
Though shot entirely at England's Pinewood Studios on a rather low budget, the strong script and fine acting raise 'Guns At Batasi' to the level of a minor classic well worth appreciating.
Perhaps it is because I am a sucker for British military movies.
Or maybe it's because the first time I saw it I did not expect much from it, but Guns at Batasi lept to the top of my all-time favorites list the first time I saw it.
It stays there no matter how many times I see it.
It's hokey, it's overdone and it's certainly low-budget. But it does have a sterling cast of British character actors, and it has several powerful scenes and Attenborough is magnificent as the sergeant-major. A great character study.
Here's a man, who has dedicated his entire adult life to a code, a way of life. It's all he knows, it's all he wants and in this one incident everything he has ever stood for or worked for it tested and threatened.
The sergeant major, despite what you might think of the military is a man of honor and courage. He's the kind of guy you would want on your side no matter what.
If you have not seen this movie. Find it, see it. Give it a chance. I think you will like. A definite thumbs up.
Or maybe it's because the first time I saw it I did not expect much from it, but Guns at Batasi lept to the top of my all-time favorites list the first time I saw it.
It stays there no matter how many times I see it.
It's hokey, it's overdone and it's certainly low-budget. But it does have a sterling cast of British character actors, and it has several powerful scenes and Attenborough is magnificent as the sergeant-major. A great character study.
Here's a man, who has dedicated his entire adult life to a code, a way of life. It's all he knows, it's all he wants and in this one incident everything he has ever stood for or worked for it tested and threatened.
The sergeant major, despite what you might think of the military is a man of honor and courage. He's the kind of guy you would want on your side no matter what.
If you have not seen this movie. Find it, see it. Give it a chance. I think you will like. A definite thumbs up.
I enjoyed this film considerably. The production values were nice, the acting good, and it had a good sense of humor I wasn't expecting. The Sergeant Major's character was obviously clichéd, but they rounded him out enough to save him from being a mediocre character. There are some really nice touches in the script, and many of them are humorous. I though that the wounded captain's collapse just as he's giving himself up to his African countrymen is a bit coincidental, but dramatically speaking, he needs to be kept in the mess hall. And for what it's worth, and although I've never been a big fan of hers, Mia Farrow has never looked hotter.
It's the early 60's, Africa is being decolonised and a supposedly peaceful transition from colony to independent nation goes awry. All that stands between order and "enemies of the new state" being butchered is Dickie Attenborough's RSM and his Sergeant's mess. He has to defend his barracks, put up with a naive left wing politician, a young girl who's taken a fancy to a conscript private who wants his last day in the army to go without a hitch, a wounded African officer who is greatly respected by the RSM, but is an enemy of the new army he's supposed to be in charge of and a largely absent British officer corps. But this won't get Dickie down; the worse things get, the more determined and resolved he gets. Some of his dialogue is fantastic and his calm (and not so calm) put downs of those who threaten him or complain to him are brilliant. Like Anthony Hopkins in "Remains of the Day", his is a lifetime of service and duty; but one that kicks serious ass.
It's one of Attenborough's finest performances: Certainly up there with Brighton Rock.
It's one of Attenborough's finest performances: Certainly up there with Brighton Rock.
Enredo
Você sabia?
- CuriosidadesBritt Ekland had been cast as Karen Eriksson but pulled out three weeks into production. She had just married Peter Sellers who apparently was so jealous of her casting alongside John Leyton that he asked his actor friends David Lodge and Graham Stark who were also in the cast, to secretly spy on her. After being frequently quizzed on the telephone by Sellers about the shooting and who she acted with, Ekland left the Pinewood Studios in Buckinghamshire, and joined Sellers in Los Angeles. 20th Century-Fox sued Ekland for $1.5 million; Sellers counter-sued for $4 million claiming the Fox suit caused him "mental distress and injury to his health".
- Erros de gravaçãoThe personal weapon used by the British is the Sterling sub machine gun which replaced the Sten in the British Army in 1953. This weapon is held with the left hand on the barrel and never the magazine or housing. Holding the magazine is a throwback to its predecessor, the Sten. The experienced senior members of the Mess are holding it incorrectly whilst the most inexperienced among them (Private Wilkes) holds it correctly and naturally.
- Citações
RSM Lauderdale: Will you stick a boomerang in that great Aussie cakehole of yours until I've finished?
- ConexõesFeatured in Film Review: Richard Attenborough (1968)
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- Guns at Batasi
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- Tempo de duração1 hora 43 minutos
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- 2.39 : 1
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By what name was Os Rifles de Batasi (1964) officially released in India in English?
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