Dívida de Sangue

Cat Ballou is a movie spoof unlike any other, and a great parody of the Western film genre. Jane Fonda appears in one of her most playful film roles ("Barbarella" is another light and funny Fonda classic), and Lee Marvin gives one of his finest film performances (he won his Oscar for his dual roles). Add to this mix a wondrous soundtrack, with Nat King Cole and Stubby Kaye as minstrels of sorts who stroll and sing throughout, making the film almost seem like a musical; an outstanding supporting cast including Michael Callan (who later appeared on TV's "One Life to Live"), and Dwayne Hickman (TV's Dobie Gillis), and the result is this hilarious, thoroughly entertaining film that was nominated for five Academy Awards (Marvin was the sole winner).

Catherine Ballou (Fonda)is a recently graduated-from-school schoolteacher returning home to live with her father on his ranch, but he is gunned down upon her arrival. She enlists the help of a loyal ranch-hand, a couple of outlaws, and most notably, a has-been gunman by the name of Kid Sheleen (Marvin) to help her get revenge. The result is a thoroughly enjoyable film that still stands up today, and Lee Marvin stealing the entire film in his amazing dual role performance as both Tim Strong and Kid Sheleen. Lee Marvin alone makes the film well worth seeing.

The dialogue is great. Take this exchange as an example:

Jackson Two-Bears: "Kid, Kid, what a time to fall off the wagon. Look at your eyes." Kid Sheleen: "What's wrong with my eyes?" Jackson Two-Bears: "Well they're red; bloodshot." Kid Sheleen: "You ought to see 'em from my side."

I was thrilled when the widescreen special edition of this long-time favorite of mine came out in 2003, and on DVD. I have the soundtrack on vinyl, but I have always wished that it would come out on CD; Nat King Cole is one of my all-time favorite singers, and his rendition of "They'll Never Make Me Cry" always makes me...anyway. This film still hasn't lost any of its humor or fun with the passing of time, and stays on of my personal "top ten list" of comedy.

I watched Cat Ballou again the other day after a gap of over 35 years. A spoof western, definitely. That Lee Marvin should not have won the Oscar? No way. It is far more difficult to carry off a role in what is obviously a pastiche than to excel in a serious dramatic part. Lee Marvin plays it to perfection. Watch his face in the bar scene in the hole in the wall, desperately trying to catch the moment to propose a toast - "I'll drink to that!". It's brilliant. This film has to be watched in the context of its time. It is no good trying to compare it to today's special effects dominated blockbusters or Pixar animations. The semi-musical format was innovative, and remains so today. Cat Ballou is a perfect example of 60's "cool".

Jane Fonda plays Cat Ballou, back in the days when she was not only acting but also accepting sexy kittenish roles, a rancher's daughter out to avenge the murder of said rancher by the bad guys who run the town. Yep, it's a sex Western, one that gives us the one-of-a-kind performances of Fonda and of Lee Marvin, who has two roles - an alcoholic gunslinger who's supposed to be Cat's saving and a mean, dastardly hit man with a prosthetic nose - and who won himself an Oscar for his delightful work. But it's not just the lighthearted performances of the actors that floats this film, it's also the riveting, uproarious script. The pace is never dull - there are some Westerns that'll slow things down to kind of add mood to a story, but not this one. This would make a nice double-bill with another of Fonda's sexy early roles, "Barbarella."

Quite a number of reviews of Cat Ballou seem centered on the theme "It didn't make me laugh" or "Lee Marvin didn't deserve Best Actor". Okay, deal with it. My dad took the whole family to the opening of Cat Ballou in a big midwestern town back in the day. We all thought it was funny, we knew it was a comedy, however the audience was not roaring with riotous laughter. That is sometimes a good sign that you are watching a satire. There was plenty of silliness and slapstick as well, and some real wild west weirdness (the sterling silver nose that Kid Strawn wears, etc.) Funny how the opening song stayed with me from 1965 on, although I don't believe I have ever seen the film from the beginning since that first time.

It's a hangin' day in Wolf City Wyomin' Wolf City Wyomin' She killed a man it's tru-ue, And that's a why their hangin' Hangin' Cat Ballou,

This oddball flick seemed to really say something about our view of the western film, and I think that is the one of the points that helped it win some awards.

In the most lighthearted roles of their careers, Academy Award-winner Jane Fonda (Klute, Coming Home) and Lee Marvin (winner of the Best Actor Oscar for this performance) shine as the title character, a virtuous young schoolmarm who sets out to avenge the death of her father Frankie (played by John Marley), and as drunken sharpshooter Kid Shelleen, who agrees to help the young woman go after the killer(s). Along for the ride are Clay Boone (Michael Callan), a handsome young felon who is sheltered by Cat and falls in love with her; Jed (Dwayne Hickman), Clay's Bible-thumping uncle, and Jackson Two-Bears (Tom Nardini, who is hilarious), the Ballou's hired hand who philosophically comments on the treatment of Native Americans. Nat King Cole and Stubby Kaye are enjoyable as troubadours who sing the plot of the movie as it moves along. Fonda never looked more beautiful, Marvin is a hoot (as Shelleen and his twin brother, the silver-nosed Tim Strawn), and the screenplay (by Walter Newman, Frank R. Pierson and Roy Chanslor, from his novel) is remarkable. Memorable scenes include the opening train sequence, the brawl at the square dance, the showdown between Cat and Sir Percival (played by character actor Reginald Denny) and the conclusion at the gallows. Delightful from start to finish! ***1/2 out of ****