O Santo

This is one of Ray's short stories. It lacks the intensity of his full-length features. Its a satire which appropriately captures the post-independence Indian zeitgeist. Its a sweet tale of how a charlatan is exposed with help from basic science and motivation from a lover boy in distress. Be it a short story or not, in every one of his movies, Ray has been a beacon by conveying his socially progressive ideas. He's a master at exposing the fault lines in the Indian society and delivering his wisdom packaged in a entertaining manner. I saw the movie in a combination pack with another one of his shorts - Kapurush. Kapurush is an emotion-packed drama. It captures the anxiety and rekindling of emotions of a chance meeting between two estranged lovers.

A short, simple & straightforward comedy released as one half of the double bill presentation along with Kapurush, Mahapurush (The Holy Man) concerns a devout Hindu family that falls victim to a charlatan posing as a holy man and a group of rational, intelligent men who take it upon themselves to expose him.

Co-written & directed by Satyajit Ray (The Music Room, The Big City & The Hero), the film may lack the scope of his best-known works but it still does well with the little material, thanks to its rich script, excellent cast & brief 65 mins runtime. Ray only keeps what advances the story and narrates it with aplomb while keeping things lighthearted.

The film shows the so-called god-men for who they really are and how they seduce the pious & vulnerable people into their swindling schemes without mocking the ignorance & blind following of their victims. The plot is easy to follow, even allows the viewers to catch up when it drops too many details, and maintains its neat composure from start to finish.

Overall, Mahapurush features a premise that could've been expanded upon for greater impact but it still goes past the finish line with the elegance that Ray films are known for. Not amongst his finest but a fun & enjoyable outing nonetheless that delivers both as a satire & farce and is patient in its approach & execution of the proceedings despite the limited runtime.

Mahapurush / The Holy Man (1965) : Brief Review -

A socially important topic to expose religious fraudulent but Ray's one of rare Flabby works inviolable to his high standard. Mahapurush is second half of double features 'Kapurush-Mahapurush' which follows a completely different story. Kapurush was a lovestory which doesn't have anything that can bring social change but Mahapurush is about exposing racket of Imposter Saint which was definitely a very important topic for society. Now let me tell me you that Kapurush is a Classic but Mahapurush is not. Well, that doesn't mean the film is bad. Sometimes better content fails to impress as much as fictional and dramatic theories and that's what exactly the case here. A devout Hindu family falls victim to a charlatan posing as a holy man and then one of the educated and sensibile guy gathers a small team to expose the fraud baba without hurting the religious sentiments of people. Even though Mahapurush has a better content than Kapurush, it fails to come out as a Classic because of limited screentime and regular filmmaking features. However, Mahapurush is more interesting and more entertaining than any other Satyajit Ray film made by then. The faking lectures and fictional stories of Baba are fun to watch. Some scientific and mathematical references are there for educated audience and it's very likeable too. The cast members are quite good with their roles and the writing of the characters is also very nice and relatable to common men. The screenplay is engaging, the dialogues are fine and the cinematography is okay (pretty dark unreasonably). Satyajit Ray makes this film with the light theme which hadn't been done by him then, and so it can be called a worthy attempt to some extent. Overall, good but nothing great as we expect from the Great Filmmaker.

RATING - 6.5/10*

By - #samthebestest.

On a railroad trip back home, a retired lawyer meets holy man Charuprakash Ghosh and falls under his spell. So does his daughter, which worries the young man who loves her. He investigates and soon becomes convinced he is a fraud.

Satyajit Ray's comedy credits an Indian writer as its source, but strikes me as owing a good deal to Moliere's TARTUFFE. Ghosh's babbling line includes being friends with all the great holy man of the past, and urging followers to achieve enlightenment by going onto the roof at noon and staring at the sun while they recite a prayer 972 times. I don't find this one of Ray's more compelling movies; the nonsensical things his con man continually says are arrant nonsense..... but that may be a reaction due to the fact that as a westerner, what he says makes no sense and is offensive. The offensiveness is probably deliberate on Ray's part, but makes the whole thing seem trivial.

I was there said the Holy Man and many other claims were made by the clever con from India who has camped out at a believers house. However Love conquers Con and a camp fire puts the Holy man on the run, but not without compensation!

Those who are into the afterlife, this a a must movie to see. Beware of false prophets and you will overcome such scams.