A Maja Desnuda

"The Naked Maja" has beautiful sets and costumes, but only a passing acquaintance with reality. About the best that can be said is that it features some impressive views of Miss Gardner's lovely bosom.

Diego Velázques (1599-1660) painted one of the earliest known Spanish nudes, the Rokeby Venus, featured as the "loot" in the film "The Happy Thieves."

About two centuries after Velázques, Francisco Goya 1746-1828) painted a short, plump nude maja (street girl) reclining on a bed. When this picture was criticized as obscene, he painted the same girl again, in the same position but dressed, which makes her more, rather than less suggestive. The chunky girl in the "maja" paintings does not resemble Goya's portraits of the Duchess of Alba in any way.

When I was last in the Prado the two majas were hanging on either side of the door to the room housing the portrait of King Carlos IV and family – and the queen was definitely not the lovely young woman who played the part in "The Naked Maja."

Goya also painted two portraits of his very close friend, the tall, angular Duchess of Alba, in one she is dressed in white and in the other, in black. The 'black portrait' shows the duchess pointing imperiously at the ground where the words "solo Goya" ("only Goya") can be seen written in the sand at her feet.

Milos Forman's "Goya's Ghosts" (2006) is a far better film and much closer to historical fact. Goya's passing affair with the Duchess of Alba, who was certainly not the girl in the Maja paintings, does not figure in the latter film.

A well narrated film in sensational technicolor, where Ava Gardner shows her charm as actress. Her famous legend in Spain is very adecuate for this film. An magnificent world with wine, bulls, spanish music and the fabulous pictures by Diego Velazquez, a great spanish painter whose picture named "the naked maja" builds a magic legend in Spain. Curious and excellent film. And an inmortal woman: Ava Gardner...

If THE NAKED MAJA had a better script more faithful to the true life story of Spanish artist Francisco Goya and his affair with the Duchess of Alba, this may have been worth all the expense that went into producing it. There are fine production values including the gorgeous costumes worn by Miss Gardner, the opulent settings, the detailed color photography and the pretty background score full of pseudo-Spanish themes.

As a romantic drama, it only exposes the clash of two different acting styles--the overly intense histrionics employed by ANTHONY FRANCIOSA in the method tradition and the more natural technique of screen acting from AVA GARDNER as the woman he falls helplessly in love with at first sight. Her aloof demeanor only makes her more irresistible and there is one brilliant dance scene where the fiery Spanish flamenco music makes their emotions come to life vividly at least for the length of this sequence. Otherwise, their pairing as lovers never seems as intense as the script would suggest.

Despite an overuse of eye make-up, Gardner at this point in her career was still very attractive in what is basically a one-dimensional role as an aloof woman with a past who cannot bring herself to declare love for the artist until it is too late.

Henry Koster's direction is a tad too slow in pace but the main fault is the script which never permits the two leads to be anything more than one-dimensional in concept.

"The Naked Maja" is one of my favorite movies because of the historical content, and it stars two of my favorite actors, Anthony Franciosa as the idealistic artist Francisco Goya and Ava Gardner as the ill-fated Duchess of Alba.

The story begins before 1800 when the works of philosopher Jean Jacques Rousseau are changing the social thought of Europe. According to Rousseau's philosophy, all people have dignity and worth and should have freedom of thought. The philosophy also has introduced belief in personal fulfillment, freedom of expression, and self determination, which ultimately led to the French and American Revolutions in the late 18th century and revolutions throughout Europe by 1850.

Because the Duchess of Alba embraces Rousseau's philosophy, she is condemned by the "old school" of monarchist Spain that clings to old ideas of a rigid social class and dictatorial views.

Upon seeing the film, the viewer might be inspired to look at prints of Goya's works and see how he expressed ideas of equality and compassion for humanity in his art. By doing so, one will understand the film in a greater context.

"The Naked Maja" is a fictionalized account of the life of the Spanish painter, Francisco Goya (Anthony Franciosa). It mostly centers on his relationship with the Contessa de Alba (Ava Gardner)...a relationship whose depth is really unknown today. Yes, we know that they were on good terms...but whether she was ever his lover or posed for the famous painting "The Naked Maja" (in the Prado museum in Spain), is really unknown. I really don't mind that the writers took liberties about their relationship...but there is a HUGE problem with the script. In real life, before he met the Contessa, Goya became DEAF! This is never mentioned nor alluded to in any way...and making a deaf man non-deaf is ridiculous. I don't mind some creative changes...but making him hearing just doesn't make sense. Add to this that the film is incredibly dull and listless, then you have a movie I really didn't like. I think my being an ex-history teacher accounts for a lot of this...as well as my having deaf family members. Overall, the writer forgot to do ANY homework and the film is sluggish.