Mistérios de Além-Túmulo

Despite my satisfactory encounter with EL VAMPIRO (1957) a few years back, this is still just my second Mexican horror film of its vintage!

Given a complex and fascinating plot to work with - which has only the briefest concession to camp and, uncharacteristically for a horror film, is teeming with male protagonists (five, while there are only a couple of females of any importance) - a balance is reached between its intended literariness and the trademarks of the genre: foggy atmosphere, evocative décor and a bombastic yet effective score. The presence of Dr. Aldama's ghost is quite subtly but effectively established; besides, both Dr. Masali's expressionistic execution scene and the surreal first encounter between the two young lovers are stylishly realized - while the vicious attack of the manic woman and Elmer's resurrection emerge, perhaps, as the film's horror highlights. Furthermore, we get vividly essayed portrayals by the suave Ramon Bertrand as Dr. Masali and Carlos Ancira as Elmer - the latter, a cross between Dwight Frye and Peter Lorre (and helped by some splendid make-up), could well give the classic monsters a run for their money!

Though Masali and the young doctor (played by Gaston Santos) both vie for the girl's affection, there is very little rivalry between them let alone plots for revenge - as the film stresses Dr. Masali's single-mindedness in his search for knowledge regarding the afterlife. The asylum setting - and especially the imagery of outstretched hands through the bars of the cells - recalls BEDLAM (1946), while the hypnotic effect the music box has on the mad gypsy woman brings back memories of Bunuel's Mexican black comedy THE CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ (1955); also the scene where Masali/Elmer is discovered strumming on the violin is reminiscent of the Ape Man at the piano in RETURN OF THE APE MAN (1944)! There is one flaw with regards to the plot, however: it's inconceivable that, even if Masali was discovered locked in with the woman's corpse, no one suspected Elmer of having killed her for disfiguring him! Other amusing flubs include the scene in which the 'monster' - engulfed in flames - pauses to open a door before exiting a room screaming, the fact that the gypsy is able to effortlessly hurl a massive cupboard at the asylum orderlies confronting her, and the shot - accompanied by a histrionic single note on the soundtrack - early on where Dr. Aldama's coffin is opened prior to burial, almost as if to assure us that it is he...but, other than that, this particular sequence is comparable to the opening moments of James Whale's FRANKENSTEIN (1931)!

The DVD transfer is imperfect but not intrusively so, apart from some persistent hum on the soundtrack. The supplements are extensively researched and highly interesting (in particular, the Audio Commentary); the still gallery suggests that it's possible that some asylum footage has gone missing as it features a hulking, chained-up character who isn't seen in the actual film! Also, given that THE BLACK PIT OF DR. M wasn't released in the U.S. by the notorious K. Gordon Murray, the information imparted about him here isn't really pertinent to this release - though I didn't mind having it in the least, being all new to me; in fact, the English-dubbed version is, for all intents and purposes, deemed lost - even if Casanegra attempted to make amends by presenting the full-length English translation via a copy of the script (in rather too miniscule a font to be easily legible!) prepared for U.S. consumption.

As with the same director's EL VAMPIRO (which is upcoming on R1 as a 2-Disc Set accompanied by its sequel THE VAMPIRE'S COFFIN [1958]), then, this one emerges as a genuine classic of the horror genre and one that should be much better known. This viewing has kicked off my proposed Halloween marathon in a big way; I'm very much looking forward now to the rest of the Mexican titles which are coming up this week - but it has also made me yearn to check out the other films mentioned in the various supplements and which have yet to see the light of day on DVD...

I remember years ago, I saw this movie at a drive-in in Portland, Oregon. However, I thought the title then was "The Black Pit of Dr. X," and it was in English. I remember the part where the disfigured doctor returns from the grave and starts to play his violin. At that point I left the theater. Ever since, I've wanted to see it again to know how it ends. So there was at one time a print of this movie in English. Whether it is available now is another question. If anyone knows of an available copy (in English or Spanish), I would be interested in checking it out. I would also be interested to know if anyone has seen it recently (within the last few years) and where he/she saw it. Thank you.

Unfortunately the Mexican cinema is still unknown in Brazilian market, now the DVD's advent it changes a little bit in this context, have been arrived valuable movies lately, we Latin American people are tightly propelled to believe in the ghosts, wraiths, zombies and all stories beyond the grave, it's make part of our cultural heritage, "Misterios de Ultratumba" fits perfect in this odd background, where two Doctors made a deal, whoever go to the grave first should be back to tell the secret to live forever, the elder one Dr. Jacinto dies first, shortly Dr. Mazali makes contact through a psychic where the late Dr. Jacinto attends and warning his friend that cheat the death may cost a high price to pay, even so Dr. Mazali is keen take the plunge, thus the arrangement is carried out, in three months the switch will be made, in the meantime Dr. Jacinto as spirit appears to his forsaken daughter Patricia Aldama, asking for her looking for Dr. Mazali at insane asylum to know about his died father, whom she never knew before, a gripping terror mixing many profane elements utterly entrenched at Mexican culture, cheating the death is egregiously forbidden and noisome for religious people like us, the eerie atmosphere and a well-crafted screenplay beef up the picture, till the make-up is enough compelling, it overall doesn't owe nothing for foreigners terror productions!!

Thanks for reading.

Resume:

First watch: 2021 / How many: 1 / Source: DVD / Rating: 7

I couldn't think of a place more far-removed from the dreary streets, Gothic cathedrals, stone gargoyles and misty back-alleys that have come to be associated the Gothic horror sub-genre, than Mexico. Yet here we have a pure Gothic story told in the most traditional of ways. Fernando Mendez throws everything and the kitchen sink in the mix, from disfigured monsters and a madhouse to spectral ghosts and atheistic scientists and I'm happy to report that it works far better than one would expect from a Mexican b-movie without it becoming picturesque or unintentionally comedic. The only fault that I find with Misterios de Ultratumba (other than failing to deliver promised black pits) is that it doesn't try to push the envelope. It's content to be a very traditional Gothic horror picture with a simplistic story. If it weren't for some impressive stylistic flourishes (like the gallows scene for instance) and the creepy atmosphere, one could be forgiven for totally dismissing it as a "seen-better" case. As it is, fans of 30's Universal horror and Hammer from around the same time will probably like it.

Ages ago a dubbed print of this movie used to run frequently on "Chiller Theatre" on Saturday nights. I saw it so many times I memorised it and it is still among my fondest memories. The music was what I first noticed, it stood out in my mind (many years later someone "borrowed" it for a direct-to-video picture called THE VIDEO DEAD). Rafael Bertrand, who later played "Capt. Labiche" in ISLE OF THE SNAKE PEOPLE; one of Boris Karloff's last movies, is Dr. Masali, master of an insane asylum. He makes a deal with colleague Dr. Harrison Aldeman (Jacinto Aldama in the undubbed print) that whoever dies first will come back and tell the survivor what lies behind deaths door. Dr. Aldeman dies first and returns during a séance to tell Masali a set of events have already begun that will enable him to solve the mystery. He does, but not nearly in the way he had expected to. An insane gypsy woman and an orderly named Elmer figure in the mystery very prominently; so does Dr. Aldeman's daughter who is summoned to the asylum by a mysterious messenger who turns out to be her fathers ghost! Along the way there is unrequited love, mutilation, murder, ghosts and death. I always thought this was a scary movie when I was a child. Somehow I think it still is. Now here is the complicated part. A dubbed print does exist, at least it used to, because New York's Channel 11, WPIX had it. That was more years ago than I care to remember but I would like to think they did not just toss the print out with the trash when they stopped running "Chiller Theatre". Maybe it is still in the vault gathering dust and waiting to be found. For cryin' out loud will somebody go look!