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IMDbPro

Night of the Blood Beast

  • 1958
  • Approved
  • 1 h 2 min
AVALIAÇÃO DA IMDb
3,5/10
2,5 mil
SUA AVALIAÇÃO
John Baer, Georgianna Carter, Michael Emmet, Angela Greene, Tyler McVey, Ed Nelson, and Ross Sturlin in Night of the Blood Beast (1958)
An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.
Reproduzir trailer1:15
1 vídeo
33 fotos
Ficção científicaFicção científica espacialHorror

Adicionar um enredo no seu idiomaAn astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.

  • Direção
    • Bernard L. Kowalski
  • Roteiristas
    • Gene Corman
    • Martin Varno
  • Artistas
    • Michael Emmet
    • Angela Greene
    • John Baer
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    3,5/10
    2,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Bernard L. Kowalski
    • Roteiristas
      • Gene Corman
      • Martin Varno
    • Artistas
      • Michael Emmet
      • Angela Greene
      • John Baer
    • 68Avaliações de usuários
    • 48Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 1:15
    Trailer

    Fotos33

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    Elenco principal7

    Editar
    Michael Emmet
    Michael Emmet
    • Maj. John Corcoran
    Angela Greene
    Angela Greene
    • Dr. Julie Benson
    John Baer
    John Baer
    • Steve Dunlap
    Ed Nelson
    Ed Nelson
    • Dave Randall
    Tyler McVey
    Tyler McVey
    • Dr. Alex Wyman
    Georgianna Carter
    • Donna Bixby
    Ross Sturlin
    • The Creature
    • Direção
      • Bernard L. Kowalski
    • Roteiristas
      • Gene Corman
      • Martin Varno
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários68

    3,52.5K
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    Avaliações em destaque

    6dvdeugs

    More literary science fiction than prop filled space opera

    This movie was not deserving of being MST3K'ed. It clearly predates the American space program, and didn't have a huge budget. But what this movie had was a decent plot that didn't use random action sequences to move things forward, and several very thoughtful moments. It owes more to literary science fiction than to the ray guns of space opera, a very good thing in my book.

    Okay, I'll admit there were some very hokey lines and some very ludicrous special effects. But it was still a good movie, all in all.
    3Chase_Witherspoon

    I know I tore off your friend's head, but just hear me out

    Oddly compelling tale of astronaut (Emmett) who crashes back to earth following a failed mission into space, apparently deceased but showing no signs of rigor mortis or decomposition. His unusual state co-incides with the appearance of a large, alien creature that wants us to believe he's here to co-habitate with the human race, and that we should fear no evil. Scientists John Baer, Ed Nelson and Angela Greene disagree.

    There's some sense in this nonsense, the dialogue, cinematography and suspense is generally pretty coherent and effective, but the second half of the movie descends into an abyss of absurdity from which there's no return. Baer, Nelson and McVey all deliver watchable performances and director Kowalski displays some skills, but the plot becomes puerile with the appearance of the creature and its suspicious motivations to rear its young on earth as a means of improving inter-galactic relations. So to does Emmett's laboured insistence that everyone should stop picking on it and just give it a fair go to prove its intentions are honourable. No mention of the poor victim sans head.

    It really does deteriorate badly, which is a shame because the first thirty minutes promise a rousing climax, reminiscent of "The Thing", but ends up looking more like "Attack of the Crab Monsters", only minus the humour. Not the best AIP-Corman collaboration conceived.
    mcdamsten

    Would`ve liked to have seen this at the drive-in

    I did however see this on TV in the late 60`s. Gemini/Apollo had already made the rocket and base seem ridiculous. Informal staff or what? I did stick with it and enjoyed the fleeting glimpses of the creature and plot weirdness. Possible shock landmarks: First movie with alien pregnancy? Near beheading? A previous review mentions a hairy chest.I recall that I too was smitten with Georgiana Carter somewhat and thought she had a contemporary beauty as compared to other 50`s sci-fi ladies. Unfortunately The Wild Ride with Jack Nicholson was all else she was in. Also thought Michael Emmet was OK in this and Attack Of The Giant Leeches. And of course Ed Nelson smokes cigarettes and adds energy to the proceedings. All in all one of my favorite 50`s schlock/sci-fi movies. Available at a nice price from Collectables. On the strength of being THE Georgianna Carter movie ** out of *****
    8flapdoodle64

    Blood and Resurrection

    Considering that the crew appear to have constructed the prop space capsule out of a septic tank, this is a decent little el cheapo scifi flick.

    A film buff with the slightest knowledge of the major auteurs goes into a B/W 1958 Roger Corman scifi film with a certain set of expectations. Within such parameters, this is a surprisingly well-made film, tense, moody, interesting, and moving along a pace that corresponds well with the plausibility factor. While none of the acting is spectacular, it is all competent and sometimes impressive. The script is surprisingly intelligent, especially considering the title. The title, however corny it may be, works well in this film due the portions of the plot dealing with the death and resurrection of an astronaut.

    There is a small bit of FX and monster make up in this film; you will be thankful to find out that it does not clash with the septic tank space capsule.

    Overall, this is an honest, well-constructed little drive-in type scifi/horror film that does the job it was designed for and more. It makes more sense, and is more satisfying than watching all the episodes of the new version of 'V.'
    danm99

    Standard 5O's NIGHT OF TERROR -minor B

    This interesting little abomination is easily the evil twin of BEAST FROM HAUNTED CAVE, another Corman low-budgeter from this memorable late 5O's drive-in golden era. There were many major and minor film gems, but not all were so bad, they're great. Some were interesting failures (like this Putrid Preciousness) and some simply sucked (like everyones' personal favorite, "The Cape Canaveral Monsters", whose prints need to be honorably enshrined - in embalming fluid).

    NIGHT OF THE BLOOD BEAST (As a kid, I just loooooved titles like that, fearfully imagining what that monster from the dark really looked like), due to its early scenes of eerie paranoia mood and subtle moments of terror, managed to humbly and very economically achieve this kid-scare trick, thus being reprieved from the embalming fluid fate. That impressivly irritating cheesey-weird organ (also used in SISTER BEAST'S HAUNTED CAVE) evoked the proper creepy atmosphere, which Corman was an efficient wiz at.

    Those scary shots in the isolated woods in the Bronson Cave hilled area (interesting location with strange, silent mood as if there is some other lurking ominous presense nearby, watching) were nightmarish. That moment when something moved up right before the camera, blocking everything out was a surprising frightful moment - and those dark chilling shots of the woods, as something moves through the bushes - and that shadow of something very unworldly moving across the ground (actually the first monster 'Shadow Shot' filmed from that particular angle) - that shot of a giant shape moving outside along the window and that quick glimpse of IT! creeping down that dark claustrophobic hallway - BRRRRRRRRRRRRRR!!!!!!!!

    At 2:OO AM, in pitch black, that can cause those under-the -cover shivers (all I need is the proper female companion to hold dearly to). Then when poor old kindly Dr. Wymann loses his head - LITERALLY - when the two male leads find his body slumped over the bunk, with a fresh supply of high volume blood spilling down with major drip-drips. UGH! That was an early decapitation scene that really freaked me out. Maybe a life of crime would be safer than being an adventuresome scientist.

    Then the "ALIEN" scene, with the mysteriously revived "deceased" astronaut standing behind one of those 5O's Whateverscopes, revealing utterly revolting animated parasites being bred in his body. (Are there any other kinds?) The alien blood beast is sure having its night: It impregnated the trespassing, intrepid astronaut - and made him bear its delightfully disgusting offsprings. Planned Parenthood miserably backfired with the worst grim forms of total dysfunction. What do you think of that? Any "hmmmmmmmm's" out there - or just prowling alien blood beast rapists. (AHHHH!!! NOOOOOW I GET THE TITLE! - DUH!!!). This is true science-fiction horror on its own gruesome little B-minus terms.

    Well, I won't go on. You'll just have to see for yourself as to the mysterious fate of our scientific ground crew - and that enormously rude and overbearing blood beast. It's an old cheap B&W minus-B, but interesting if you happen to be in that certain 2:OO AM monster mood. LONG SHOCK THE BEAST BROTHERS!

    P.S. That college age lady scientist was quite personally appealing to me at that formative late show age. The blood beast attacks her in the woods - maybe IT got infected by all that human contact - OR maybe it really does possess superior intelligence! Perhaps that's why this was her one and only film appearance. That's BEAST BIZ BABY! It's back to that bloody haunted night cave. GIVE BEAST A CHANCE!

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    • Curiosidades
      With a budget of about $68,000, it was shot over seven days. All of the interior scenes were shot at sound stages inside Kling Studios. Most of the exterior shots were filmed at Bronson Canyon, a set of caves at Griffith Park in Los Angeles that was a popular location for low-budget films. The exterior scenes of the tracking station were shot at a television station on Mt. Lee, not far from the Hollywood Sign. Screenwriter Martin Varno said it was the first television station built in Los Angeles, but was only being used for emergency broadcasts when this film was being shot there; it had also been used during World War II to broadcast to allied fores overseas. Varno secured permission to film there simply by calling Los Angeles city officials and asking, something he said nobody else considered trying because they assumed the city would not allow it. Varno was familiar with the station because his father, Roland Varno, appeared in the first dramatic television show released in Los Angeles and it was transmitted from that station. For this film, Los Angeles charged a fee of $8 per actor to shoot at the station, but the crew could be any size. All shooting took place outside the station. Most of the night scenes shot there were shot during the day, and the crew often had to find shadows to shoot in or block out the sun to give the impression of nighttime. Producer Gene Corman said of the shooting: "That was one of the more mobile units I've ever been involved with. Normally, everybody chases the sun; we were chasing the shadows."
    • Erros de gravação
      A close-up of the bottom half of the creature reveals that its feet are actually shoes.
    • Citações

      Dr. Alex Wyman: A wounded animal that large isn't good!

    • Conexões
      Edited from Guerra dos Satélites (1958)

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    • How long is Night of the Blood Beast?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • agosto de 1958 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • La bestia infernal
    • Locações de filme
      • Bronson Canyon, Griffith Park - 4730 Crystal Springs Drive, Los Angeles, Califórnia, EUA
    • Empresa de produção
      • Roger Corman Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 68.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 2 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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