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This is a big screen version of a BBC TV play. Anthony Newley, whose string of Top 20 pop hits had just come to an end, puts in a surprisingly good performance as Sammy Lee, a strip club compère whose gambling debts land him in trouble with gangsters. Newley was a quirky actor and takes some getting used to. Always nice to see Julia Foster who plays a doting innocent, and there are memorable cameos from Warren Mitchell and Miriam Karlin as his brother and his sister-in-law. Set before strip clubs and gambling were entirely lawful, the film is in black-and-white which enhances the period atmosphere. Jazz fans may care to note that the original music is composed by tenor saxist Kenny Graham.

I recently watched this movie in a newly made print with German subtitles during an Austrian film festival which showed a retrospective of the work of Wolf Suschitzky, the D.O.P. of this movie. Though 95 years old, he was present and I asked him afterward about the superb quality of the picture with "the blacks as real blacks and the whites glaringly white". It was probably shot with English Ilford stock of low sensitivity. Suschitzky pointed out that the most important thing is the quality of the print material and how experienced labs can handle this. I recommend this movie for anyone seriously interested in black and white film work and for getting moody, well-lit images in a real naturalistic location. Suschitzky tried to avoid bare grays so the grain won't show and even under night conditions there are parts overexposed and therefore white. Overall this movie has a great speed made-up of daring images, a superb jazz soundtrack and fast editing. Fortunately, it doesn't have a hand-held look, every image is carefully lit and composed. It is an enjoyable journey into the live of a very nervous and hasty man who doesn't seem to get anything right and instead is digging into trouble deeper and deeper. Unfortunately, it doesn't seem to be available on DVD right now so watch out for the cinema experience.

I saw this upon its original release in 1963 and loved. Never having being able to see it again I was sorry to miss it at a rare BFI Southbank showing last year and now here it is on DVD. To be honest, I remember enjoying it despite its gambling debt theme but now find this an annoyance. The b/w cinematography is still wonderful and this is a great portrayal of early 60s Soho, when it was more Jewish and Italian than Chinese and gay as it is now. Later in the 60s I was old enough to visit pubs and music venues and recall that older prostitutes still stood on the corners, though not anymore. There is still a buzz to the place and the street layout is unchanged but it doesn't have quite that jump and dare accurately depicted here. Newley is excellent in the central role and is well supported by Wilfred Brambell and Julia Foster.

I was engaged by the U.S. Distributor, Seven Arts Films, to produce a trailer for the film. Notwithstanding that both the film and my trailer were quite good, it did not enjoy good box office. Seven arts changed the title to "The Small VIOLENT World of Sammy Lee", had me do a new, more action oriented trailer, and they rereleased it under that title. It did somewhat better in that incarnation, but was still not the blockbuster they had hoped it would be.

As an additional aside, in addition to the BBC t.v. play, there was a U.S. version of the television show, as well. If memory serves, it starred Mickey Rooney.

Made and released in 1963, this film gave Newley a real meaty role instead of the light comedy, musical roles he was usually cast in. The original BBC play was a one man, one scene event, but the full Soho, London locations gave the film a more murky, underworld feel and you really felt for Sammy Lee, although you realised he was his own worst enemy! Beautifully photographed in black and white, atmospheric and with Newley at his acting best. Well worth a viewing. Excellent support from Wilfred Brambell (Steptoe) as Newley/Sammy's dresser, and Julia Foster putting in a suitable innocent performance as the love interest who has fallen for Sammy's charms (lies).

Anthony Newley is at the top of his game here as the eponymous nightclub host who is way past his best. His lame one-liners have long since stopped engaging his dwindling number of punters who now only show up for a cheap drink and a eyeful. His on stage failures are not his only worries. He couldn't pick a winner in an one-horse race and is in hock to his bookie for money he can never hope to raise, and they are not about to let him off. He is also in love - but even that's complicated with "Patsy" (Julia Foster) being embroiled in the business he shares with the odious and sleazy "Gerry" (Robert Stephens). There's a who's who of solid supporting British characters here that help depict a Soho, now long gone, that did deserve it's nickname as a square mile of vice and depravity. Wilfred Brambles, Warren Mitchell and Roy Kinnear all add a gritty richness to the poignant adaptation of his BBC play by auteur Ken Hughes and it's clear from early on that an happy ending - for anyone - is most unlikely. Hughes conveys the seediness and the ghastliness cleverly. There's virtually nothing graphic, or even especially violent - here. That's all left to our imagination and to the gradually increasing sense that "Sammy Lee" has seen his finest hour. He just has to hope it's not soon to be his last. I didn't always like the Newley brand of Londoner, but in this he delivers engagingly and I almost felt sorry for him at times!

This film portrays exactly how it was in Soho in the sixties and having worked in Soho during that period i can easily identify with the streets and establishments shown throughout the film . The story of this film is so credible , as , from experience , the plot defines exactly how it was around that time . I do know that it was precisely what used to happen in the sixties and later . What a treat to see the actual environment for what it was and not to be limited to studio scenery . Newley is at his brilliant best here and is the ideal candidate for this type of role. Wilfrid Brambell also shows his talents as a straight actor in this film although many people only associate him with comedy roles . Wilfrid really shines as Sammy's errand boy here , what a pity we haven't seen him in more 'straight' roles over the years . Poor Julia Foster , she also plays a blinder in this one too . She is so smitten with Sammy and refuses to admit that there cannot be any future between them as they really have completely different lifestyles . All in all , i think this film is so true to life that the Producer really does deserve an award , not only for the storyline but for casting the correct actors to portray the right roles in this.

I remember the Soho shown here so well.I used to walk through Soho on the way to the cinema.It has changed so much since this film was made.Newley gives a marvellous performance as the huckster trying to raise what would now be £5500 to pay his gambling debt or face a beating.Soho was in the grip of gangsters at this time and Could be a violent place The camerawork was superb.You get the impression that Newley is being filmed from a hidden camera.Probably his best role.

This is definitely worth a look if it comes your way. Tony Newly is gives an uncharacteristicly understated but perfectly judged performance in this evocation of 60s Soho low life. The cast is littered with top quality British acting talent in all the minor roles. A sleazy Robert Stephens as clubbowner; Warren Mitchell and Miriam Karlin a jewish deli owner and his wife give what might seem charicature jewish performances in 21stC but no less endearing for that. Plus Wilfred Bramble, Alfred Burke and Roy Kinnear and a host of others including a very young and delicate Julia Foster If you knew Soho in the 60s there's a huge amount of gorgeous b&w location photography to bring a smile. Spot the landmarks including the famous '2 I's' coffee bar! The acting great and pretty authentic for the period. The plot - seedy entertainer owes gambling debts and needs to raise cash to pay off hoods - is low key and the violence gentle by modern standards but the device keep the momentum going nicely Don't miss it

The film offers a raw, gritty portrayal of the seedy underbelly of London's nightlife, with a strong emphasis on the desperation and fear that pervades Sammy's life.

The film's greatest strength lies in its portrayal of Sammy Lee, brought to life by a stunning performance from actor Anthony Newley. Newley's portrayal of Sammy is nothing short of mesmerizing, perfectly capturing the character's nervous energy, fear, and desperation. He manages to convey a great deal of emotion with just a single glance, making Sammy an incredibly compelling character to watch.

The film's script is equally impressive, painting a vivid picture of London's seedy underworld in the early 1960s. The dialogue crackles with energy and wit, with plenty of memorable one-liners and clever turns of phrase. The film also manages to tackle some weighty themes, including the nature of masculinity and the corrosive effects of debt and desperation.

The film's visuals are also worth noting. The cinematography is striking, with a strong emphasis on mood and atmosphere. The camera often lingers on close-ups of Sammy's face, allowing the audience to fully experience his fear and anxiety. The film's use of light and shadow is also particularly effective, creating a sense of foreboding that permeates throughout the film.

Overall, The Small World of Sammy Lee is a must-see film for fans of British cinema. Its gritty portrayal of London's nightlife is still as powerful today as it was when the film was first released nearly 60 years ago. The film's themes of desperation and fear are universal and timeless, making it a film that still resonates with audiences today.

One of the most impressive aspects of the film is its ability to create a fully realized world that feels authentic and lived-in. The film's setting of Soho, London is lovingly recreated, with a great deal of attention paid to the details of the time period. From the seedy nightclubs to the bustling streets, the film's world feels fully realized and immersive.

The film also benefits from a strong supporting cast, including Warren Mitchell as the ruthless gangster who holds Sammy's debt, and Julia Foster as Patsy, Sammy's former girlfriend who still cares for him despite his flaws. These performances add depth and nuance to the film's world, making it feel even more fully realized.

While the film is certainly a product of its time, with some elements that may feel dated to modern audiences, it remains a powerful and compelling work of cinema. Its themes of desperation, fear, and masculinity are timeless, and its portrayal of London's nightlife is both striking and authentic. The film's ending, which I won't spoil here, is particularly powerful, offering a poignant commentary on the nature of regret and the fleeting nature of life itself.

In conclusion, The Small World of Sammy Lee is a masterpiece of British cinema that still holds up remarkably well nearly 60 years after its initial release. Its portrayal of London's nightlife is both authentic and immersive, and Anthony Newley's performance as Sammy Lee is nothing short of mesmerizing. If you're a fan of British cinema, or simply a fan of powerful character-driven dramas, then this is a film that you simply can't miss.

Yes albeit I never met him, he was a living legend and this stunning monochrome photography is proof of that. All crew and cast are excellent . This story builds up with a unique pace of action to an unexpected climax. Poignant albeit emotional and yet moving . Unexpected events throughout as to how and where this (anti hero ) would react to his dilemma ? As the pace speeds up I found it quite hard to keep abreast of how he was resolving his trials and tribulations ? Clever screenplay writing and imagination of thought processes .

Quite brilliant and as already stated are accurate as are all whites which certainly was due to expert lab testing and careful checking of all chemical mixes and pedantic drying technique which needed 2 sharp eyes for neg and pos accurate drying ! These techniques were a Labour of love and every minute in that lab was challenging and success was always appreciated and great pride in our work was a given. Re hand held, those days would have needed a much larger budget ! That said the intensity of lighting , direction and screenplay all gelled for a successful final in the can job. For the general public , if interested I modestly suggest starting with a few now out of date technical books on film processing, screenplay writing, direction , lighting , and sound recording techniques all of which, technically were controlled by analogue equipment as opposed to today , which is mostly, though sometimes not, controlled by digital cameras and sound recording . There are many ( now 2nd hand ) books which can enlighten those who are interested ? I find it somewhat frustrating that most audiences do not understand very much, if anything about the stresses, strains , frustrations and sleepless nights endured by film cast and crew , often over many weeks or even months of sheer hard work ! That said, people that do this work, need to be eager and enthusiastic plus at times a bit nutty and also maintain a sense of humour irrespective of work hardship ! Those attributes seem to pass by most of the TV and Cinema audiences of past years and also today ! I hope these few words may inspire even ONE reader who may then pass that on to others ?