Os Primos

The naive mama's boy Charles (Gérard Blain) moves to Paris to live with his debauched bon-vivant cousin Paul Thomas (Jean-Claude Brialy) in his apartment. He meets Paul's friend, the pervert pimp Jean "Clovis", who is older than them. Paul studies hard and writes daily to his mother while Paul gives frequent parties and neither studies nor goes to lectures. When Charles meets Paul's friend, the gorgeous and promiscuous Florence (Juliette Mayniel), he falls in love with her. They talk later through telephone and Florence understands the invitation of Charlie to meet her wrongly and arrives earlier at his apartment. She meets the cynical Paul and Clovis that tell her that she is a slut and will cheat Charlie when she becomes bored with him, and she ends having sex with Paul. Florence moves to the apartment to live with Paul, disturbing the attention of Charlie in his studies. When the final exams come, there is a tragedy.

"Les cousins" (1959) is the second film directed by Claude Chabrol, with the story of two cousins and depicting an empty generation. One cousin is from the countryside, naive, shy and mama's boy; the other is popular and pervert, although protecting his cousin most of the time. The beautiful Juliette Mayniel performs a key element in the story, since Charles has a crush on her, but Paul destroys their relationship since the twenty-year-old woman is promiscuous and has slept with most of his friends. However, the concentration of Charles is lost, and he fails his exam. The tragic conclusion is very sad. My vote is seven.

Title (Brazil): "Os Primos" ("The Cousins")

The 13th film I saw of Claude Chabrol. The least I liked. I understand the meaning and the message of the film, but practically nothing captivated me: Neither the characters (nor Charles's own character captivated me) nor the rhythm of the film (a very long sequence in which we get to know Paul's friends, who swim and the way the "bourgeoisie" is presented to us, there are immense films that "capture" this social class in a much more skilful and humorous way, nor the message of the film, which I find to be inadequate and unlikely in the form how it is performed. I liked Chabrol's film the previous year, his first one, "le beau serge", curiously with the same double protagonist. I can not give this "les cousins" more than 6/10.

Chabrol's second film, made months after his first Le Beau Serge, and a more mature film director is evident. Helped, no doubt by those he gathered around him notably on script and camera, while the first film had charm and passion, this has that and more. Not only is this an interesting and intriguing tale of student life and affairs late 50s, the way it is shot opens up a whole new world of cinema. At least for the next five years this new Wave would dominate French cinema and also influence most of the world's cinema. With a fluid camera movement, jump cuts and an emphasis on 'real' people, having fun, being serious about politics, smoking all the time and having sex, cinema would, as they say never be the same again. Les Cousins is all of the above and entertains and amuses. Chabrol has complete control of the music this time, which works very well - even if it includes youngsters dancing around to Wagner! Important and enjoyable - can't say fair than that.

Chabrol before he truly became Chabrol. This might seem to be one of his more 'realistic' films, with its obligatory nouvelle vague scene of Parisian freewheeling, but one of 'Les Cousins'' main themes is the disparity between reality and fantasy, and the fate of those who cannot tell between them. Just as paul turns his personality into a series of roles, his life into ritualistic tableaux, so Chabrol suffuses his realistic narrative with references to myth, fable, fairy tale, opera, and, especially, film.

'Les Cousins' plays like a counterpart to Melville's 'Les Enfants Terribles', with the same theatricality, claustrophobia, incestuousness, and mythological base; the same cinematographer, even one of Melville's actors! most interesting is the development of Chabrol's style, the lockjaw camerawork, the complex use of point of view, the puncturing of solemnity with incongruous humour (see especially the hilarious 'fish' scene).

This film by Claude Chabrol reminds me of the old story of the country mouse and the city mouse. The country mouse is excited to see the big city but his bumbling provincial ways are out of step with his more sophisticated city cousin. This seems to be pretty much the basis for this film, "Les Cousins"! Though of course, being a Chabrol film it will have some dark edges and twists!

Charles is the guy raised in the country. He's slow and lacks confidence with women. Paul, on the other hand, was raised in the city and women hang all over him and put out like crazy for him. When Charles comes to stay with him while he goes to college, he is quite the contrast to Paul who is a confident ladies' man. He's also more bookish and introspective than Paul. All Paul wants is to have a good time and have sex--and he couldn't care less about his studies at the college. And, in a way, Paul has contempt for his cousin when Charles falls head over heels for Florence--and he soon beds Florence and asks her to move in with him. As for Charles, he is sad but sinks his energy into his classwork and tries to do the right thing. What's next for this odd mismatched pair? Bet you won't be able to guess!

This film is considered by many to be one of the best and earliest New Wave films. Like many New Wave movies, the normal film formulas are turned on their head and goodness isn't necessarily rewarded and the ending is quite ambiguous. Well worth seeing and darkly enjoyable.