Adicionar um enredo no seu idiomaHoodlum Jack Martin is on the lam and robs a small town bank which brings the local cops and local crime boss into the mix.Hoodlum Jack Martin is on the lam and robs a small town bank which brings the local cops and local crime boss into the mix.Hoodlum Jack Martin is on the lam and robs a small town bank which brings the local cops and local crime boss into the mix.
- Direção
- Roteiristas
- Artistas
Garry Walberg
- Adolph
- (as Gerrett Wallberg)
Raikin Ben-Ari
- Plumber
- (as Raiken BenAri)
Clegg Hoyt
- Caretaker at Country Club
- (as Clegg Hoit)
Leonard Bremen
- FBI Agent
- (não creditado)
Vic Tayback
- Norm
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
.... because he leaps off the screen compared to the other actors, all of which have such wooden performances you could build a bonfire out of them.
It's about a bank robber, Jack Martin (Walter Matthau) who has just escaped the police but has one handcuff still attached to his wrist. He gets out of that cleverly. Then he decides to rob a small town bank in a most unconventional way. But the local mob - which Martin knows nothing about - is angry that this guy "invaded their territory" and are out looking for him. He realizes he's being followed, but he thinks they are the cops. Meanwhile, after the robbery, he has started working at a citrus ranch owned by a librarian, and things begin to get romantic between them. When the mob catches up to him, they make him an offer he can't refuse. How does this turn out? Watch and find out.
Matthau directed this and never directed another one. It's a virtue to cut your losses and apply yourself to what you are good at, in his case acting. The dialogue is very non-descript, the female lead (that's actually Matthau's wife playing this part) looks like she might have an intriguing backstory that is never examined, and the art design is ponderous. Why is there a big sign that says "Police Station" inside a police station? With a detective reading "Law and Order" magazine in his spare time.?
The film gets one thing right - When your actors make the ones in Ed Wood movies look like they are of Shakespearean quality, and your dialogue is flat, go with the one thing you have left - Hurry! Keep the pace quick, keep the action interesting, keep people guessing (sort of) what is going to happen next. And this film does that.
If you like Matthau - I do - this is probably worth a look. It is definitely not boring.
It's about a bank robber, Jack Martin (Walter Matthau) who has just escaped the police but has one handcuff still attached to his wrist. He gets out of that cleverly. Then he decides to rob a small town bank in a most unconventional way. But the local mob - which Martin knows nothing about - is angry that this guy "invaded their territory" and are out looking for him. He realizes he's being followed, but he thinks they are the cops. Meanwhile, after the robbery, he has started working at a citrus ranch owned by a librarian, and things begin to get romantic between them. When the mob catches up to him, they make him an offer he can't refuse. How does this turn out? Watch and find out.
Matthau directed this and never directed another one. It's a virtue to cut your losses and apply yourself to what you are good at, in his case acting. The dialogue is very non-descript, the female lead (that's actually Matthau's wife playing this part) looks like she might have an intriguing backstory that is never examined, and the art design is ponderous. Why is there a big sign that says "Police Station" inside a police station? With a detective reading "Law and Order" magazine in his spare time.?
The film gets one thing right - When your actors make the ones in Ed Wood movies look like they are of Shakespearean quality, and your dialogue is flat, go with the one thing you have left - Hurry! Keep the pace quick, keep the action interesting, keep people guessing (sort of) what is going to happen next. And this film does that.
If you like Matthau - I do - this is probably worth a look. It is definitely not boring.
Gangster Story (1958)
* (out of 4)
Walter Matthau directed this film, his only stint in the director's chair. Matthau plays a hardened bank robber/cop killer who tries to hide in a small town but mafia dudes come chasing him. The plot of this film really makes no sense and the performances are all rather bad. This is an ultra low budget film that seems to have been filmed without sound and then later dubbed in. I'd recommend everyone watch this film at least once to see the dumbest bank heist in the history of film.
Thankfully Walter went back to acting.
* (out of 4)
Walter Matthau directed this film, his only stint in the director's chair. Matthau plays a hardened bank robber/cop killer who tries to hide in a small town but mafia dudes come chasing him. The plot of this film really makes no sense and the performances are all rather bad. This is an ultra low budget film that seems to have been filmed without sound and then later dubbed in. I'd recommend everyone watch this film at least once to see the dumbest bank heist in the history of film.
Thankfully Walter went back to acting.
Gangster Story has the distinction of being the first film Walter Matthau ever starred in and the only film he ever directed. And for him personally he wedded his leading lady Carol Grace aka Carol Marcus. She became the second Mrs. Matthau.
It has a lot of similarities to one of Matthau's better serious roles Charley Varrick which was directed by Don Siegel after Matthau became a star. Unfortunately this one was shot on a dental floss budget and Matthau the actor did not get any great performances out of his cast.
Matthau plays a bank robber who has just escaped police custody and goes right to work and pulls off a nice bank robbery which comes to the attention of a local crime boss. He gets Matthau in his organization and they pull a big score, but the getaway was a bloody mess.
Matthau also has taken up with a local librarian who is intrigued by him even before she learns he's a professional criminal. The chance to leave her humdrum life as a librarian to become possibly Bonnie Parker is also intriguing, but up to a point.
As for the ending, no surprises but it doesn't end like Charley Varrick. Think of the film Heat from Robert DeNiro's point of view.
The only other person in the cast of note is Garry Walberg who plays one Matthau's henchmen from the big score who proves to be a loyal friend.
The whole affair in noir black and white looks like it was shot with a Kodak home movie camera. Matthau makes it interesting, but Ed Wood had bigger budgets.
It has a lot of similarities to one of Matthau's better serious roles Charley Varrick which was directed by Don Siegel after Matthau became a star. Unfortunately this one was shot on a dental floss budget and Matthau the actor did not get any great performances out of his cast.
Matthau plays a bank robber who has just escaped police custody and goes right to work and pulls off a nice bank robbery which comes to the attention of a local crime boss. He gets Matthau in his organization and they pull a big score, but the getaway was a bloody mess.
Matthau also has taken up with a local librarian who is intrigued by him even before she learns he's a professional criminal. The chance to leave her humdrum life as a librarian to become possibly Bonnie Parker is also intriguing, but up to a point.
As for the ending, no surprises but it doesn't end like Charley Varrick. Think of the film Heat from Robert DeNiro's point of view.
The only other person in the cast of note is Garry Walberg who plays one Matthau's henchmen from the big score who proves to be a loyal friend.
The whole affair in noir black and white looks like it was shot with a Kodak home movie camera. Matthau makes it interesting, but Ed Wood had bigger budgets.
This is fun movie to watch if you enjoy old, low-budget B movies. I enjoyed the California scenery and cars from the 1950s probably more than the movie.
The plot and acting is pretty corny but it's still an enjoyable movie, even if it's only for a few laughs.
I even like the stale kind of dialog you get from the cops ... "attention all cars" kind of thing.
It reminds me of something that might have played at one of those old drive-in double features.
The film probably would have been a total dud, but having Walter Matthau helped make it watchable.
The plot and acting is pretty corny but it's still an enjoyable movie, even if it's only for a few laughs.
I even like the stale kind of dialog you get from the cops ... "attention all cars" kind of thing.
It reminds me of something that might have played at one of those old drive-in double features.
The film probably would have been a total dud, but having Walter Matthau helped make it watchable.
In the early days of television, there was an influx of great actors and actresses who decided to test the waters of this new media. We had the likes of Dick Powell, Ida Lupino, Ann Sheridan, Loretta Young, for example. Not so with Walter Mathau. This great actor actually originated from the early days of television and then migrated to the movies. Mathau did countless guest appearances on many television programs before getting his big break in such films as "The Kentuckian" (1955) and "A Face in the Crowd" (1957). This film was only one of a few that he had under his belt until he made "The Gangster Story" in 1960.
Incidentally, this was his directing debut also, so between appearing in television and movies, this gave him the rare chance to show his talent in this aspect. Unfortunately for Mathau, this was his only attempt to direct a movie. The quality of this film in it's cinematography, the acting and the dialogue is way below standard and this probably was the reason why he never directed another film.
This is, at best, a fair film that is a potential cult classic. The plot is transparent and predictable. The supporting acting is stilted and awkward. His real wife, Carol Grace, plays the typical "bimbo" role of standing-by-her-man-no-matter-how-bad-he-is (*sigh*) in this cheesy docudrama. However, because it is an early Mathau vehicle, it is an interesting conversation piece for those who admire his talents.
Not an academy award winner, but an interesting chestnut from a long and illustrious career.
Incidentally, this was his directing debut also, so between appearing in television and movies, this gave him the rare chance to show his talent in this aspect. Unfortunately for Mathau, this was his only attempt to direct a movie. The quality of this film in it's cinematography, the acting and the dialogue is way below standard and this probably was the reason why he never directed another film.
This is, at best, a fair film that is a potential cult classic. The plot is transparent and predictable. The supporting acting is stilted and awkward. His real wife, Carol Grace, plays the typical "bimbo" role of standing-by-her-man-no-matter-how-bad-he-is (*sigh*) in this cheesy docudrama. However, because it is an early Mathau vehicle, it is an interesting conversation piece for those who admire his talents.
Not an academy award winner, but an interesting chestnut from a long and illustrious career.
Você sabia?
- CuriosidadesShot with a five-person non-union crew, at the homes of crewmembers in Anaheim.
- Erros de gravaçãoThe "modern" movie poster shown with this entry is historically incorrect. The poster shows the World Trade Center. However, this film was released in 1959 and they didn't start building the World Trade Center until 1966. The first tower wasn't complete until 1970. Additionally, there is another movie "poster" image in the photographs section that has an illustration also implying the Twin Towers.
- ConexõesFeatured in Walter Matthau: Diamante em Bruto (1997)
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- How long is Gangster Story?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Гангстерская история
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 75.000 (estimativa)
- Tempo de duração1 hora 5 minutos
- Cor
- Proporção
- 1.37 : 1
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