O Encontro

Considering the film was made in 1969, the film is interesting in its approach to subjects, camerawork, acting, etc. Lumet being an American was making a European film in style and content. Some of the camerawork along the streets of Rome reminds you of Boorman's "Point Blank" (1967) or Goddard's "Alphaville" (1965). It has a pointless helicopter shot of the lovers in embrace in an open field which six years later was used with great elan by Arthur Penn in another existential story "Night Moves" as the final shot in that movie. The film has no semblance to the typical Hollywood cinema of late sixties; it is closer to European cinema which Boorman was able to capture quite effectively with existential dilemmas presented on screen. Lumet went on to make much more memorable films, one of which was "Equus".

The story of a doubting lover, a jealous husband has been presented on screen several times. It is an Othello story retold. Omar Sharif's lead role appears plausible but he seems to overdo every detail. His cigarette smoking scene was meant to be a picture of nervousness--yet he is rarely seen smoking during the course of the film. Lumet seems to overlook details. Or is he teasing you?

Anouk Aimee is great to watch because she is so good looking not because she acts well--at least she is not convincing in this film. What is her relationship with the young man on the island? Lumet makes us wonder with the meaningful shot of the man's face on the second trip of the couple to the island. We are left guessing about Aimee's true character even after the end. Everything is open ended, except for the Othello-like lead character. Probably this was the reason for the film being nominated for the Golden Palm at Cannes. Lumet succeeds in fleshing out the male character, but fumbles with the female lead character. Perhaps it was his intention to leave us guessing.

The film remains a puzzle, a good effort that pales in comparison to Lumet's better works like "Equus", "12 Angry Men" and "the Verdict".

This film is very difficult to see, but I managed to on TCM and was glad I did. Not that its all that good, but I found it worthwhile just because it was so very unusual for its director. Like others have commented, if you saw this with no knowledge who made it, I don't believe anyone would be able to guess Sidney Lumet was the director. This is a completely European film in style and content. Some beautiful cinematography and lovely Italian locations are the main recommendations, also a supporting performance by Lotte Lenya as a procuress. Her character is not all that evil, despite her admission that she was a fascist and supporter of Mussolini, but no other actress could so effortlessly bring a touch of the sinister than Lenya did just by showing up. The main problem with Sharif and Aimee is that, other than not being the most expressive of actors (though they sure look good), their characters just plain do not act like real people would - they both seem damaged and the screenplay makes them behave in ways that make one long to slap them both. Still, I enjoyed the leisurely pace and 60's fashions and ambiance enough to be glad of the opportunity to see this warped love story.

While I appreciate the previous person's comments, this is not a great movie. It's a movie about jealousy and possession, and haven't we all seen too many movies about that? (Lifetime channel, anyone?) Watch this movie if, for no other reason, to see Anouk Aimee and Omar Sharif at their most beautiful. O.K., so Anouk's character is rather vapid and insipid. Who CARES? Anouk is a world-class beauty (as she STILL is; see "Festival in Cannes"[2001]) and as feminine as feminine gets. And Omar's EYES in this movie! Wow! You could easily drown in the mysterious dunes of the Sahara just staring at those Egyptian eyes! So, see it for the eye candy. And, no, I'm not ashamed. I like eye candy.

Buttoned-up divorce lawyer in Italy, still living part-time with Mom, spies a smoky beauty on the streets just outside of Gucci, cuing composer John Barry to drum up an intensely romantic theme in the background. These two are obviously destined to meet--but she may have an impure past which prevents well-intentioned men from marrying her. Movies such as "The Appointment" are easy targets for critics looking for something to ridicule. By natural law, most conversations between budding lovers are silly, and here (when Omar Sharif explains the mating habits of turtles to an amused Anouk Aimée) you can almost hear the cackling from the balcony. The stars make for a terrifically photogenic couple, and the Italian backgrounds are ravishing, but the central theme of romantic obsession, possessiveness, and destructive jealousy is so intensely drawn that it may elicit giggles from viewers instead of emotion. Omar Sharif gives his standard wet-eyed performance, yet this is an unusually complex man--not a replay of Zhivago--and Sharif captures the nervously boyish tics and overeager longings of the character quite ably. Similarly, the material is an unusual change-of-pace for the director, Sidney Lumet (in uncharacteristically subdued spirits); Lumet pulls off a few audacious moments here, however some of his attributes (such as an elaborate helicopter shot of the lovers in a grassy field) call attention to themselves for no other reason than to be artsy. The slow, steady pacing may turn distracted viewers off, yet this is an oddly beguiling cinematic experience: fantastic, unsentimental actually, and not so removed from the truth. Lumet's heart wants to flutter in the winds, yet he keeps his feet on the ground, resulting in a thoughtful downer. *** from ****

In my opinion, this film is highly underestimated. This is a very well shot film on beautiful locations. It is as if Antonioni was it's photographer. And another comparison: Stanley Kubrick made 'Eyes wide shut'a few years back (also underestimated, als usual with his films), but 'the Appointment' definitely has the same intensity, mystery and erotic tension as 'Eyes wide shut'. Both films are so quiet and intense, I only wish there were more films like this.