A terra

A great film among the ancient Egyptian works of art, and after this work and this time, there is no film of this artistic power again.

This film can be considered one of the world's best movies, actually it was chosen on top of the best 100 movies in Egypt.

The movie is adopted from a novel written by Abdel Rahman El Sharkawi and was directed by Youssef Shahin.

Abdel Rahman El Sharkawi is a well known novelist and play-writer, in fact he's much more recognized for the plays he wrote. The movie "El-Ard" was produced in 1969, which falls inn a very important period of time in the Egyptian history, at this time the Egyptian ideology was being restructured.

As for the film itself, I would start by the choice of actors, when you think of the actors that were in Egypt at that time, you can't find a replacement for any of the actors in the movie, and you feel that no one else can play in any of the roles.

I would start by the Great actor Mahmoud El-Meliguy. His performance in this movie is like an intense lecture in the art of acting, Mohamed Abu Swelam, that character he played is so nicely written by Abdel Rahman El Sharkawi, it's a character facing so many struggles and at the same time with a history to be proud of, but it reached a point where he feels helpless in the struggle between him and the rich man in his village, who is connected to the Egyptian Royal palace (the time of the story was before Egypt changed from a kingdom to a republic). At the same time he's facing struggles with the English authority, which he has a long history with, and finally a struggle with the people of his village who are facing the same in justice he's facing!! This dilemma reflects to a great extent how the human behavior changed over the years. Back to Mahmoud El-Meliguy's acting, if this movie was translated to other languages I bet he would have been rewarded for his performance. I believe he's one of the best world's actors. He was known for playing the roles of gangsters and bad guy's, although all his friends and colleagues refer to him as the kindest person, in this movie his character was the main character in the film, another actors in this film were, Ezzat El Alaili and Yehia Shahin, they were both performing amazingly in there roles. The movie can be considered as a success story, even the music and the song performed were so distinguished and were so related to the movie. As for the directing, I believe Youssef Shahin did the right choice of actors which got his mission even easier. But this does not mean he wasn't good. In fact this is his masterpiece.

Finally, I would like to recommend this movie for any one who wants to enjoy acting

Perhaps this is the best Egyptian movie of all time , and before chahine started to write his own script from where it all went down hill.the acting is superb specially Elmelliguy and Yehia Chahine, they are very believable but all thanks to the original novel.a recommended movie for all.

"Either you keep your mouths shut or you die." "I'd rather die."

They're very different films, but perhaps this would fit in a trilogy about the struggle for water resources, alongside Chinatown (1974), and Dry Summer (1964). There is a larger story here too, one that's specific to a time and place, 1930's Egypt, but also universal and timeless. Does anything symbolize the rich taking wealth away from the masses so directly than the bey in this story diverting water to his own fields, or him subverting the will of the people by building a road over their land for his own personal benefit rather than pushing for more water for the peasants? We also see how a local religious figure plays a role in wielding power over the people and maintaining the status quo. "God help us," he intones repeatedly during one crisis, when it's clear that it's only the people who can help themselves.

What makes the plight of the fellahin (peasant farmers) particularly humiliating is that some of them fought in the 1919 Egyptian Revolution (the one played by Mahmoud el-Meliguy in particular), and yet now continue to be oppressed. The disillusionment is palpable, and el-Meliguy is fantastic here. Such solidarity is required to have any hope of fighting the power in all of its various layers, e.g. The effendi, mayor, bey, prime minister, king, and the English, whose presence is still felt, but we see how hard that is, as naturally the poor begin squabbling amongst themselves out of desperation. It's one telling moment all the villagers all come together to get a cow out of a well, a model of cooperation, and in another, a man sells out the villagers in order to have the road be diverted around his own land. We also see one woman who feels forced to sell her affections for produce, e.g. For two cucumbers, come to a grisly end.

The story is a little rough around the edges relative to the heroine (Nagwa Ibrahim), as initially we see her trying to seduce a pre-pubescent boy because he's the son of a wealthy man and might offer a possible escape out of life in the country, but then shift to a farmer (Ezzat El Alaili) who has been pushing hard for her hand without a lot of insight into her motivations, other than seeing he wants to protect her. The boy and the father who was teaching him poetry abruptly disappear, but perhaps they provided their narrative purpose, illustrating the class difference and how the pocket money the father gives him is quite a sum compared to those struggling to pay food debts. Similarly, we hear student protesters chanting "Down with colonialism," probably representing the 1935-36 protests, but it's notable that they're not shown and seem completely disconnected from the struggles of the peasants on the land.

Certainly a meaningful story, one told very well by Chahine and including some beautiful images, but a little depressing.

One of the greatest Egyptian movies . I loved the music working along side with brilliant cinematography which included a brand new locations chosen professionally from the Egyptian countryside. The ending is just completion of such a brilliant and professional picture.