Carter's Army

I thought I knew it all when it came to Blaxploitation films and for that matter tv shows such as White Shadow and What's Happening. I came across this film in a chain video store and had to make a command decision. It was necessary to determine whether to buy and risk losing the few dollars or more arguably having an eyesore of an item that second hand stores would not even give money for. That would mean throwing it away if it were truly dreadful. I decided to pass at first b-lining home to read online reviews to see the scoop. Fortunately, the critics were kind enough, prompting me to return to the store with renewed vigor and confidence that I was not buying a total turkey. I played the first half of the tape on several occasions only halfway paying attention to ensure that it worked at least functionally. Well finally I had an audience and played it from beginning to end, and was not just impressed but very impressed. I grade on a curve considering the time period and budget put into the project. I really liked the character development in which the subtle differences of personalities remains consistent. The best friend twosome of Pryor and Grier is formable and yet handled in a subtle manner. The other allstars of Moses Gunn, Glynn Thurman, and Billy Dee Williams make this a film that a film expert of black cinema should not miss.

I purchased "Black Brigade" (apparently a re-issue of the original) this week for $3.33 from the previously-viewed bin. Expecting to view a comedy, prepared to laugh, I discovered with mixed feelings, ten minutes into the film, that this is no comedy; it is not "hilarious". Rather, this film sends a realistic message about war. "Black Brigade" ranks well with "The Red Badge of Courage" and "Johnny Got His Gun" in depicting innocence and ignorance under fire. Moreover, "Black Brigade" educates the viewer as to what it must have been like for most black men serving our country in WWII, assigned individually and collectively to menial service slots because of the color of their skin. A classic. Just wish the quality of my copy of the film were better.

At first glance this gives the impression that it is going to be a laughable blaxploitation flick, and it does contain moments where it veers in that direction. However, the basic story idea is much stronger than might be expected, and is a respectable effort at portraying racial issues in the World War II era Army. The recognizable cast is hit and miss, with Glynn Turman, Richard Pryor and the underused Billy Dee Williams faring best. Stephen Boyd, however, stops just short of twirling his bushy mustache in an overindulgent star turn.

The obviously low budget leads to inconsistency in the production values. The locations are great, the effects and action are weak. Imagine if "Saving Private Ryan" had consisted of half the platoon getting killed exactly the same way Vin Diesel's Caparzo had (except we do get to see the shot because they effects can't handle it), then Hanks, Damon and Burns drove around in a jeep and shot five Germans for the climax. Yet, the denouement, with the heroic soldiers receiving no respect for their accomplishment because they are black, and Boyd's racist Captain being effected by this, is compelling, as are the sequences of of Turman's character writing in a journal of his imagined exploits if the soldiers were allowed to fight instead of digging latrines.

In short, "Black Brigade/Carter's Army" doesn't quite succeed. But it's a respectable failure, not a bad joke. It could be remade as a very good film, and, as it stands, is an interesting effort.

Was a kid when I saw this movie first air on ABC television as it introduced me to a World War II U.S. Army that I didn't know existed. Yes, the mysterious, wooden and often referred to obnoxious Stephen Boyd is in it along with superstars Rosie, Richard and Billy Dee. One of Ireland's most famous Hollywood actors, Boyd was a genuine thespian who shines in his role as the angry officer. The wonderful Susan Oliver's not too shabby either. Neat little drama for fans of the "Ben-Hur" and "Fantastic Voyage" guy. It's a sad note that Stephen died before he had successfully comeback into the arms of Tinsel Town after knocking about in Europe doing no-money/no fame work, but that was his thing. See him in "The Oscar" as he's a hoot in the bomb and he'd be the first to tell ya.

The writers probably had no experience in the army, and probably never glanced at a history book, but I still give this cheaply produced war film some credit for taking a long-needed look at the role of black soldiers in the second world war.

The action is confused and unbelievable--any episode of Combat! has better production values, but the cast is interesting. Seeing New York Giant Rosie Greer was worth the buck I paid for this. The art direction is fifth rate--the men wear Korean War uniforms, and it was pretty lousy weather by the time the U.S. Army reached Germany in 1944, not sunny as they show here, and I don't think the terrain resembled Northern California. The script never does make clear why the black support troops are used as combat soldiers. There is a nice touch that shows some of the men carrying Springfield rifles instead of M-1s, which second rate troops probably would have been issued with.

This basic story idea(racist southern officer commanding black troops) should have been expanded into a big budget production back then, and its not too late to try it now. You have to take this for what it is, and I admire the creators of this film for making the effort.

I remember seeing this a while ago and thinking it was set in Italy, which would have made more sense because there were black combat troops operating there in 1944.