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A testemunha

Título original: A tanú
  • 1969
  • 1 h 45 min
AVALIAÇÃO DA IMDb
8,6/10
8,2 mil
SUA AVALIAÇÃO
György Bálint in A testemunha (1969)
SatireComedyDrama

Adicionar um enredo no seu idiomaA poor Hungarian dyke-keeper is caught in the politics of illegally slaughtering his pig by a corrupt and deceitful system of government.A poor Hungarian dyke-keeper is caught in the politics of illegally slaughtering his pig by a corrupt and deceitful system of government.A poor Hungarian dyke-keeper is caught in the politics of illegally slaughtering his pig by a corrupt and deceitful system of government.

  • Direção
    • Péter Bacsó
  • Roteiristas
    • Péter Bacsó
    • János Ujhelyi
  • Artistas
    • Ferenc Kállai
    • Lajos Öze
    • Zoltán Fábri
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,6/10
    8,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Péter Bacsó
    • Roteiristas
      • Péter Bacsó
      • János Ujhelyi
    • Artistas
      • Ferenc Kállai
      • Lajos Öze
      • Zoltán Fábri
    • 11Avaliações de usuários
    • 8Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos18

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    + 12
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    Elenco principal37

    Editar
    Ferenc Kállai
    • Pelikán József, gátõr
    Lajos Öze
    • Virág Árpád
    • (as Õze Lajos)
    Zoltán Fábri
    Zoltán Fábri
    • Dániel Zoltán
    Béla Both
    • Bástya elvtárs
    Georgette Mertzhradt
    • Potocsni elvtársnõ (beszédtanár; szerep-betanító)
    • (as Georgette Mertzradt)
    Róbert Rátonyi
    • Operettszínész
    • (as Róbert Ráthonyi)
    Károly Bicskey
    • Gulyás Elemér
    • (as Károly Bicskei)
    Lili Monori
    Lili Monori
    • Gizi
    László Vámos
    • Idegorvos
    Ida Versényi
    • Gogolák elvtársnõ
    György Bálint
    Pál Bánó
    • Bíró
    Tibor Fehér
    • Börtönõr
    József Iványi
    • Rendõr
    Pál Jákó
    • Orvos
    György Kézdy
    • Virág testõre
    • (as György Kézdi)
    Péter Korbuly
    • Virág testõre
    Lajos Mezey
    • Író
    • (as Lajos Mezei)
    • Direção
      • Péter Bacsó
    • Roteiristas
      • Péter Bacsó
      • János Ujhelyi
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários11

    8,68.2K
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    Avaliações em destaque

    10IlMatto

    The top product of the Hungarian movie

    This movie did what the other Hungarians couldn't: Really enjoyable and makes the Hungarian '50-s era understandable even for foreigners who have never lived under communist regime. No need to say more.

    Well, OK. Just because of the commenting rules.

    This movie is full of unforgettable characters. Comrade Virág and the old logopedist lady are my favorites. This aspect is one of the many strong points of the Tanú. And so on, the play of the actors, the sentences and termini technici which became part of the national culture, the great atmosphere, the unique sense of humor made this movie a masterpiece. After more then 20 times of watching, it still can't become boring.
    Pinkai

    No, Not there!!!!!

    Thanks to my Hungarian colleague, who lent me the DVD, I watched this interesting and excellent movie. And what a movie it was!

    From the beginning till the end, this absurd drama entertains, amuses and at the same time, makes one think. The best point of this movie is the central character, who is a simple person, who does not know how to protest, who believes that all the decisions taken by (and the words uttered by) the Comrades in power must be correct, and who therefore obeys their orders unquestioned, and yet tries to be innovative, and thus unwittingly exposes the stupidity and absurdity that lies at the core of their ideology.

    I never knew that Hungary makes good movies (maybe because of the more widely known movies and movie makers from Poland and Czech; though I was told that Hungary produces perhaps the best brains in the world, at least, in Mathematics.), but now I know it otherwise.

    If you like a good political satire, just watch it.
    meitschi

    A Hungarian cult movie

    This film can probably be called THE Hungarian cult movie.

    It is a very sad comedy, but with a lot of hilariously funny and original ideas. Made in 1969, a time of political liberalization, it was banned before its first screening and could not be shown in Hungary till 1978. Although the plot takes place in the Rákosi era (1949-1956), the darkest years in Hungarian communism, its anarchical criticism of the communist regime also had impact on the time it was made in.

    It will be probably fully understood only by people who have some idea of the communist system, but is also watchable for other audiences.
    9szpierre

    There is more to reality than it seems - background info

    There is much more to reality in this movie than it seems. Many of the characters, motives and stories are based on reality. The main story line - the concept trial of minister Daniel and his group is about the concept trial of communist leader and minister Rajk. He was an ideologist communist and they said that he could be the next leader of Hungary after Rakosi who was the Stalinist leader of Hungary between 1949 and 1956. Rajk had different ideas than Rakosi on many questions. He got apprehended in 1949. He had a public trial where everything was pre-arranged. The false accusation and the testimonies of the witnesses were written by Rákosi's administration and Moscow. The witnesses were prepared and trained by the ÁVH (Hungarian KGB). Many intellectuals actually did believe in communism but after the Rajk trial and the mystic disappearance of people on a mass scale showed everyone the true face of the Rákosi regime. It was very uncertain whether Bacsó can make the film at all. The party made some suggestions. For example the original script referred to the traitor Daniel as the "Daniel gang" like Rajk and his friends were called the "Rajk gang". The censors asked Bacsó to alter the term "gang" to "group" as the term gang was a too clear reference to Rajk.

    The characters: - There was a major party member and army general who was the model of comrade Bástya. - Comrade Virág was based on the much feared ÁVH leader Péter Gábor. ÁVH did took a lot of people from their homes in the middle of the night in black, curtained cars. They tried to convince and break people by being both brutal and nice. Comrade Virág uses all kind of methods to drive Pelikán to be the key witness. Also the clothes of the ÁVH agents are very much like the real and Virág's room has many references how some party leaders were thinking and living.

    Pelikán's jobs: - Swimming pool: There was a major party member who used to get one of Budapest's major swimming pools emptied when he wanted to swim. This comrade kept this habit even in the seventies. - Theme park: The original name of the Hungarian theme park was really English Park that has changed sometime in the Rákosi regime. Also the scenic railway really had a communist version where they showed how the society evolved (according to Engels' theory). - Hungarian orange: It is true that Hungarians wanted to grow orange in Hungary. The project was launched by Rákosi himself.

    There are also a lot of references in the movie to real persons and events most of which can be understood by the ones actually lived in Hungary in the 50's. Bacsó said that the last scene where comrade Virág and Pelikán met on the tram and the tram door closed very much resembled the days when the film was made. Although the Stalinist Rákosi regime was over the and the prisoners of the 50's and their guards were still there. They traveled on the closed tram together like fishes in an aquarium.
    10hakapes

    The international situation is intensifying!

    I'm 29, live in Hungary, but only have seen this movie yesterday. I think, something was missing from my overall general knowledge of us.

    The change to freedom from the socialist-communist regime was in 1989, 17 years ago (as of 2006), but all these experiences are so alive in today's people. Especially in the middle age (40-60 year old) generation lived through that time and their mind is vividly remembering. Sentences like the "The situation is intensifying!" (A helyzet fokozódik!), "Life is not a whipped-cream cake!" (Az élet nem habostorta.) are very common to hear. I remember my high school teachers using these phrases very often.

    There's even a magazine called Magyar Narancs (Hungarian Orange) - I just didn't know why it is called orange until yesterday. I guess Fidesz, one of the current leader political parties (right wing), has it's color orange because they were related to this magazine during their early times.

    There are a lot of elements in the film that are not explained, but everybody knows here. The black car arrived to take someone, to call each other Comrade (this was the natural way to address to others), to eat "tarhonya" again and again.

    I just can't understand how this movie could be filmed and then released before 1989 and how the producers didn't finish up in a prison.

    Another thing I liked how Pelikan lives his life. When it's time for joy, he is happy, when is time to move on, he moves on, he takes life as it comes. Going with the flow in the sense of Buddhists. He knows who he is, what he is capable of and lives true to his own values. And so he is living what life brings in front of him and happy with that.

    This is a wonderful movie and is a must to understand daily life in Hungary. So, just rent it and watch it! 10/10

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Several quotes from the movie, especially the ones "the international situation is intensifying" and "life is not a whipped-cream cake" have become part of everyday speech in Hungary.
    • Citações

      Virág Árpád: Life is not a whipped-cream cake, Pelikán.

    • Versões alternativas
      Uncensored version: In a longer scene, you can see how in the prison they talk about the thousand years of existence of the Catholic Church and the few years of socialism in comparison. In this version, they don't smoke in prison. Comrade Pelikán visits Zoltán Dániel in prison, where he has already been completely broken. As a result, Pelikán decides to testify. When the guard takes Pelikan to the place of execution, upon their arrival, in the uncensored version, the camera also shows the gallows ready for execution. At the end of the prison scene, the guard tells Pelikán: Get out of here, because I'm going to rage!. Instead of "I get angry", he originally said: "I shoot you in the ass", but due to censorship, it had to be dubbed over, but you can read the original, more stylistic text from his mouth. In the uncensored version, it can be heard with the original text. The last scene, in which Comrade Pelikán and Virág meet on the tram, was completely cut out (because it had to be inserted later, for ideological reasons, due to the positive ending). Therefore, the film ends with Pelican wandering around the big city uncertainly. He stops next to a young man reading a newspaper and asks what day it is, then what month it is. He tells him, but Pelikán even inquires about Duna's position, and the young man asks if Pelikán should also be his bride. In this version, the Marx quote is at the beginning of the film between the cast list and the Attila József quote.
    • Conexões
      Followed by Megint tanú (1995)
    • Trilhas sonoras
      Jaj, cica
      Music by Emmerich Kálmán

      Lyrics by Leo Stein and Béla Jenbach

      Performed by Róbert Rátonyi

    Principais escolhas

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    Perguntas frequentes11

    • How long is The Witness?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 6 de junho de 1979 (Hungria)
    • País de origem
      • Hungria
    • Idioma
      • Húngaro
    • Também conhecido como
      • The Witness
    • Empresa de produção
      • MAFILM Stúdió 1
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 45 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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