Os Bandoleiros do Rio Bravo

Compared to other Al Adamson films this is pretty good, hence the 3 stars. Only two things worth noting, it starred John Carradine, who as well as classics was known for making turkeys and if you're English it suddenly plays the theme music to the News at Ten, which caught me completely off guard.

Five Bloody Graves is a western from the notorious director Al Adamson. Al was a maker of z-grade exploitation movies such as Blood of Dracula's Castle (1969) and Horror of the Blood Monsters (1970). Because of this I am rather fond of the man. Anyone who knocked out copious numbers of low budget psychotronic movies from the golden era of the b-movie sure can't be all that bad in my book. And from my admittedly limited exposure to his movies, I have to say that what I have seen has been entertaining enough. Five Bloody Graves is possibly the best of the bunch so far I reckon. It takes the form of a revenge western, with a lone cowboy seeking retribution against an Apache who killed his wife. Enter a stranded stagecoach of cannon fodder...I mean upright citizens, plus a duo of good-for-nothing gun runners and we have the bare bones of a story.

This one is unusual from the start in that it includes voice-over narration from Death himself. Some people hate voice-overs but I don't mind them as they allow us to just cut to the chase and get on with it, not relying on a host of tedious exposition scenes and in this example that is effectively what they achieve even if the device was most probably included for budgetary, rather than artistic, reasons. It would only be fair to say that despite a release year of 1970, this sure as hell is not a revisionist example of the western genre. It has a decidedly old-school presentation of the Indians as mindless killers, who aren't so much characters as they are dangerous obstacles for the white folks to deal with. This type of presentation was really out-of-date by the 60's, never mind the 70's! But I think it's partly on account of this completely unprogressive approach that makes this one kind of enjoyable as it gives it an even more exploitative approach which is always kind of fun even when you know it is wrong.

From an acting perspective we have the king of the low budget trash-fest himself, John Carradine, on hand in another role as a cranky old git. While the soundtrack was pleasingly inappropriate at times with a score made up of library music which bizarrely included the theme to the 'News at Ten', one of the most famous bits of TV music in the UK and so utterly strange sound-tracking a gun-fight in a low budget western! This musical insanity is only equalled by the later slasher movie Delirium (1979) which featured the theme music from 'Mastermind'! Anyway, the story plays out pretty much as you think it will with little in the way of surprises, although I have to award an extra point for a particularly evil character being sentenced to 'death by ant'. On the whole, this much maligned film really wasn't all that bad at all. I have been watching a fair few run-of-the-mill spaghetti westerns recently and I have to say that this one entertained me more than most of those on account of it being stranger. Good work Al...

I've seen nearly two thousand films and this ranks amongst the worst ten I've ever seen. Its violence is crude and unnecessary; its plot sounds totally straight-forward, yet is somehow confused; its music is plundered from other sources thoughtlessly (almost unrelated to the on-screen action at some points, especially when the music which British viewer's will recognise as the music from ITV's evening news roars into life during one particularly naff action sequence); and the acting is amateurish to the point of school-pantomime level. What do you expect from a picture that's from the Al Adamson school of lousy film directing? Believe me, it takes a real big effort to sit through this junk - I managed it, but I can't say that I'm proud of the achievement.

Five Bloody Graves with different soundtrack, any other soundtrack ,would have been a winner. As it is, there are some fine performances with Bob Dix as (Ben Thompson) and Jacky Gleason look alike Scott Brady as (Jim Wade). Everybody else is also fine with John Carradine as the good and unctuous Reverend (Boone Hawkins) keeping it in the ballpark. This one has a high body count and the plot moves right along, however, the soundtrack is obnoxious with Peter Gunn meets the Nutcracker which is just terrible especially in a Western. I am still going to give it a recommendation as I cared about the supporting characters including a young and charismatic John 'Bud' Cardos who was well cast as (Joe Lightfoot).

Al Adamson! Truly one of the Princes of schlock filming and a true heir to Edward D. Wood Jr.s Throne of cheese! Adamsons films have everything that makes the true crap movie so frightening: Illucid scripts, continuity errors of epic proportions, acting somewhere between barely OK to truly awful, former movie greats fallen into rough times, no budget whatsoever, cameos by the director himself (not in the Hitchcock manner, more in the Ed "Glenn or Glennda" Wood way)... you name it.

Said that, this is one of his less crappy movies (we are talking about Adamson standards here though), mainly because of a really good director of photography (newly immigrated Vilmos Zsigmound, who later would shoot movies like Maverick and Assassins) and a gorgeous background scenery.

But be not fooled! There is still plenty of badness provided, starting with the mind numbing narration by Death himself, reaction shots that don't match either the scene before or after (most often then not not even the time of day!), gratuitous violence of the disturbing kind etc. etc. etc.

Watch out for appearances of B-movie legend John Carradine, the movies own screenwriter Robert Dix, 50s Western staple Victor Adamson and ubiquitous Scott Brady.

To see Adamson at the peak (or rather bottom ) of his art, be sure not to miss the unbelievable "Dracula vs. Frankenstein", a movie that puts Plan 9 to shame! Highly recommended for fans of Adamson is also David Konow's great biography: Schlock-O-Rama: The Films of Al Adamson