O Destino de uma Paixão

No wonder I think this is the best adaptation of Jane Eyre - I didn't realize that Delbert Mann directed it until I read it on this website. I loved this film - if memory serves me it was a made for t.v. movie. George C. Scott and Susannah York were perfectly cast. I also remember a very touching and well acted death scene between young Jane Eyre portrayed by Sara Gibson and Helen Burns portrayed by Rosalyn Landor. Jean Marsh was also good as Mrs. Rochester. The music was hauntingly beautiful. I am fortunate that I taped it when it reran on a cable movie channel several years ago. If you like the story and have the opportunity by all means watch this great version of a classic novel.

I have never seen a feature-length version of JANE EYRE which did Bronte's novel justice. To minimize her coming of age novel to a gothic love story strips Jane of her arc and the story of its coherence. This 1970 production suffers from rushing the story, cramming it in under two hours, as well as from a poor transfer. Susannah York and George C. Scott are both miscast-- York is too pretty and Scott is too subdued. That the two share no chemistry does not help.

The one ace the movie has is the John Williams music. Williams had been working in film and TV for about a decade at this point, and this is perhaps his first standout movie score. The love theme is gorgeous, prefiguring the more famous "Across the Stars" from the Star Wars prequels, and the music for the spookier scenes feels like an embryonic version of the mystery motif in the first two Harry Potter movies. But even apart from what he would do later, the music is just so perfect. Such a shame the movie is not of equal merit.

This film needs restoration. It is so dark in some places you can't really see anything. George C. Scott is flat and wooden; no emotion. Susannah York is too old for the part. The movie is too short. With all that said I still rate it a 7. Give it a try but lower your expectations.

I thought this little obscure adaptation was one of the better versions of the Bronte novel to ever be put on film. I would say that George C. Scott's Rochester ties with the best interpretations of the character with the likes of Mr.Orson Wells and Ciaran Hinds. The musical score (one of the earliest works of John Williams) was a haunting little melody that fit the film perfectly and I found the laughing and the "Grace Poole" parts more mysterious, even slightly more frightening. This version also has Blanche Ingram portrayed as Charlotte Bronte' had visioned, a tall brunette of a slightly older age and not rediculously imitated by a supermodel as in some other adaptations. Ms. York did a remarkable job as Jane Eyre, however, I believe the best Jane Eyre performance goes to Samantha Morton in the BBC 1997 version. However, Susanna York and George C. Scott's scenes have the most chemistry and tenderness in them. I thought this little version (even with Jane's 70's hair-do)was great and after a long search I finally found it on video. 8 out of 10.

RELEASED IN 1970-1971 and directed by Delbert Mann, "Jane Eyre" adapts Charlotte Brontë's 1847 novel about the eponymous character (Susannah York) who becomes a governess of a French girl at a huge estate in northern England circa 1800 after an upbringing at a harsh religious orphanage. She slowly gets to know the surly, world-wise master of the estate, Edward Rochester (George C. Scott), and his curious situation. Eventually she meets a devout clergyman, St. John Rivers (Ian Bannen), and his two sisters. Can Jane escape the shackles of a pre-Victorian world ruled by men and legalism to find love?

While this version of the oft-filmed book was released to TV, it has the vibe of a theatrical release with great northern England locations, a superb score by John Williams and quality actors. The book was criticized as "anti-Christian" when it was published, but it's actually anti-legalism. Mr. Brocklehurst (Jack Hawkins) represents a poisonous form of dead religiosity at the orphanage while the seemingly unbalanced St. John Rivers represents a much more subtle and less extreme form.

The story's about Jane navigating the pitfalls of society and religion in a fallen world and, maybe, hopefully, finding freedom and genuine love. The locations/tone/themes are akin to "Sense and Sensibility" (1995), but with an anti-legalism subtext. Jane Austen's 1811 novel no doubt influenced Brontë's book. Both movies are worth checking out, but I slightly prefer "Jane Eyre." It's the perfect antidote to CGI-laden "blockbuster" drivel.

THE MOVIE RUNS 1 hour 48 minutes and was shot in North Yorkshire in northern England (Ripley Castle, Ripley; Pateley Bridge; Brimham Rocks; and Grinton). WRITERS: Jack Pulman wrote the screenplay based on Brontë's novel.

GRADE: B+/A-