Os Dois Indomáveis

I saw WILD ROVERS when it first came out - in the early 70s. It had been butchered by the powers that be at MGM. Still there was a lot to recommend the western: William Holden at his post-WILD BUNCH grizzled best, Jerry Goldsmith's classic, Copelandesque score that somehow manages to be lyrical, evocative but not a bit cloying (learn something, James Horner and Hans Zimmer), and the stunning cinematography. I saw it again in the late 80s restored to its original length (on a double bill with the restored PAT GARRETT AND BILLY THE KID, also butchered by MGM in the early 70s). I found more to like about the movie: the unexpected spurts of humor, the observations of the connectedness between cowboy and animal life, and Blake Edward's staging of the scenes of violence - he never does the same thing twice, and the barroom shootout is an object lesson in blocking and editing. (If there is any complaint one can level against Clint Eastwood's UNFORGIVEN was how uninterestingly the action scenes were staged.) Anyway, I just caught WILD ROVERS again on HD.Net Movies during 4th of July weekend, and its virtues have actually grown with age. And it looks gorgeous on a 16:9 Hi-Def screen. Give it a few more years and it might attain classic status.

It seems like it could have been great but fails at just about every turn, unfortunatly. Likeable characters with all their actions unfolding logically and leading to dilemmas but for whatever reason the movie is rather boring and a bit over sentimental at times. It seems like the script was prob great but lost in the execution of production.

Wild Rovers is written and directed by Blake Edwards. It stars William Holden, Ryan O'Neal, Karl Malden, Joe Don Baker, Tom Skeritt and James Olsen. Music is scored by Jerry Goldsmith and the Panavision/Metrocolor cinematography is by Philip Lathrop.

It's a Western that not only was butchered by cretinous execs at MGM, but has also proved to be divisive among the Western faithful - those that have seen the now thankfully available un-butchered version that is. Wild Rovers is one of those Oaters that is very much concerned with the changing of the West, where cowboys start to find themselves out of place with their era. Think Monte Walsh/Will Penny/Ride The High Country, with a bit of Wild Bunch/Butch & Sundance thrown in for good measure, and you get where Wild Rovers is at.

Some critics were quick to accuse Edwards of merely copying Western films of past, but that is unfair. For this is a loving homage to those movies, also managing to be its own beast in the process. The tale is simply of two cowpokes, one aged and world weary, the other a young excitable buck, best friends who want more from life, so decide to rob the local bank and flee to Mexico to start afresh. Of course two men and destiny are quite often not the best of bed fellows...

There's an elegiac beauty to Edwards' screenplay, with some of the scripted dialogue lyrical and poetic. And yet even though the harshness of the West, of the life of a cowboy, and the violence that is abound, is deftly pulsing within the story, there's plenty of dashes of humour as well. This is not a perpetually downbeat movie, slow moving? Absolutely, short on ripper action? Also correct. But as the themes of heroism and honour, of friendship and folly, are born out, and the many tender sequences draw you in, a pratfall is never far away.

Technically it's high grade stuff. Holden is superb and he drags O'Neal along with him to avert what could have been a casting disaster. They make a fine and beguiling partnership and both men are turning in some of their best ever work here. The photography of the Arizona locations is outstanding, with Lathrop (Lonely Are the Brave) managing to add some ethereal beauty to the story. Goldsmith knocks out a triffic score, part blunderbuss Western excitement, part intimate pal to all and sundry.

Skip any version that is under two hours, for that is an MGM crime. The MOD DVD comes complete with overture, intermission, entr'acte and exit music, while TCM shows the uncut version but minus the aforementioned roadshow segments. This is not a Western for those looking for a Magnificent Seven style actioner, for as fun as that great movie is, this is an altogether different and mature beast, and it deserves to be better known. 9/10

The Wild Rovers had a lot of potential, but it needed someone versed in the western genre to make it come together. That it didn't have with Blake Edwards.

Edwards certainly was eager enough in this assignment. Watching the film you can see some touches of Ford, of Peckinpah, even of guys like Lesley Selander and William Witney who directed hundreds of B westerns back in the day. But it's like a copy of a masterpiece.

William Holden and Ryan O'Neal a pair of knockabout cowboys who up and decide one day that they're tired of breaking their backs for the local Ponderosa owner, Karl Malden. They decide to rob James Olson's bank and leave the territory with a fresh stake for a new start.

Karl Malden is not just comparative to Ben Cartwright in the immense size of his property. He's a most upright individual who feels that the robbery of the bank where it's mostly his money inside is a blot on the character of his establishment. He charges his two sons Joe Don Baker and Tom Skerritt with bringing back Holden and O'Neal alive or dead.

There's a subplot going on involving a range war with Karl Malden battling some sheepherders who want to invade his domain. The two parts of the story are not well knitted together. In fact, I'm not sure it was necessary to begin with.

On the plus side Holden and O'Neal have a nice chemistry between them, in fact there's a bit of a hint of homosexuality between them. The camera work is fine, but it's more than a homage to Sam Peckinpah.

Blake Edwards should stick to comedies. In fact he directed Holden in his last film, S.O.B., and that one is more in his element and it's a classic. That's the collaboration I strongly recommend.

I was very surprised when I saw that "Wild Rovers" was written and directed by Blake Edwards. Edwards is more known for his comedies and occasional dramas...not westerns. Was he up to the task? Well, considering what sort of film it is, having a non-western writer/director is actually a very good thing!

Why would I say this? Because "Wild Rovers" is a totally deconstructed view of cowboys. Instead of the usual macho theatrics you see in a western, this one is much more like the lives of REAL cowboys....their dull and somewhat pointless lives. In the film, the guys work hard, get paid little, visit prostitutes, fight because they are bored, puke, and die young...like a real cowboy of the era. There's nothing romanticized about the men in this film and, if anything, they are a bit sad and pitiful.

In the story, two of these drifting cow punchers, Ross and Frank (William Holden and Ryan O'Neal) begin to question their lives and their futures. To escape this, they consider robbing a bank. After all, better to die this way than to die on the job. But if they follow through with their plan, it's pretty certain that it won't be easy and some folks will come gunning for them.

In order to maintain the realistic style of the film, Edwards does not rush the film at all. Instead, it's slow and deliberate. Additionally, the cinematography often helps to convey a sense of loneliness--with wide screen shots of the lonely prairie. It's lovely...but stark. This could make for a dull film (like "Heaven's Gate") but the writer/director seemed to maintain the proper balance of dullness, scope and the story itself.

So is it any good? Well, it's difficult to judge based on the IMDB reviews. They run the gamut...from those hating it, the indifferent as well as those who think it's a masterpiece. As for me, I really appreciated "Wild Rovers" because I used to be an American History teacher...and know Edwards' view of the west is far more realistic than 99% of the movies in this genre. Thoroughly exciting? No...but neither was life in the old west. Overall, very well made and well worth seeing provided you have an open mind and don't demand the usual western cliches and plot twists.