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Adicionar um enredo no seu idiomaIn this second startling film in the BLIND DEAD series, writer/director Amando de Ossorio returns to the horrific origin of the depraved Templar:In this second startling film in the BLIND DEAD series, writer/director Amando de Ossorio returns to the horrific origin of the depraved Templar:In this second startling film in the BLIND DEAD series, writer/director Amando de Ossorio returns to the horrific origin of the depraved Templar:
Francisco Sanz
- Station Manager
- (as Paco Sanz)
Skeleton
- Zombie Skeleton
- (não creditado)
Avaliações em destaque
I first saw the English version of this in the late 80s on a vhs. It was titled Return of the Evil Dead back in the 80s n i thot tht this might be related to the Evil Dead film. Naive kid back then.
Revisited the Spanish version of this part recently.
Although this is the second part in the series, i havent yet seen its first part.
The movie has plenty of genuinely chilling moments and plenty of silly ones, too. The film has decent amt of gore, graphic stabbings, decapitation, heart removal scenes, eye burning, etc. The plot is a lil similar to Night of the living Dead about people taking shelter in one place to safeguard themselves from the zombies outside. The guy who played the mayor looked like Ron Jeremy. This movie may have its flaws, but Amando De Ossorio does a great job using slow-mo and an eerie score to intensify the film. The editing is shoddy. The skeletons attacking the village people n the aftermath fighting is tedious.
The movie has plenty of genuinely chilling moments and plenty of silly ones, too. The film has decent amt of gore, graphic stabbings, decapitation, heart removal scenes, eye burning, etc. The plot is a lil similar to Night of the living Dead about people taking shelter in one place to safeguard themselves from the zombies outside. The guy who played the mayor looked like Ron Jeremy. This movie may have its flaws, but Amando De Ossorio does a great job using slow-mo and an eerie score to intensify the film. The editing is shoddy. The skeletons attacking the village people n the aftermath fighting is tedious.
I started watching this sequel to Tombs of the Blind Dead, and at first was remarkably unimpressed. But by the final minute of the film, I had watched a stirring, atmospheric film that, by a slight nod, bested its original. Again we have the evil Knights Templar out for an evening of murder and mayhem at a village festival celebrating their deaths. The film drags a bit in the beginning, and the dubbing is rather poor on the Anchor Bay video(despite advertising subtitles instead). But once the leprous, rotting, decaying Knights break from their earthy pits to exact their vengeance on the villagers, the film starts and remains at a high, fast, tense, frightening pace with some wonderful filmed images. The basic premise of the film has a group of survivors holed up in a Church and what becomes of them through the dark night. The acting is fair, and the actor playing the mayor is humorous in a way. If you enjoyed the first film, I am sure you will like this sequel. I look forward with anticipation to watching the third and fourth installments of this gothic, moody series.
Those pervy devil worshipping Blind Dead Templar Knights return to ruin their own anniversary celebrations. As a follow up to the entertaining Tombs of the Blind Dead, the Return of the Blind Dead does a good job. The film has the usual mix of a deformed hunchback who kills a woman to bring back the Templars, a "hunky" hero who saves the day, an array of busty women for the Blind Dead to prey on, a little sex, and the usual villain who we don't mind being killed. Add into the mix a celebration in the village which soon gets overrun with Blind Dead, a comedy interlude with the mayor and his maid, a few chase scenes and a surprisingly good ending and you have a good concoction for 1970's horror. One of the greatest parts of these films is the use over and over again of the Templars rising from their coffins, women just managing to escape the Blind Dead, usually with one of their shoes stuck in a hole or ladder rung right up until the last second, and my personal favourite, a bony hand reaching through a hole or window. Classic Zombie/Vampire fun for all the family.
"Reutrn of the Blind Dead," is a slightly higher budget remake of Tombs of the Blind Dead. Return maintains the intriguing premise and textural richness of the first, while also achieving a slightly faster pace and more accessible story. In all fairness, Return is a remake in spirit only. The story arch and conflict differs very much from the first film. In the earlier film, the director lavished time and extended shot composition to create a creepy mood. This second installment develops characters more and explores how some of the monsters may still be alive.
This series has gained a cult following for a few reasons. First, the premise of long dead satanic knight zombies mixes history, occultism, and gory monsters. Such a mix is near perfection in the overly exploited zombie genre. Second, the stories are rather simple and straight forward. The director is clearly not attempting to create a nuanced and subtle piece of storytelling. Rather, the films are a notable for the visual and color textures. The zombies are a wonderful combination of desiccated flesh and bones wrapped in earth hardened tunics. In addition, these knights attack in force both on foot and on zombie horseback. The costuming and makeup effects are actually quite unsettling and some of the most original.
While the zombies are very fun, the lack of attention to story and development do hurt the film. The dialogue is simplistic and clearly serves to keep the pacing up. Whenever a movie sacrifices realistic scripting, the production as a whole suffers from wooden performances and characters the audience cares little about. Return, having made the above scripting sacrifice, comes off as very clichéd, poorly acted, and at times outright stupid. An important note is that, even with these negative points, the film still maintains a sense of excitement, horror and fun. Return is a "b" zombie film and all of the staff know it. In a sense, this film deserves to be judged by more lenient "b" criteria. By evaluating this film on less strict criterion, Return is a success. The Editing is well done and maintains a good exciting pace. The acting is wooden, which inevitably leads to unintended humor and laughs. The zombies are the star and clearly have been developed lovingly. The score is a mix of cheesy music and stereotypically creepy sound effects. This film attacks its goal with both a high degree of technical skill and an even higher degree of pride. Will this film ever make a come back and receive awards? No, it will not. Will this film stand the test of time and be referenced for many years to come by horror enthusiasts? Yes, it most definitely will. All in all, this is a fun film that has a unique if campy perspective on zombies.
On a personal note, I have really taken to this series. The premise, visual textures, creepy locations, and unplanned humor combine to make these films a pleasure to watch. These make great movie night fare when with horror buffs. In addition, this series provides a great many examples of the wonderful techniques used in earlier horror. A great many films of today are clearly influenced by the likes of the blind dead.
This series has gained a cult following for a few reasons. First, the premise of long dead satanic knight zombies mixes history, occultism, and gory monsters. Such a mix is near perfection in the overly exploited zombie genre. Second, the stories are rather simple and straight forward. The director is clearly not attempting to create a nuanced and subtle piece of storytelling. Rather, the films are a notable for the visual and color textures. The zombies are a wonderful combination of desiccated flesh and bones wrapped in earth hardened tunics. In addition, these knights attack in force both on foot and on zombie horseback. The costuming and makeup effects are actually quite unsettling and some of the most original.
While the zombies are very fun, the lack of attention to story and development do hurt the film. The dialogue is simplistic and clearly serves to keep the pacing up. Whenever a movie sacrifices realistic scripting, the production as a whole suffers from wooden performances and characters the audience cares little about. Return, having made the above scripting sacrifice, comes off as very clichéd, poorly acted, and at times outright stupid. An important note is that, even with these negative points, the film still maintains a sense of excitement, horror and fun. Return is a "b" zombie film and all of the staff know it. In a sense, this film deserves to be judged by more lenient "b" criteria. By evaluating this film on less strict criterion, Return is a success. The Editing is well done and maintains a good exciting pace. The acting is wooden, which inevitably leads to unintended humor and laughs. The zombies are the star and clearly have been developed lovingly. The score is a mix of cheesy music and stereotypically creepy sound effects. This film attacks its goal with both a high degree of technical skill and an even higher degree of pride. Will this film ever make a come back and receive awards? No, it will not. Will this film stand the test of time and be referenced for many years to come by horror enthusiasts? Yes, it most definitely will. All in all, this is a fun film that has a unique if campy perspective on zombies.
On a personal note, I have really taken to this series. The premise, visual textures, creepy locations, and unplanned humor combine to make these films a pleasure to watch. These make great movie night fare when with horror buffs. In addition, this series provides a great many examples of the wonderful techniques used in earlier horror. A great many films of today are clearly influenced by the likes of the blind dead.
A rural Portuguese village is preparing to celebrate the annual festival commemorating when their village overran and killed the Templar Knights who had been sacrificing its villagers. The mayor of the village on the advice of his fiancé Vivian, hires a fireworks expert Jack Marlowe, to ensure the festival is a hit, little knowing they have a past. Jack and Vivian immediately rekindle their passions in the ruins of the local abbey, where they are spied on by the village idiot, Murdo, he regales them with the gory history of the abbey and how the Templars had their eyes burned out in case they returned to avenge their deaths, which they swore they would. He tells them that the Templars will return tonight during the festival and he duly has a secret plan to sacrifice a local girl to ensure the curse of the Templars comes true. Sure enough the dead arise, and seek to avenge their deaths, they ride into town to kill all they encounter, Jack and Vivian along with the mayor and his cronies hide out in the village church and with the mayors pleas to the local authorities ignored, they must fight for their lives. Pretty decent follow up to de Ossorio's Tombs of the Blind dead, some striking Gothic visuals and just a little gore make this a sight to behold, things are also spiced up by a bevy of local beauties. The Blind Dead makeup and costumes are also very effective even if their pace is a tad slower than a comatose sloth.
Você sabia?
- CuriosidadesThe English-dubbed version of this movie, Return of the Evil Dead, popularized the use of the generic term "evil dead" to refer to malevolent undead.
- Erros de gravaçãothroughout the movie the day changes from a night to day multiple times.
- Versões alternativasThe Anchor Bay version claims to be uncut, however it is actually missing quite a bit of footage. Most of the gore has been cut out, along with a few other minor scenes. Here is a complete list of the missing footage:
- During the opening flashback, all shots of the knife plunging into the woman's chest have been removed, as well as the shots of the Templars removing her heart.
- There is a brief line of dialogue from one of the Templar Knights missing just before he is blinded by the villagers.
- A shot of a woman, tied and gagged in the trunk of a car, has been cut from during the fireworks display.
- A complete sequence has been cut in which the woman from the previous shot is tied to a wall by Murdo the village idiot and stabbed between the breasts. This particular cut makes it unclear why the Templars suddenly return from the grave. In the uncut version, this scene establishes that Murdo has deliberately summoned the Templars by offering a human sacrifice.
- A single shot of blood dripping down a telephone and onto the floor has been removed.
- Two close-up shots have been removed which show Bert's stomach being punctured by swords, along with an intervening shot of the Mayor watching from a nearby window.
- The scene where the little girl leaves a room and encounters the Mayor (just before he leads her outside) has been cut.
- Various close-ups of swords entering the Mayor's body have been removed.
- A single close-up of a sword penetrating Amalia's stomach has been cut.
- A single shot of blood spurting from Murdo's neck after he has been beheaded has been removed.
- Just before the camera pans down to reveal that Howard has fallen onto a spear, a few shots of his face have been removed.
- A single shot of the village square has been cut, just before Vivian, Jack, and Nancy leave the church.
- The end credits have been considerably shortened.
- ConexõesFeatured in La llamaban La Madrina (1973)
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- How long is Return of the Evil Dead?Fornecido pela Alexa
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Return of the Evil Dead
- Locações de filme
- Monasterio de Santa Maria la Real de Valdeiglesias, Pelayos de la Presa, Madri, Espanha(ruined home of the Templars)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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By what name was O Retorno dos Mortos Vivos (1973) officially released in India in English?
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