AVALIAÇÃO DA IMDb
5,6/10
1,8 mil
SUA AVALIAÇÃO
Um piloto da Primeira Guerra Mundial, que todos invejam por ter um "charme fatal", é muito literal com seu apelido. Depois que consegue dormir com a mulher que conquistou, ele a mata.Um piloto da Primeira Guerra Mundial, que todos invejam por ter um "charme fatal", é muito literal com seu apelido. Depois que consegue dormir com a mulher que conquistou, ele a mata.Um piloto da Primeira Guerra Mundial, que todos invejam por ter um "charme fatal", é muito literal com seu apelido. Depois que consegue dormir com a mulher que conquistou, ele a mata.
- Direção
- Roteiristas
- Artistas
Karl-Otto Alberty
- Von Sepper's Friend
- (as Karl Otto Alberty)
Kurt Großkurth
- Von Sepper's Friend
- (as Kurt Grosskurth)
Peter Martin Urtel
- Von Sepper's Friend
- (as Martin Urtel)
Avaliações em destaque
Enjoyable, campy fun featuring a number of beautiful women, most of whom go nude, a seductive score by Ennio Morricone, good old fashioned direction from Edward Dmytryk that stresses atmosphere and setting, and that uses the flashback structure to good effect. Burton is an amusing Bluebeard and he's a lot more enjoyable here than he was in The ExorcistII(77), and Joey Heatherton who worked with Dmytryk in Where Love Has Gone(64)is well cast as the only American and the film's only likable character. Though Heatherton's look is not period, her charm and appeal to Burton's Bluebeard is believable, especially since most of Bluebeard's other wives are depicted somewhat unflatteringly. Though the film's treatment and attitude towards women is largely exploitive, and the film could be better paced, it's nonetheless diverting trash and thanks to a clever ad campaign and trailer it was a hit when released in theaters in 1972. The theatrical trailer is featured on Anchor Bay's DVD.
This movie was basically awesome: consistently statuesque women, exquisite castles, campy acting, ridiculous script, plenty of nudity, six murders, Richard Burton, and a pervasive, Euro-style charm that made even the sleaziest moments really fun and laughable. We ended up getting this as a Sybil Danning/Raquel Welch fan, and were really blown over by the film's consistent campiness and general Eurosleaze greatness. As far as Eurotrash goes, "Bluebeard" is double platinum. This was a really big budget production, and a lot of money went into the art direction. That said, expect great looking costumes and sets, which often rival the women as overall cinematic eye candy. I have to mention the ladies again, because they are stunning. Listen to this cast: Raquel Welch, Sybil Danning, Joey Heatherton, Virna Lisi, Nathalie Delon, Karin Schubert...."Bluebeard" plays out like a virtual "Whos Who" of A-list 1970's bombshells. Anyway, the script is ludicrous and silly, as is Joey Heatherton's performance as the female lead, but Richard Burton does a terrific job holding everything together. Raquel Welch plays one of the murdered wives, (and a nun to boot), and she's in the film for about 10-min. Sybil Danning plays a prostitute, and she has a pretty dank lesbian scene, but her screen time is similarly brief. The film's mystery elements are pretty predictable, but the whole affair is campy and attractive enough for it not to matter much. It is a bit long, and there is a tasteless hunting scene where a range of animals are shot, but I can't discount how fun most of this was. A Eurosleaze classic. ---|--- Reviews by Flak Magnet
Forgive the 10 minutes or so of Richard Burton's (thankfully) sporadic organ playing. Instead, appreciate the plot (yes, this movie actually has one), dialog (especially the fast flying quips between the LUSCIOUS Joey Heatherton and Burton), acting (rather subdued for an Italian production), and production values of this rather well made film. There is no embarrassing zooming in and out with the camera, no corny sudden bursts of melodramatic music and barely any footage thst should have wound up on the cutting room floor. The women are portrayed across a broad spectrum: Strong willed, weak willed, not so bright and intelligent. Heatherton's attempt at analyzing Burton in order to stay alive is clever and well played out and the film has the usual ironic Italian ending.
"Bluebeard" is neither a masterpiece nor a memorable movie. It is an outdated film... Nevertheless, more than thirty years later, it is still entertaining and funny. Why?
Because this 1972 version of the "Bluebeard" story -a wealthy charming psychopathic who kills his wives- is full of sarcasm, with a light horror touch. In this movie Richard Burton, who plays an insane, is once again a great leading man, surrounded by a group of sexy actresses at the height of their beauty (Raquel Welch, Virna Lisi, Nathalie Delon, Agostina Belli, Marilù Tolo, ...). The film is deliberately and elegantly kitsch... Watch the production design, the colours, the hunt scenes and the killing scenes -everything is filmed in a cynical and sardonic way. The film has quite a luxurious package, it's like a psycho-erotic endless game.
"Bluebeard" has no place in the movie history, I think it is an underrated film. But it has good points, even if it looks its age. To me it is a cult movie.
Because this 1972 version of the "Bluebeard" story -a wealthy charming psychopathic who kills his wives- is full of sarcasm, with a light horror touch. In this movie Richard Burton, who plays an insane, is once again a great leading man, surrounded by a group of sexy actresses at the height of their beauty (Raquel Welch, Virna Lisi, Nathalie Delon, Agostina Belli, Marilù Tolo, ...). The film is deliberately and elegantly kitsch... Watch the production design, the colours, the hunt scenes and the killing scenes -everything is filmed in a cynical and sardonic way. The film has quite a luxurious package, it's like a psycho-erotic endless game.
"Bluebeard" has no place in the movie history, I think it is an underrated film. But it has good points, even if it looks its age. To me it is a cult movie.
It's almost impossible to find the words to describe exactly how bad this film is. Or to describe how much fun it was to watch. Bluebeard is the story of a German Baron (Richard Burton) who has a, well, blue beard. When Joey Heatherington finds out that he has killed a series of wives and hidden the bodies she realizes that she is next. In attempt to delay the inevitable she gets the Baron to tell his story. What follows is a primer in how not to pick a girl.
The dialogue is phony, the accents are terrible but the women are all beautiful and (at least partially) disrobed. Maybe not the intent but this movie is a great example of a 1970's campy sex movie.
Sit back, relax and enjoy the ride.
The dialogue is phony, the accents are terrible but the women are all beautiful and (at least partially) disrobed. Maybe not the intent but this movie is a great example of a 1970's campy sex movie.
Sit back, relax and enjoy the ride.
Você sabia?
- CuriosidadesThe speaking voices of almost all of the European actresses in this movie were dubbed by Annie Ross of the famous jazz vocalese group Lambert Hendricks & Ross.
- Citações
Anne: Why did you kill them?
Kurt Von Sepper: Why? Why else? They deserved to die!
- Cenas durante ou pós-créditosEnd credits credit actors who played characters who died in the movie as "was" and characters still alive once the movie's over as "is".
- ConexõesFeatured in Cinemacabre TV Trailers (1993)
Principais escolhas
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- How long is Bluebeard?Fornecido pela Alexa
Detalhes
- Tempo de duração2 horas 5 minutos
- Proporção
- 1.85 : 1
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