Ciao Manhattan

Ciao! Manhattan is an avant-garde film that makes the films of Jean-Luc Godard seem conventional. That's not to attack Godard, mind you. I'm just comparing the two to express how far out Ciao! Manhattan is. The slight narrative concerns a young Texan hippie traveling the American countryside just because he likes to see things. One night, he sees something quite unexpected: a beautiful young woman with bare breasts hitchhiking. He picks her up (who wouldn't?) and finds that she has a couple of dog tags around her neck with her name, Susan, and address on them. He takes her home. Susan's mother thanks him and offers him a job taking care of her daughter. Susan was a young model in New York, a discovery of artist Andy Warhol. She lived a life of hard partying, and is now paying for it with a severe case of brain damage. Now Susan lives in a drained pool in her mother's back yard, and she spends endless hours drinking hard liquor and rattling off stories about the old days in New York.

At first, Ciao! Manhattan just seemed to me an excessively playful experimental film with a bunch of bizarre imagery and editing and stuff. I was laughing, it was fun to see the excesses of that sub-culture which I know so little about. But after a while, the film just started working, and really well. Susan is played by Edie Sedgwick, who really was a protege model of Andy Warhol. The film works a fine balance between reality and fiction. How much of Sedgwick are we seeing? Is any of it fictional. She died three months before the film was released, and, edited into the last moments of the film, there is a shot of a newspaper headline that announces the death. Whether Ciao! Manhattan was meant to be or not, it serves as a dirge, not only to Edie Sedgwick, but to the young generation of the time.

I don't know, maybe I loved this film because I grew to adulthood so far after the hippie generation, but I'll tell you one thing: I have seen a ton of the greatest films ever made. It's a rare experience to come upon one that is as unique as this one. Perhaps there were a thousand films like this at the time, but none are available except this. Well, I choose to praise this. 10/10.

I've seen this video a couple of times, and I've seen parts of it many times and it always gets my attention. There's something oddly hip about it, even today. Maybe it's living in an empty swimming pool or just wasting the days sleeping that appeals to me, or maybe it's seeing a topless girl with a nice body seem entirely unglamorous, or is it just the kooky narration?... but there's a fresh insanity about this that makes it worth watching. I don't know, but anyway, I dig it .

Ciao! Manhattan is an underground film starring former Warhol Superstar Edie Sedgwick. Edie was one of those troubled rich girls who died young because they only found solace in drugs and booze. Certainly an interesting individual. Of course, for me it is difficult to respect any "socialite" since the ones we've had the last two decades have given these people a bad name.

Ciao! Manhattan is a combination of two films: a black-and-white production made shortly after Sedgwick's exit from the Warhol Superstars from 1966-67 and color footage from 1970-71. Sedgwick plays herself, albeit with the name of Susan Superstar as she lives in a tent in the pool of her Mom's mansion, boozing and drugging herself to death while some drifter from Texas named Butch half-listens and half-dreams while she talks about her sordid life in New York.

I found the film to be 90 minutes of druggy dialogue. Ms. Sedgwick was clearly drugged up during the color segments. You needed subtitles to understand what she and Butch were saying. I also saw it as an overlong YouTube video where somebody is pleading for help. She's asking in vain for somebody to help her and the clowns who are supposed to listen to her cries for help are too busy screwing around.

Sadly for Edie, her entire 28 years were a total mess. I doubt even today you could save her. She was the Amy Winehouse of her day.

These people associated with Andy Warhol were quite an eclectic group and it is certainly worth watching any material you can find of them to see what the excesses of the 1960's did to them. I still wonder what happened to those drug addicts in the Roliing Stones' CS Blues but we already know what happened to Ms. Sedgwick.

Definitely an odd little time killer about Edie Sedgwick, an Andy Warhol fledgling who has fallen on hard times, and is living in a swimming pool in Beverly Hills. Very trippy strange little flick, more so pasted together with old clips of Edie in some early Warhol films. Would have served a better purpose as a documentary, but definitely worth checking out. Obviously this is not for all tastes.

Reportedly created from the salvaging of two unfinished film products, this portrait of model Edie Segwick is half documentary, half loosely inspired fiction. The two forms cut back and forth from each other, but are bound together by their commitment to Andy Warhol inspired cinema dada-ism. The documentary features some straighforward coverage on Segwick, and some fragmented pieces of movie performance art. The fictional part, in which Segwick plays a character inspired by herself, tells the story of a highway drifter who picks up the (half naked) hitchhiking Segwick and takes her home, where she lies topless in the deep end of an empty swimming pool and incoherently babbles about god knows what for the rest of the movie. It's amazing what passed for art back in the sixties, and this film is a prime example that will either leave you moved and inspired or (more likely) laughing your head off.