This relatively obscure "ABC movie of the Week" perhaps doesn't have the most groundbreaking or innovative plot ever penned down, and neither does it feature the most technologically advanced special effects, but Herschel Daugherty's "The Victim" does guarantee one majorly important thing, and that is good old-fashioned nail-biting suspense pretty much from the beginning until the very end! If I browse around and read the other user comments for this little gem, it seems as if many people originally saw the film on television when they were young, during its premiere in 1972 and still vividly remember how they were petrified. I can definitely relate to that, as "The Victim" features all the right ingredients to induce fear and disturbance: raging thunderstorms, power failures, cut off phone lines, unidentified footsteps upstairs, distressed damsels in remote countryside mansions, creepy old housekeepers and brief glimpses of dead bodies hidden in the basement! At home, in her luxurious apartment in San Francisco, Kate is terribly worried about her sister Susan. She lives far off in the country and announced that she was going to divorce her husband Ben. When she can't reach Susan on the phone, Kate decides to drive to her house even though there's a storm raging through the area. When she arrives at the house, Susan is missing and not even the nosy neighbor/housekeeper Mrs. Hawkes knows where she is. Now, the viewer already knows that Susan lies dead in the basement and that Kate is in great danger because her killer is still in the house. The storyline is thin and the climax is predictable, but that doesn't matter all that much because the atmosphere is non-stop unsettling and the acting performances are great. "The Victim" is basically a one-woman-show, with a stellar role for Elizabeth Montgomery in the lead. She's simultaneously strong and vulnerable, and her performance here is definitely on par with the terrific "The Legend of Lizzie Borden". There are also interesting supportive roles for the naturally creepy Eileen Heckart and Sue Ann Langdon (even though the latter only has two sequences and only has to talk into a phone).
