AVALIAÇÃO DA IMDb
7,3/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaReleased from prison apparently under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes... Ler tudoReleased from prison apparently under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.Released from prison apparently under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 4 vitórias e 2 indicações no total
Avaliações em destaque
Former boxer Lino Ventura stars in this popular crime piece. But Claude Lelouche, the director of the hugely internationally successful romance Un Homme et Une Femme ensured that this too is a story of a man and a woman in which both Ventura and Francoise Fabian play their parts to perfection. Vive la Difference is the subtext of this film, and one marvels at the raw chemistry generated by the two stars. Lelouche can't help having a dig at smug left-bank intellectuals, but who can blame him for that? Nothing in this film is predictable, right to the very end. Why it seems to be unavailable in video is a mystery to me! See it!
Lino Ventura shows here another of his talents, not necessarily the rough, tough virile man. He plays a gangster preparing a major jewellery store heist. A very brilliant and intelligent job. And besides this scheme, he falls in love with a woman who happens to work not far from his "target". Françoise Fabian is also at her best in this sensitive role; both her and Ventura are in a magic symphony, harmony, for the best pleasure of the audience. I have been surprised to get totally swallowed by this poignant crime flick. There was a remake in the eighties, with Peter Falk in Ventura's character, and directed by John Avildsen. Charles Gerard is also wonderful here, as Lino Ventura's sidekick.
As I say, just tonight I wondered to myself, if someone asked me what is my favourite film, it would be sooooo difficult, but whenever I think hard about films I've seen or even when I don't, for some reason, I always think of La Bonne Annee.
So I keyed it into IMDb right now.
I have absolutely no idea where I saw it or when, but it probably was in France in the 70s. And I've probably only seen it once, but I've never forgotten it.
I just thought it had everything about it that was good about French cinema or at least any cinema that wasn't Hollywood (and that's not a criticism of Hollywood, just a comment that French is different).
I haven't looked at the comments yet but I look forward to reading them, and in these days of being able to access, I really hope somehow to be able to see it again.
I sort of remember it was an older man involved. I was a young man when I saw it, and I'm an older man now, but I'm even more 'French' than I was then, having spent so much more time there, can speak the language pretty well, know all the best hotels in the south of France etc etc.
a la bonne annee! I'll come back with a comment if/when I get a copy.
So I keyed it into IMDb right now.
I have absolutely no idea where I saw it or when, but it probably was in France in the 70s. And I've probably only seen it once, but I've never forgotten it.
I just thought it had everything about it that was good about French cinema or at least any cinema that wasn't Hollywood (and that's not a criticism of Hollywood, just a comment that French is different).
I haven't looked at the comments yet but I look forward to reading them, and in these days of being able to access, I really hope somehow to be able to see it again.
I sort of remember it was an older man involved. I was a young man when I saw it, and I'm an older man now, but I'm even more 'French' than I was then, having spent so much more time there, can speak the language pretty well, know all the best hotels in the south of France etc etc.
a la bonne annee! I'll come back with a comment if/when I get a copy.
Great character studies of the jewel thief who falls in love with an antique dealer while chasing a joint in the South of France. Brilliant dialogue, brilliant performances by FF and Lino Ventura. Good comic turn by LV's partner in crime too.
I give this film a nine, for two reasons: 1. Sharp movie script, well delivered by the protagonists; and 2. Lino in his grave won't like this, but Francoise Fabian steals this movie from him with a truly compelling performance - as a socially and professionally sophisticated and sumptuously attractive woman who is a foil for all men, save Lino Ventura, who conveys at least as much personal chemistry in this film as a block of cement. I mean, when they are reunited following his six-year stint behind bars - he has nothing to say to her, when she is all choked-up with emotion! Ventura gives the expression "man of few words" a renaissance interpretation.
Ventura, frankly, was much better cast as the detective out to corral the jewel thieves, in "The Sicilian Clan," than he is here, as the reticent-personality jewel thief, and developing "love interest" of Francoise Fabian. She is so beguiling in this film, looking an ageless 30 instead of her 40 years of age at the time, one wonders if Lelouche might have considered her opposite Trintignant in "A Man And A Woman," some six years earlier? She deserved as least as much international recognition as many of her contemporaries of this time who outshined her, beginning with Claudia Cardinale, Elke Sommer, and Elsa Martinelli, none of whom could have carried this film to stellar heights, as did FF.
Ventura, frankly, was much better cast as the detective out to corral the jewel thieves, in "The Sicilian Clan," than he is here, as the reticent-personality jewel thief, and developing "love interest" of Francoise Fabian. She is so beguiling in this film, looking an ageless 30 instead of her 40 years of age at the time, one wonders if Lelouche might have considered her opposite Trintignant in "A Man And A Woman," some six years earlier? She deserved as least as much international recognition as many of her contemporaries of this time who outshined her, beginning with Claudia Cardinale, Elke Sommer, and Elsa Martinelli, none of whom could have carried this film to stellar heights, as did FF.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- A Dama e o Gangster
- Locações de filme
- Hôtel Carlton, Cannes, Alpes-Maritimes, França(hotel in Cannes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 156.566
- Tempo de duração
- 1 h 55 min(115 min)
- Mixagem de som
- Proporção
- 1.66 : 1
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