AVALIAÇÃO DA IMDb
3,2/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDop leads his fellow Martians to Earth on an interplanetary quest for females. Dop proves that Martians have impeccable taste when one of his first conquests turns out to be sexy scientist D... Ler tudoDop leads his fellow Martians to Earth on an interplanetary quest for females. Dop proves that Martians have impeccable taste when one of his first conquests turns out to be sexy scientist Dr. Marjorie Bolen.Dop leads his fellow Martians to Earth on an interplanetary quest for females. Dop proves that Martians have impeccable taste when one of his first conquests turns out to be sexy scientist Dr. Marjorie Bolen.
Patrick Cranshaw
- Drunk #2 on Pier
- (as Pat Cranshaw)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I'm not kidding. Don't believe for one second that Tommy Kirk and Yvonne Craig star in this waste of celluloid. The actual star (at least for the first 15 minutes) is a white air raid speaker broadcasting a blow-by-blow account of the incredible stock footage scenes!
The cameraman does his best to capture the emotions of the speaker, zooming in and out of the speaker during moments of high drama, captured for all time in glorious stock footage.
By the time Kirk and Craig show up, you'll miss the speaker and the stock footage. At least they were a more interesting couple. And remember..."don't eat the Earth food."
The cameraman does his best to capture the emotions of the speaker, zooming in and out of the speaker during moments of high drama, captured for all time in glorious stock footage.
By the time Kirk and Craig show up, you'll miss the speaker and the stock footage. At least they were a more interesting couple. And remember..."don't eat the Earth food."
A genetic problem on Mars has decreased their female population so that there is only 1 female born to every 100 males. They believe that they can solve their problems by acquiring a few choice females from the Earth, for scientific study experimentation, and they're prepared to get the women whether they receive cooperation or not.
If properly fleshed out, the premise could have promise. But it's not fleshed out, and Mars Needs Women is loaded with problems. The plot as it stands makes very little logical sense. Not that this is a completely unwatchable film--it has many "so bad it's good" qualities, and my final score was a 6 out of 10.
Another problem is that the film seems extremely low budget. They barely even built any sets. Quite a few shots are just a couple of characters talking, framed tightly, against a solid-color backdrop. Most of the "fancier" shots, such as those of military aircraft flying and landing, are stock footage. The film is also full of padding--the stock footage goes on far longer than it should have. There is a scene that seems to go on forever where we just see a loudspeaker and listen to mostly unintelligible "military radio" banter. There is a striptease scene (apparently strippers are one of the prime candidates for the kind of women that Mars needs) that goes on for minutes and minutes with the stripper taking nothing off.
The Martians are just like humans for the most part, sparing the trouble of expensive make-up and sparing having to explain why Earth women would work for the task at hand. The Martian costumes are just shiny material with something like bathing caps on their heads and big headphone cups on their ears (this aspect is somewhat reminiscent of My Favorite Martian, and was even echoed in later material like Mork & Mindy, but in Mars Needs Women it doesn't have the intentional humor).
So why did I give this film a rating as high as 6 out of 10? Well, believe it or not, a few aspects of the film work as they were intended to. The whole sequence of the two Martians at the hotel, acquiring a press badge and so forth, was actually engaging and not really unintentionally funny. But most of the film is unintentionally funny, and most of it works on that level, too. You can laugh at the bad decisions made due to budget. You can laugh at the pacing. You can laugh at the hammy dialogue. You can laugh at how the Martians pick their women. And most of all, the more you spend time analyzing the ridiculous plot, the more you'll laugh.
If properly fleshed out, the premise could have promise. But it's not fleshed out, and Mars Needs Women is loaded with problems. The plot as it stands makes very little logical sense. Not that this is a completely unwatchable film--it has many "so bad it's good" qualities, and my final score was a 6 out of 10.
Another problem is that the film seems extremely low budget. They barely even built any sets. Quite a few shots are just a couple of characters talking, framed tightly, against a solid-color backdrop. Most of the "fancier" shots, such as those of military aircraft flying and landing, are stock footage. The film is also full of padding--the stock footage goes on far longer than it should have. There is a scene that seems to go on forever where we just see a loudspeaker and listen to mostly unintelligible "military radio" banter. There is a striptease scene (apparently strippers are one of the prime candidates for the kind of women that Mars needs) that goes on for minutes and minutes with the stripper taking nothing off.
The Martians are just like humans for the most part, sparing the trouble of expensive make-up and sparing having to explain why Earth women would work for the task at hand. The Martian costumes are just shiny material with something like bathing caps on their heads and big headphone cups on their ears (this aspect is somewhat reminiscent of My Favorite Martian, and was even echoed in later material like Mork & Mindy, but in Mars Needs Women it doesn't have the intentional humor).
So why did I give this film a rating as high as 6 out of 10? Well, believe it or not, a few aspects of the film work as they were intended to. The whole sequence of the two Martians at the hotel, acquiring a press badge and so forth, was actually engaging and not really unintentionally funny. But most of the film is unintentionally funny, and most of it works on that level, too. You can laugh at the bad decisions made due to budget. You can laugh at the pacing. You can laugh at the hammy dialogue. You can laugh at how the Martians pick their women. And most of all, the more you spend time analyzing the ridiculous plot, the more you'll laugh.
That still belongs to "Salo".
A bunch of Martians (led by Tommy Kirk) land on Earth. Their plan is to abduct women, bring them to Mars, and use them to keep their population growing. They each hunt down women successfully but Kirk falls in love with his prey Dr. Bolen (Yvonne Craig). Can he bring her with him or stay on Earth with her?
With a title like that you would expect this movie to be pure camp. Surprisingly, it isn't! Everything is played straight-faced with absolutely no joking or winking at the audience. Now this movie is terrible--there's tons of stock footage (which easily take up most of the running time); a LOONGGGG strip sequence; dreadful acting (although Kirk and Craig do try); inept direction; bad sound (I couldn't hear some of the dialogue--no loss); hilariously inappropriate music and horrendous "special" effects (wait till you see the Martian spaceship!). The script is actually OK--it's not stupid just dull.
There are plenty of dull spots in this movie but still, there are some moments to treasure--the introduction of Dr. Bolen on TV is hysterical and I got a laugh out of the title of a lecture she was giving--"Sex and Outer Space". And it was kind of fun to see how badly Larry Buchanan directed this. And I saw a new print and the colors were bright and strong.
So, this is a bad movie, but I've seen worse. From what I've heard even Kirk and Craig to this day admit liking it! I'm giving it a 2.
A bunch of Martians (led by Tommy Kirk) land on Earth. Their plan is to abduct women, bring them to Mars, and use them to keep their population growing. They each hunt down women successfully but Kirk falls in love with his prey Dr. Bolen (Yvonne Craig). Can he bring her with him or stay on Earth with her?
With a title like that you would expect this movie to be pure camp. Surprisingly, it isn't! Everything is played straight-faced with absolutely no joking or winking at the audience. Now this movie is terrible--there's tons of stock footage (which easily take up most of the running time); a LOONGGGG strip sequence; dreadful acting (although Kirk and Craig do try); inept direction; bad sound (I couldn't hear some of the dialogue--no loss); hilariously inappropriate music and horrendous "special" effects (wait till you see the Martian spaceship!). The script is actually OK--it's not stupid just dull.
There are plenty of dull spots in this movie but still, there are some moments to treasure--the introduction of Dr. Bolen on TV is hysterical and I got a laugh out of the title of a lecture she was giving--"Sex and Outer Space". And it was kind of fun to see how badly Larry Buchanan directed this. And I saw a new print and the colors were bright and strong.
So, this is a bad movie, but I've seen worse. From what I've heard even Kirk and Craig to this day admit liking it! I'm giving it a 2.
Of all the sci-fi movies that I have seen that were filmed in Houston, this is among the best.
Mars Needs Women is watchable fun. Tommy Kirk pilots a spaceship with a crew of 4 Martian males into an abandoned ice making factory, which is spooky and heavy with the fetor of rotting chemical containers.
They have 24 hours to acquire 5 women who are both beautiful and healthy which they can use to repopulate their loathsome planet.
Tommy must assume the identity of a newspaper reporter and convince a rather strapping Yvonne (Batgirl) Craig through a series of soliloquies and expertly maneuvered tarradiddles that he is more than a bromide journalist rather he is ultimately the urbane, suave Prince Charming who can make her pretty little head swirl with thoughts beyond the realm of standardized lucubration. Behind her horn-rimmed glasses, she quivers for this alluring myrmidon from beyond the stars. He is captivated by this autochthonous siren. To want- to love- to live.
He in turn bespeaks the confusion of his soul, an embodiment of the whole piece, rightly an olla podrida of mental acuity and the most conspicuous of all jigs; that quasi-caromed, state of palpitate we mortals call seduction.
It gives us much to mull. It is to cinema what T.S. Eliot's "The Wasteland" was to prose; only this classic has a stripper, a groovy soundtrack, and a harpoon gun.
Mars Needs Women is watchable fun. Tommy Kirk pilots a spaceship with a crew of 4 Martian males into an abandoned ice making factory, which is spooky and heavy with the fetor of rotting chemical containers.
They have 24 hours to acquire 5 women who are both beautiful and healthy which they can use to repopulate their loathsome planet.
Tommy must assume the identity of a newspaper reporter and convince a rather strapping Yvonne (Batgirl) Craig through a series of soliloquies and expertly maneuvered tarradiddles that he is more than a bromide journalist rather he is ultimately the urbane, suave Prince Charming who can make her pretty little head swirl with thoughts beyond the realm of standardized lucubration. Behind her horn-rimmed glasses, she quivers for this alluring myrmidon from beyond the stars. He is captivated by this autochthonous siren. To want- to love- to live.
He in turn bespeaks the confusion of his soul, an embodiment of the whole piece, rightly an olla podrida of mental acuity and the most conspicuous of all jigs; that quasi-caromed, state of palpitate we mortals call seduction.
It gives us much to mull. It is to cinema what T.S. Eliot's "The Wasteland" was to prose; only this classic has a stripper, a groovy soundtrack, and a harpoon gun.
Supposedly the location is Houston the movie was all shot in the Dallas area. You get a couple skyline shots,a couple scenes at the old White Rock Lake Pump station-where the spaceship was hidden, The Athens Strip-actual name of Striptease Bar where Bubbles Cash performed in reality, Fair Park and even out at Collins Radio in Richardson where the big Radar Telescope dishes can be seen. There are also some scenes around Southern Methodist University (SMU).
It is a campy movie, really hiring an actual Striptease artist to play a stripper? So set back and laugh and try to spot bits and pieces of Dallas from almost fifty years ago!
It is a campy movie, really hiring an actual Striptease artist to play a stripper? So set back and laugh and try to spot bits and pieces of Dallas from almost fifty years ago!
Você sabia?
- CuriosidadesTommy Kirk previously played a Martian in Ele, Ela e o Pijama (1964), a spin-off of the Frankie Avalon-Annette Funicello Beach Party series. Yvonne Craig appeared in Festa no Gelo (1965), another branch of that series.
- Erros de gravaçãoIn the computer room, the girl operating the teletype machine is obviously not touching the keyboard and is just wiggling her fingers over the home keys.
- ConexõesFeatured in It Came from Hollywood (1982)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Marte Precisa de Mulheres
- Locações de filme
- Collins Radio Antenna Building, 1300 International Parkway, Richardson, Texas, EUA("United States Decoding Service - NASA Wing")
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000 (estimativa)
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente