A Serpente

"The Reptile" is a competently produced and watchable horror entry from Hammer productions but offers little new to the genre. Once again we have new-comers to a district that harbours a deadly secret, who must deal with hostile locals before getting get sucked into events, while ominous music and the classic 'moors' setting establishes tone. The generic characters don't present much of a challenge to the actors (exceptions being John Laurie, whose Mad Peter manages to avoid the usual town-drunk shtick and Jacqueline Pearce, who is very good as the mysterious girl). Sadly, while the movie effectively builds to a climax, the final scenes are marred by the appearance of the titular creature and its sudden anticlimactic death. A fair amount of suspension of belief is required (especially to the 'basement' of the Franklyn home) and there are some plot-driven inconsistencies (e.g. venom works a lot faster on secondary characters than on primary characters), but otherwise, 'The Reptile' is a pretty good example of mid-sixties British horror (other than the absence of Hammer perennials Cushing and Lee).

This film is one of the best period horror films of it's day. The costumes and sets are lavish and the acting is notable. The 'Reptile' itself is hinted at but not seen for most of the film, building suspense. It is a shame that the video box shows what the Reptile looks like, lessening the shock when you see it on the screen. The make up was very ahead of its time, much more realistic than other films of its day. The only problem about the film is that it plays like a mystery, but we already know what is going on. People die after getting on the neck. No one knows who or what is doing the killing. A good guess on our part would be, the Reptile. By the time the players figure that out, we have already have figured out who is the Reptile. The film is a little low on terror and gore for a Hammer film, but writing and effects more than make up for it. Plus the film boasts one of the best 'dead body POV shots' ever filmed. A must for any Hammer fan!

A young couple, Harry and Valerie Spalding, inherit and move into a small cottage previously owned by the husband's now deceased brother, Charles. Charles' death is something of a mystery, but none of the locals in the small Cornish village want to discuss it or any of the other deaths they've seen. Harry has seen some strange things in his time and believes that these deaths are similar to the cobra bite victims he saw in India. But a cobra in Cornwall - it's not possible. The couple meets their standoffish and odd neighbor, Dr. Franklyn, and his charming, but strange daughter, Anna. The Franklyn's are hiding a secret, but is it a secret capable of killing Charles and others in the community? Is there a giant, snake-like creature hiding in the Franklyn's house?

Of all the wonderful movies that Hammer made, I'm of the opinion that The Reptile is one of the most often overlooked gems in the catalog. It's a really nice movie that doesn't seem to get near the attention I feel it deserves. Good acting from a rather small cast (with a big, meaty role for Hammer regular Michael Ripper), nice pacing, solid direction, and that Hammer "look" (for lack of a better word) that I always enjoy. But what really sets The Reptile apart is the atmosphere. There's a real sense of fear and mystery about the whole movie. It's as creepy and suspense filled as anything Hammer ever made. And I just love the whole notion of a snake-cult putting a curse on Franklyn and his daughter. It's a unique, original idea for a movie. Sure, there have been other snake-to-man movies, but none that I've seen are as well done as this one. Finally, I've read complaints about the make-up effects. Personally, I think they're fine given the relative modest budget Hammer put-up for the movie. The snake appliances may not look as real as one might have hoped for, but at least they're not some weightless CGI nonsense. Just go with it and have fun.

Made back-to-back with Plague of the Zombies, and using many of the locations, the same director, and some of the cast from that film, The Reptile isn't quite as good as Hammer's only zombie movie, but is still splendid fun nonetheless.

Ray Barrett plays Harry Spalding, an ex-soldier who moves to Cornwall with his wife Valerie (Jennifer Daniel), after he inherits a country cottage from his recently deceased brother.

Unfortunately, the Spaldings' new life in the West country is far from idyllic: the locals are less than friendly (with the exception of Tom Bailey, the pub landlord, played by Hammer regular Michael Ripper); their new neighbours—Dr. Franklyn (Noel Willman), his beautiful daughter Anna, and their manservant—are more than a little creepy; and some kind of extremely venomous creature is on the loose and claiming victims right, left and centre.

Don't expect too much in the way of blood and boobs in this offering from Hammer: there is very little of both. What you do get, however, is a decent cast giving some fine performances (Michael Ripper, in particular, gets a chance to shine), some suitably atmospheric direction from John Gilling, and a memorable monster which, despite being kinda silly looking, is still pretty freaky.

And that's good enough for me!

After the mysterious death of his brother, Harry Spalding and his wife Valerie move to the Cornwall Cottage of that of their inherited house. The locals turn a cold shoulder, but the local bar owner Tom greets them. Weird things are going on and just like his brother, a local man dies in the same fashion. Maybe it has something to do with their odd neighbour Dr. Franklyn and his daughter Anna. Who before this had happened, asked the couple to sell and leave this place.

Capable work all round, but especially from the versatile cast makes this one very solid Hammer chiller. Like many of the reviewers on here have already mentioned, it was filmed back to back with the same director's "Plague of the Zombies" (which I've yet to see). It's typical Hammer fluff with a towering atmosphere of eerie intrigue, a well-renown earth shaking score, engulfed by fluid camera-work and an extremely offbeat premise. Sounds like a real treat indeed. But something stops it from being one of Hammer's greater achievements. It gets off to a slow start, but doesn't really hit momentum until the film's final 15 minutes. There's nothing wrong with that as the script is well defined and there's detailed characterisations, but it seems to suggest more than it actually delivers. The story's angle builds up the mystery effectively enough and drums up a bunch of suspense with some stinging strikes in a viper pace. The back-story of the snake people could have been explored a little further and motivation behind the attacks were quite hazy. But in all, where it counts it surely did entertain. The make-up effects of the creature weren't too crash hot, but the aftermath of the tenacious attacks left some unpleasant visuals. Some mouth foaming goodness. A strong period setting enforces Hammer great eye for detail and perfection in creating the times. The isolated and uneasy air of the countryside sprawls off the screen. The cast were all very good and lifted from the ordinary. Michael Ripper really does make the most and is extremely potent when on screen. Ray Barrett and the gorgeous Jennifer Daniel were convincing. Marne Maitland is profoundly shifty in a pinpoint turn as The Malay.

A decent effort by Hammer studios.