O Olho do Diabo

Before I started watching 'Eye of the Devil', I already wondered why this film isn't mentioned more often. The film seems to have a pretty solid and horrifying plot (based on a novel by Philip Loraine) and it's blessed with an all-star cast. Sir David Niven (The Pink Panther series, Casino Royale) - here at the top of his success - plays the lead role and there are supportive roles for class actors like Donald Pleasance (The Great Escape, Halloween), Deborah Kerr (The Innocents, Qua Vadis), David Hemmings (Blowup, Profondo Rosso), Flora Robson (The Sea Hawk, Beast in the Cellar) and the stunningly beautiful Sharon Tate (Fearless Vampire Killers, Rosemary's Baby). Niven stars as vineyard owner marquis Philippe de Montfaucon. He's asked to return to his castle because of yet another disappointing season. Although he requested them not to, his wife and children soon join him at the remote rural estate. Every employee there acts mysteriously and even the loyal Philippe all of a sudden seems to keep secrets to his beloved wife Catherine. Intrigued by the strange behavior of her husband and the overload of eccentric characters wandering around the estate, Catherine starts her own investigation and discovers that the Philippe's bloodline always followed bizarre and old pagan rituals (even involving blood sacrifices) in order to save the crops. Although she fears for her husband and children, Catherine doesn't succeed in convincing Philippe to leave…

The premise of Eye of the Devil is terrific occult substance and the film features several haunting and extremely atmospheric sequences. Unfortunately the elaboration of the script is uneven and often very confusing. Although beautifully shot, there are several parts in this film that are redundant and the 'mystery' is a bit overstressed. Sharon Tate (you won't believe how sensual she is here) has a stylish and grim sequence in which she turns a toad into a pigeon, but I fail the see how this carefully built up feature was essential to the film?

The weird thing about 'Eye of the Devil' is that it seems to borrow elements from other British horror milestones. The terrified Deborah Kerr trying to resolve a mystery and to protect her children strongly reminds you about 'The Innocents' (some of the camera-work and the eerie black and white photography increase the connection between the two films) and the caped 'apostles' wandering through the forests makes you think back to Roger Corman's 'The Masque of the Red Death'. Something else to ponder about is the rather large similarity between this film and the absolute cult-favorite 'The Wicker Man'. Although this latter one is much more stylish and gripping, it more or less disappointed me to see this OLDER film handling about the same topic. I always considered 'The Wicker Man' to be one of the most unique and original movies ever made and now I find out this a more sophisticated update of J. Lee Thompson's 1967 film? Perhaps there you have the reason why this film is a bit downgraded and overlooked! The Wicker Man is often labeled as part of the greatest British films ever made, so I guess all the fans don't like to hear that it might have been inspired by another – more anonymous – Brit horror film.

In conclusion: Eye of the Devil is recommended if you're an admirer of complex and ambitious horror tales. Too bad it's a little TOO complex at times, but then there still are the outstanding acting performances and strict directing skills to enjoy. And I can't stress enough how marvelous Sharon Tate looks in this film. This heavenly goddess passed away far too early (damn that Charles Manson) and the few films she starred in should be checked out by everyone who's an admirer of female beauty.

Why do the makers of movies very often think that they are better than the author of the original text? A lot of important details from the novel have been simply left out, the structure has been altered, the characters modified. One should really read the novel first to understand the contest.

This one gets a least a 7 just on the camera work: glorious black & white, lots of shadowy scenes shot in a creepy French castle. Add to the mix a gorgeous young Sharon Tate in her screen debut as a freekoid Pagan witchess and you have enough to hold my attention for 90 minutes! I thought it was great all the way around: story line, casting, sets, you name it. Lots to like: Pagan cults, weird ceremonies with dead doves, hooded figures dressed in black, a tomb in the woods, ritual sacrifice, and did I mention that the magnificent Sharon Tate is in this movie? David Niven is outstanding as the grim and proper heir to a cruel pagan tradition designed to save the failing vineyards of his fore fathers. Ignore the IMDb 5.5 average rating -- if you like 60's B&W British creepy chiller/thrillers, watch it!

Eye of the Devil doesn't exactly have a good reputation, but much of the criticism aimed at it is rather unfair in my opinion; as while the film certainly could have been a lot better considering the plot and the cast; this British chiller isn't bad at all, and certainly provided this viewer with enough chills and suspense. Based on a novel by Philip Loraine, Eye of the Devil could be called a predecessor to the great British occult classic 'The Wicker Man' as it features similar themes of devil worship and witchcraft. Although not as good as the later film, J. Lee Thompson's effort is still a more than interesting film that just about works in spite of the overly complicated and often confusing mess of a plot. The film follows vineyard owner marquis Philippe de Montfaucon, who is called back to his castle after a dry season. His wife and children follow him, despite his request for them to remain in London; and it's not long before the wife is on his case after she discovers him acting strangely. Things take a turn for the more sinister when the strange vineyard employees begin following ancient Pagan rituals...

The central locations; that being the castle and surrounding vineyard, are very well used, and benefit the film in that they lend it a thick, foreboding atmosphere. The plot revels in this atmosphere - and themes of witchcraft and devil worship are well used and at the forefront at all times. The film's biggest asset, however, is undoubtedly the cast list; and Eye of the Devil benefits from an array of present and future stars. Casino Royale stars David Niven and Deborah Kerr take the lead roles, and the pair are given excellent support by a young Donald Pleasance, as well as The Fearless Vampire Killers' Sharon Tate and a very eerie performance by Deep Red's David Hemmings. The only area that the film falls down on really is the writing; as it is often difficult to decipher exactly what is going on, and there is, perhaps, a little too much plot for a film of this nature. The story does allow for a number of standout moments, however; and scenes such as the one that Sharon Tate and Deborah Kerr share at the top of castle will stay in my memory for some time. Overall, this isn't a must see or classic film; but it's a decent horror effort and should appeal to horror fanatics.

Good cast, good director (J. Lee Thompson)...so what went wrong? Despite a sumptuous production and handsome locales, thriller about an ancient French estate needing a human sacrifice to restore life to the dying grape vineyards is frantic and confusing. The editing is such a hodgepodge, it's as though the negative got crammed into a blender. How else to explain the total lack of character content, the muddled continuity, or the perplexing plot itself? Also referred to as "13", the title-switcheroo proved unlucky for everyone, maybe most especially Sharon Tate (who does look gorgeous and has one neat scene where she changes a toad into a dove). Tate wanders through the film in a passive fog, and is later the victim to a whip-snapper; she gets an 'introducing' credit here, just as she did for 1967's "Don't Make Waves", though neither film is memorable nor uses her adequately. Poor miscast David Niven has nasty bags under his eyes, and his repartee with old friend Deborah Kerr (brought in after Kim Novak was either let go or dropped out) has no nuances--they seem like strangers. ** from ****