AVALIAÇÃO DA IMDb
6,0/10
10 mil
SUA AVALIAÇÃO
Versão cinematográfica do êxito de vendas de Jacqueline Susann, narrando a ascensão e queda de três jovens mulheres.Versão cinematográfica do êxito de vendas de Jacqueline Susann, narrando a ascensão e queda de três jovens mulheres.Versão cinematográfica do êxito de vendas de Jacqueline Susann, narrando a ascensão e queda de três jovens mulheres.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 6 indicações no total
Alexander Davion
- Ted Casablanca
- (as Alex Davion)
Dionne Warwick
- Theme Song Singer
- (narração)
Sherry Alberoni
- Neely O'Hara
- (narração)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
In spite of the harsh user comments regarding this film, it is an entertaining and thought provoking late 1960's film. The criticism of Patty Duke's performance seems to me to be at least somewhat unfair and exaggerated. In my opinion, she does an admirable job with her character and handles the role of a star who is struggling with the pressures of fame. It is really quite uncomfortable to watch this film in the present day, if one already is keenly aware of the horrible fate that is in store for Sharon Tate, at the hands of Charles Manson's drugged-out groupies. Not a great film, but much better than the users here would have you believe.
I must be crazy. Just after watching this movie, I got on IMDb to see what its rating was, and, honestly, I was expecting something a lot higher. I don't consider this movie a turning point in the film industry, but I certainly wouldn't call it bad. It's not bad. I didn't notice any flaws in the acting (which is the principle instrument for telling a movie's story)---I personally thought that Patty Duke's performance was amazing. The storyline intrigued me, and I liked the characters---especially Barbara Parkins' Anne, who I felt myself relating to by the end of the movie.
Like I said, I must be crazy. I wouldn't say this is the best movie ever made, but I thought it was rather good. I'd sit through this any day before I'd watch LORD OF THE RINGS. I guess I must have missed the horrid atrocities of this film. I'd recommend it to anyone with an interest in the darker side of show biz'.
Like I said, I must be crazy. I wouldn't say this is the best movie ever made, but I thought it was rather good. I'd sit through this any day before I'd watch LORD OF THE RINGS. I guess I must have missed the horrid atrocities of this film. I'd recommend it to anyone with an interest in the darker side of show biz'.
This movie truly is badly done and campy. However, there is one good reason to watch it: Sharon Tate. She was truly one of the screen's all time beauties (if you disagree at first, name someone prettier =)
She is not a bad actress either and did her best with the forced, artificial dialog. Overall the movie has virtually no suspense or drama or tension it just chugs along predictably with one badly written scene after another. Then all of sudden Wham! Sharon appears and you stop caring about the worthless "plot" and watch her. She steals all her scenes and makes the other actresses invisible.
All in all its a bittersweet vehicle for an extraordinarily lovely woman who met a very violent and tragic end.
She is not a bad actress either and did her best with the forced, artificial dialog. Overall the movie has virtually no suspense or drama or tension it just chugs along predictably with one badly written scene after another. Then all of sudden Wham! Sharon appears and you stop caring about the worthless "plot" and watch her. She steals all her scenes and makes the other actresses invisible.
All in all its a bittersweet vehicle for an extraordinarily lovely woman who met a very violent and tragic end.
This movie is the greatest example of 'camp' that Hollywood ever produced. It is hysterical, stupid and lame, but you cannot take your eyes off the screen for a second. The casting is questionable (Patty Duke cannot sing, Parkins cannot do drama and I cannot badmouth Tate, but...), but the greatest legacy is Susan Hayward as Helen Lawson, the biggest bitch in the world. No one spits out a swear word or an insult like Hayward!
Probably my favorite film of all time. The best classic trash, with the greatest costumes, and the biggest hair! Watch for the poolside scene in which Patty Duke, Martin Milner, and Sharon Tate all say "fag"! I'm sure everyone on Earth noticed the famous "beads-around-the-breasts" shot, so we won't go there. My favorite line: Barbara Parkins tells Patty Duke that she shouldn't be taking her "dolls" with alcohol, and Patty says "It makes 'em work faster."
Você sabia?
- CuriosidadesDirector Mark Robson had a very combative relationship with all his actresses, particularly singling out Sharon Tate for his harsh treatment. Patty Duke hated working with him, and years later, after his death, still called him "a mean son of a bitch".
- Erros de gravaçãoWhen Neely is tap dancing on the table, shown by her shadow on the wall, the shadow does not reflect a pony tail, but when she jumps down, she has a pony tail.
- Citações
Neely O'Hara: Boobies, boobies, boobies. Nothin' but boobies! Who needs 'em? I did great without 'em.
- ConexõesEdited into Intimate Portrait: Patty Duke (2001)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El valle de las muñecas
- Locações de filme
- Redding Center, Connecticut, EUA(Welles' Home in Lawrenceville)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.690.000 (estimativa)
- Tempo de duração2 horas 3 minutos
- Cor
- Proporção
- 2.35 : 1
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