Um Colt... para os Filhos do Demônio

Ostensibly harmless thieves Van Cleef and his partners in crime (ex-boxer Hoosman and veteran supporting actor Stander) find themselves unwitting protagonists in the plight of a mining town when no-nonsense bandit Mitchell (in Zorro-esque garb) takes the town's women and children hostage in exchange for the town's rich silver deposits.

Essentially a lighthearted buddy-picture until the darker turn emerges late in the story when Mitchell's thugs emerge as the real villains, and conscience gets the better of Van Cleef's character.

In addition to the aforementioned trio, Sicilian heart-throb Sabato plays a young mining official trying to convince Van Cleef of his innate goodness, the attractive Granata is the town's most-eligible bachelorette and prospective future wife to Van Cleef if he can stay clean, and a bare-faced Bud Spencer also appears as the mining boss, momentarily unrecgonisable sans his trademark beard.

Aside from the sometimes melodramatic pace, I personally wasn't a fan of the rather gloomy conclusion which seemed a mean-spirited way to resolve matters when a more sympathetic ending beckoned. But it wasn't meant to be, and consequently this uneven spaghetti western is hard to like in spite of its initially good intentions.

Contrary to popular belief, the American west wasn't some lawless prairie/desert where only the strong like John Wayne's Rooster Cogburn and Clint Eastwood's man with no name could survive. While the likes of Jesse James and Butch Cassidy made the headlines, the average day in the life of an American westerner was pretty dull. The majority of people who lived west of the Mississippi lived in urban areas, not out in the boonies. Gun violence was actually less common in the western territories than back east and the majority of those who went out west were first generation immigrants, not idealistic white folk provoked by called for manifest destiny. Beyond the Law (1967) is a movie that may not dispel the myths of the wild, wild west, but like many Spaghetti Westerns it does put a new spin on things.

Lee Van Cleef stars as Billy Joe Cudlip, a craven thief who steals the payroll of a mining community from a naïve Czechoslovakian payroll clerk named Ben (Antonio Sabato). He is of course helped by his gang of thieves and conmen, Preacher (Lionel Stander), who dresses like his name to get rubes to trust him and James (Bud Spencer) a black man with a friendly face. Things go according to plan until Billy befriends Ben and is shoved into helping the locals recover the money. Preacher and James see this as an opportunity to steal more loot but things get further complicated when a rival gang of thieves led by Burton (Gordon Mitchell) comes into town.

Now Beyond the Law is far from a perfect movie. The acting ranges of the supporting characters range from okay to terrible and the cinematography is simplistic. Directed by Italian director Giorgio Stegani, Beyond the Law or The Good Die First brings to mind less severe Spaghetti Westerns. Rather than go the path of A Fistful of Dollars (1964), Stegani and his international crew made a movie closer to My Name is Nobody (1973) and My Name is Trinity (1970). It has the tendency to be funny and even unintentionally goofy at some points with Lee Van Cleef showing he can make the best out of a paycheck that bills him with non-English speakers.

If you're a western buff who's easy to please then Beyond the Law may be a perfect little surprise for you. It's a movie that is comfortable in its own banality. The story itself is strong, partially written by prolific Italians writers Mino Roli and Fernando Di Leo and the feel of the film is small but unique. The film was made only a year after Van Cleef's appearance in The Good the Bad and the Ugly (1966) and helped make Bud Spencer a star in his own right. It should at the very least be considered a decent B-movie.

If you're interested, try finding the 105 minute version through Diamond Entertainment and look to avoid imitators with bad digital transfers. There is a colorless butchered version that you can likely find at a bargain bin somewhere and there's a decent letterbox version you can find online. Go check it out before the ghost of Red Ryder comes back to re-mystify the west.

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The basic story was very interesting, and parts of it were well executed. Especially the GREAT ending, which gives Van Cleef a chance to do some excellent acting without having to say a word.

The problem with the movie is that (uncut) it's too long, and way too drawn out. It could have been edited down by twenty minutes or so. Also, the movie does not explore Van Cleef's character's transformation enough, with is a serious mistake.

The more you like spaghetti westerns, the more chance there is you'll like it. You also get to see Bud Spencer without his beard!

this spaghetti western is not too bad.i though the story was interesting,and there are some good performances.Lee Van Cleef is the main star,and is quite good here.but he is overshadowed by a few others.Antonio Sabato(father of pseudo-actor Atonio Sabato Jr.)for one puts in a terrific performance,as does Lionel Stander(80'S TV show Hart to Hart.i also liked Bud Spencer(who acted in numerous spaghetti Westerns)though i wish his role had been bigger.but the real standout,in my mind,is Gordon Mitchell,for his "ice water in his veins' portrayal of Burton.the big negative for me though is the length of the film.i feel it is at least 30 minutes too long,and it moves fairly slow at times.but the performances overcome that weakness.for me,Beyond The Law (1968)is a 6/10

This especial Italian western blends violence, western action, plot twists, shoot'em up with high body-count , it is fast movement and that's why it results to be entertaining . This is the story of the ex-bandit who'd worn it -till he'd faced one gun too many...the young , novice engineer he had to teach to wear it- or watch to die and the young who lived only to wear one of his own ! .. and for some dollars a month -that's what they gave you for protecting people who ran like rabbits when the going got roguish ! ¨ . The picture deals with a beginner young engineer (Antonio Sabato , of course , father of known TV actor Antonio Sabato Jr.) who persuades veteran rogue (Lee Van Cleef) and his hoodlums (the veteran Lionel Stander) to help him to rid a little town of bandits who have robbed 12.000 dollars belonging to payroll of the miners . Then , the thief turns into sheriff of the little town called Silver City where is guarded the silver treasure from the mine and the baddies led by Burton (a particular performance by a Peplum-hero as Gordon Mitchell dressed in black with cloak and hat ) want to rob . Meanhile, the old gunslinger , nowadays an upright sheriff falls in love with a beautiful girl (Graziella Granata) . Outlaw Sheriff - Within the Law, Without the Law, Beyond the Law. A saddle tramp... a black hustler... and a preacher - all operating beyond the law .

It's an acceptable Spaghetti film with dazzling shootouts between the protagonists and the contenders . This meaty Western contains interesting plot , violence , crossfire and being quite entertaining , though drags, at times , in ups and downs . This average Western balances noisy action , suspense and drama with tragic final in which happens a sad , dramatic showdown . It's a classic recounting about teaching and learning between an unexperienced young finely played by Antonio Sabato who is in charge of a silver mine and a veteran roguish become marshal . Agreeable performance by Lee Van Cleef changing his usual characters , here as a honorable sheriff who defends the villagers and even confronts his friends at an amazing ending . Decent secondary cast formed by ordinary Spaghetti/Peplum players such as Carlo Gaddi, Romano Puppo, Herbert Fux, Enzo Fiermonte and including Bud Spencer in a serious role as a foreman . Enjoyable score by Riz Ortalani who composed lots of Spaghetti Western scores , it contains a sensitive musical leitmotif . There are many fine technicians and nice assistants as the cameraman Enzo Serafin who makes a nice photography with barren outdoors , dirty landscapes under a glimmer sun shot , of course , on location in Almeria , Spain , though is mostly filmed at Italy . However , being necessary a perfect remastering because of the original copy is washed-out . The motion picture was professionally directed by Giorgo Stegani , though with no originality . He's is an expert writer of Giallo and Western as ¨Blood of a silver dollar¨ and ¨ Beyond the law ¨ and occasionally Western director as ¨Gentleman killer¨and ¨Adios Gringo¨ . Rating : 5,5 , acceptable but mediocre Spaghetti that will appeal to Lee Van Cleef fans .