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IMDbPro

Primavera para Hitler

Título original: The Producers
  • 1967
  • 16
  • 1 h 28 min
AVALIAÇÃO DA IMDb
7,5/10
63 mil
SUA AVALIAÇÃO
POPULARIDADE
1.170
1.920
Zero Mostel in Primavera para Hitler (1967)
Trailer for The Producers: Collectors Edition: Blu-Ray And DVD Combo Pack
Reproduzir trailer1:48
5 vídeos
99+ fotos
FarceComedyMusic

Adicionar um enredo no seu idiomaA stage-play producer devises a plan to make money by producing a sure-fire flop.A stage-play producer devises a plan to make money by producing a sure-fire flop.A stage-play producer devises a plan to make money by producing a sure-fire flop.

  • Direção
    • Mel Brooks
  • Roteirista
    • Mel Brooks
  • Artistas
    • Zero Mostel
    • Gene Wilder
    • Dick Shawn
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    63 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.170
    1.920
    • Direção
      • Mel Brooks
    • Roteirista
      • Mel Brooks
    • Artistas
      • Zero Mostel
      • Gene Wilder
      • Dick Shawn
    • 317Avaliações de usuários
    • 95Avaliações da crítica
    • 96Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 4 vitórias e 5 indicações no total

    Vídeos5

    The Producers
    Trailer 1:48
    The Producers
    The Producers Scene: That's A Toy?
    Clip 1:33
    The Producers Scene: That's A Toy?
    The Producers Scene: That's A Toy?
    Clip 1:33
    The Producers Scene: That's A Toy?
    The Producers Scene: You Found A Flop
    Clip 0:56
    The Producers Scene: You Found A Flop
    The Producers Scene: Theater Explosion (Deleted Scene)
    Clip 1:07
    The Producers Scene: Theater Explosion (Deleted Scene)
    The Producers Scene: I'm In Pain And I'm Wet
    Clip 1:14
    The Producers Scene: I'm In Pain And I'm Wet

    Fotos127

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    Elenco principal50

    Editar
    Zero Mostel
    Zero Mostel
    • Max Bialystock
    Gene Wilder
    Gene Wilder
    • Leo Bloom
    Dick Shawn
    Dick Shawn
    • L.S.D. - Lorenzo St. DuBois
    Kenneth Mars
    Kenneth Mars
    • Franz Liebkind
    Estelle Winwood
    Estelle Winwood
    • Hold Me Touch Me
    Christopher Hewett
    Christopher Hewett
    • Roger De Bris
    Andréas Voutsinas
    Andréas Voutsinas
    • Carmen Ghia
    • (as Andreas Voutsinas)
    Lee Meredith
    Lee Meredith
    • Ulla
    Renée Taylor
    Renée Taylor
    • Eva Braun
    • (as Renee Taylor)
    Michael Davis
    • Production Tenor
    John Zoller
    • Drama Critic
    Madelyn Cates
    • Concierge
    • (as Madlyn Cates)
    Frank Campanella
    Frank Campanella
    • The Bartender
    Arthur Rubin
    • Auditioning Hitler
    Zale Kessler
    • Jason Green
    Bernie Allen
    Bernie Allen
    • Auditioning Hitler
    Rusty Blitz
    • Auditioning Hitler
    Anthony Gardell
    • Auditioning Hitler
    • Direção
      • Mel Brooks
    • Roteirista
      • Mel Brooks
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários317

    7,563K
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    Avaliações em destaque

    9movieguy1021

    The Producers: 9/10

    When you see a movie once and think it's hilarious, that's a good sign. When you see a movie about a half-dozen times and think it's still hilarious, that's more than a good sign. That means that not only can you put up with seeing it multiple times, but you also find new things that you didn't see before. Plus, there are some scenes that are too hilarious not to laugh at! The chemistry between stars doesn't hurt, either. What movie am I talking about? Mel Brooks' The Producers, his most sustained and inspired piece of lunacy!

    Gene Wilder and Zero Mostel have amazing chemistry as meek accountant Leo Bloom and scheming Broadway producer Max Bialystock. Max seduces little old ladies for checks, and when Leo comes into his office one day, he finds that a producer can make more money with a flop instead of a hit. They decide to do his ploy, and create the world's worst play, Springtime for Hitler (a gay romp with Adolf and Eva), and meet interesting characters, including author Franz Liebkind (Kenneth Mars), director Roger DeBris (Christopher Hewett), and their Hitler, Lorenzo St.DuBois, aka L.S.D. (Dick Shawn).

    What makes this comedy such a gem is its mixture of types of comedy. There is slapstick, there's satire, there's bad taste, and everything but the kitchen sink! The scenes I have seen so many times, but what makes me love them is how they, mainly Wilder, play their roles. Wilder is somewhat crazy, and relies on his blanket to calm himself down. Not only does he have comic perfection, he's a darned good actor to boot! Mostel is great as the would-be sleazy loser-producer, with eye movements that put Silent Bob to shame and a great voice.

    The songs in it are great, also. Two of them were written by Brooks himself, `Springtime for Hitler' (with which I have auditioned for a role in a musical with) and `Prisoners of Love'. They're both very funny (real Brooks-ian) (note to Merriam-Webster: include that word right next to `bling-bling'). It's not exactly a musical, but The Producers is in a class of its own. Long live The Producers!

    My rating: 9/10

    Rated PG for bad taste and homosexual themes.
    7Doylenf

    Zany Mel Brooks comedy is over-the-top laugh riot...

    There are so many laughs in THE PRODUCERS (long before Mel Brooks lost his magic touch), that you'll be in tears by the time Brooks gets to his "Springtime for Hitler" routine. ZERO MOSTEL's early scenes with ESTELLE WINWOOD are hilarious enough, but he and GENE WILDER top themselves by the time you get to the frantic ending.

    LEE MEREDITH is the curvy Ulla who can shake a mean hip and DICK SHAWN is the hilariously daffy Lorenzo St. DuBois (LSD for short), and everyone in the cast has a fine time delivering over-the-top performances in the spirit in which this sort of satire requires.

    The story is simply that of a producer running short on cash who devises a scheme whereby if he produces the worst musical in the world, he can actually get his investment back and then some. He convinces his mild-mannered bookkeeper GENE WILDER to join him in the scheme and then the fun gets off to a great start.

    The climactic "Springtime for Hitler" is just one of the delirious highlights (if politically incorrect by today's standards), and is probably the reason so many of the comments here resent the film and everything it stands for. But there's no getting away from it--the script is downright brilliant and original--winning an Oscar for Best Original Screenplay and numerous other writing awards including an award from The Writer's Guild of America.

    Summing up: Mel Brooks at his wittiest.
    nigel-bourne

    A gay romp through a great film

    This is a marvellous piece - a combination of utter farce, black humour, Jewish schtick and high camp, "The Producers" remains a truly wonderful film.

    From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....

    Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.
    CHARLIE-89

    Mel Brooks' Masterpiece

    THE PRODUCERS might just be the funniest film ever made. It stars Zero Mostel, as a bankrupt Broadway producer, and Gene Wilder, as his emotionally-retarded accountant. Together, they figure that they could actually make more money producing a flop than a hit, so they become producers and put on "Springtime for Hitler," a sure-fire flop. However, things go horribly "right," and soon the producers find themselves in a tight spot trying to repay their investors. It is not the flop they hoped for, and they wind up in jail, with a hilarious finale.

    This is Mel Brooks' masterpiece. Brooks' won an Oscar for Best Screenplay-1968-no surprise,as this is as funny a film ever to be made! The song should've won an Oscar, as it is one of the most hilarious tunes to come out of any movie.
    10ThomDerd

    What a film.

    Why this movie is brilliant and funny: 1-A hilarious Gene Wilder with his amazing freak-out moments. I think many actors copied his scenes from this film.

    2-Excellent satire about hitler and nazis. Many lines from this film are recognizable and became a comedy standard.

    3-Amazing performance by Dick Shaw as L. S. D and as the theatrical hitler. He is funny and subversive at the same time.

    4-Great 1on1 scenes with the main actors, especially the ones which involve heavy physical acting.

    5- It is intelligent filmmaking which shows how progressive and funny Mel Brooks was; and that was his first film...

    Just watch it, it's 1,5h and it's beautifully funny! 10/10.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Mel Brooks cannot read music. "Springtime for Hitler" and "Prisoners of Love" (as were all the songs Brooks writes for his films) were hummed into a tape recorder and transcribed by an expert. When Brooks adapted the movie into a stage musical, he wrote the entire score by himself using the same method.
    • Erros de gravação
      In LSD's number "Love Power", his musical ensemble consists of a guitarist, keyboardist, and sax player; however, the music heard clearly has flute, bass guitar, drums, and other instruments not represented, but no saxophone.
    • Citações

      Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical.

      [Max throws a glass of water on him]

      Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet!

      [Max slaps him]

      Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!

    • Cenas durante ou pós-créditos
      The closing credits are in reverse order, acting like curtain calls, which lead up to the star actor.
    • Versões alternativas
      Some prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse.
    • Conexões
      Featured in The Dick Cavett Show: Robert Altman/Mel Brooks/Peter Bogdanovich/Frank Capra (1972)
    • Trilhas sonoras
      The Producers
      (uncredited)

      John Morris and M. Goode

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    Perguntas frequentes20

    • How long is The Producers?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de novembro de 1968 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Alemão
    • Também conhecido como
      • Aprenda a Perder Dinheiro
    • Locações de filme
      • Broadway Theatre - 1681 Broadway, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Crossbow Productions
      • Springtime Productions
      • U-M Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 941.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 328.673
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.091
      • 9 de jun. de 2002
    • Faturamento bruto mundial
      • US$ 375.524
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 28 minutos
    • Mixagem de som
      • Mono

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