Requiem por um Gringo

Previous user comments posted for this movie have been mostly positive, which confuses me because I found the movie a real chore to sit through - and I normally love spaghetti westerns! True, the movie has a nice musical score, there's a wet t-shirt sequence, and the director occasionally manages to compose the stuff on the screen to produce striking images. But this good stuff in no way manages to compensate for the bad stuff. The characters are bad - the bad guys don't really ooze evil, and the good guy (who wears a ridiculous-looking leopard skin poncho) only makes a limited number of appearances. Most of the movie is composed of the characters endlessly talking, resulting in little action. And the little action there is is not only spoiled by dubbed gunshots that sound extraordinarily wimpy, but passionless direction. The end results are like eating cold spaghetti with no sauce.

This movie is a lot of fun to watch. It's a riveting story with a touch of peculiarity, some great characters, and an amazing music score.

The film is a tale of justice and revenge, as a man returns home to his ranch after some sort of military service, and discovers that his brother has been killed by a gang of outlaws. The basic plot is typical spaghetti western fare, but what makes this movie stand out is its style.

The main character has kind of a mystical aura about him because of his uncanny ability to predict the weather, and use it to his advantage. He also has a knack for seeming to appear out of nowhere to surprise his targets. Lang Jeffries's acting in the film is a bit wooden for the role of such an interesting character, but the fantastic performances by Carlo Gaddi as the slimy, menacing outlaw Ted Corbin, and the always great Fernando Sancho as Porfirio, the gang leader who is losing his grip, make up for it.

There is a very odd implementation of zoom shots in the camera work during one particular scene as the film approaches its climax. Rather than the usual sustained, intensity-building close-ups that Sergio Leone was so fond of, the director here uses a rapidly zooming in and out camera for a more unsettling effect. This turns out to be one of the most memorable parts of the movie.

The music score is perhaps the best part of this film. The opening theme is one of my favorites, and is one of those unforgettable tunes that will play in your mind over and over long after the movie is done. The soundtrack contributes tremendously to the atmosphere of the film, especially the organ parts.

This one is a must-see for fans of the spaghetti-western genre.

For some reason, the guide on my TV displays channels that I don't have access to, so it's beyond me what the point of that is. I don't know if they're just teasing me or what, but good thing I happened to discover this film when I was scrolling through. I thought the title sounded cool, so I went to see if it was available online. I'm glad it's on Plex, because I could definitely plan on watching this more than once. Ross Logan (Lang Jeffries), a celestial enthusiast whose favorite article of clothing is a leopard printed poncho, seeks to avenge the murder of his brother that was committed by a ruthless gang occupying a hacienda. The relationships of the supporting characters are also explored within the background of the main story, most notably the affair of Porfirio Carranza's (Fernando Sancho) girlfriend (Femi Benussi), the gang's leader, with one of his men, Tom Leader (Ruben Rojo). There was also a scene that implied an upcoming sexual encounter, between Logan and the female worker of the hotel where he's staying. Another woman named Nina (Marisa Paredes) is being mistreated by one of the gang members. She keeps trying to get away from him, and one of the times he catches her, he seems highly frustrated that she's not ready, and says something along the lines of he can't keep waiting. Whatever it is, it's something that makes her uncomfortable. The subtly of it leaves the audience to guess, so there's room for interpretation, but anyone older than 12 knows what he's referring to. So this film was actually quite racy. I loved the isolation, suspense, and the intense emotion. There's scenes where no one has to say anything, and you can feel the tension. Just as a warning though, the camera work towards the end might cause dizziness. I thought it made the movie feel cheap, as it only emphasized its low budget, but it wasn't enough to ruin the whole film. I just thought I'd put that out there for anyone who experiences vertigo.

The band of the nasty Mexican named Porfirio Carranza (Fernando Sancho) and his bandits trespass the frontier and occupy a mansion . Our hero named Logan (Lang Jeffries who married Rhonda Fleming) is a bounty hunter who wears a leopard poncho and riding on a mule . He returns his ranch and seeks vengeance against Carranza's hoodlums who kill , mistreat countrymen and lash a young (Sancho Gracia). Logan confronts underlings and it is narrated by means of three flashbacks in which take place three showdowns against the mestizo Aldo Sambrell , the dreary gunfighter dressed in black played by Carlo Gaddi and the elegant Ruben Rojo who double-crosses his chief with the Eurobabe Femi Benussi . Meanwhile Carranza hanging villagers and putting a poster of warning in Spanish language saying : ¨ SI ALARGAS LAS OREJAS PUEDES ALARGAR EL CUELLO¨ . Logan has a special date for his bloody vendetta , April 17, 1867 , when takes place a sun eclipse .

It is an exciting but uneven western with breathtaking gun-play between the weird protagonist Lang Jeffries against the heartless Fernando Sancho and his hoodlums . Lang is fine , he ravages the screen , shoots , kills , hit and run . In the film premiere attained bit success ; however , being nowadays best valued and I think it turns out to be a decent Spaghetti-Chorizo Western . Aldo Sambrell and Carlo Gaddi as two cruelly baddie roles are terrific , they bear hysterical and mocking aspect , subsequently they would play similar characters . The film packs violence , shootouts , high body-count and being fast-moving and quite entertaining . There is plenty of action in the movie , guaranteeing some shoot'em ups or stunts every few minutes . Good production design creating an excellent scenario with luminous outdoors , dirty and rocky landscapes under a glimmer sun and a fine set on the manor . The musician Angelo Francesco Lavagnino composes a nice soundtrack and well conducted ; it is full of strange sounds and haunting musical background . Striking cinematography by Mario Pacheco who reflects a colorful eclipse and barrens exteriors from Almeria . Outdoor sequences filmed at Spanish places located on Colmenar Viejo , and of course , Almeria . The movie gets the usual Western issues , such as avenger antiheroes , violent facing off , quick zooms , exaggerated baddies , soundtrack with Morricone influence , among them . There appears as notorious secondaries the regulars in Spanish/Italian Western , such as : Aldo Sambrell (Sergio Leone's usual) , Angel Alvarez (Django) , Ruben Rojo , Sancho Gracia (800 bullets) and a future prestigious actress , Marisa Paredes (Almodóvar customary) . Special mention for Fernando Sancho in his ordinary role as fatty Mexican bandit . This motion picture produced by Sergio Newman was professionally directed by Jose Luis Merino and Eugenio Martin or Gene Martin . Jose Luis Merino made some Westerns (More dollars for the MacGregor , Kitosch the man who came from the north) and horror movies (Terror of the living dead , Scream of the demon lover) . And Eugenio Martin is a terror movies expert (Hypnosis , A candle for the devil , The fourth Mrs Anderson and the classic Horror express) and Spaghetti Western (Pancho Villa , The ugly ones , Bad man's river ). Rating : Acceptable and passable Spaghetti Western , well worth watching .

Once sheared of twenty minutes, "Requiem for a Gringo" is now available to be seen in a full uncut version. Not that it's outrageously violent or sexually repugnant, it would appear some stiff backed suits back in the late 1960's had a bug where the sun doesn't shine.

This is a little treat for fans of Euro-Westerns of the 60's. Plot holds familiar traits, where a ruthless gang of scumbags terrorise locals and kill indiscriminately. Enter a lone stranger, Ross Logan/Django (Lang Jeffries), who after having been dealt a family mortal blow, sets about revenge - good job he is one seriously hard and smart dude!

Logan is a wonderful creation, he rides a mule, he wears a leopard skin poncho, and crucially he is a lover of astrology and uses it to define his life outcome (the best weather man in the history of Western genre cinema). There's a nice bit of splintered narrative used by directors Eugenio Martín and José Luis Merino here, while they also give the pic a supernatural vibe (Martin had his roots in horror).

Pic is full of macho brooding, murder death kills (splendid stunt work), scuzzy close ups, intense fights, beautiful girls (seriously, some of the prettiest girls ever in a Pasta/Paella Western), stunning Almeria location cinematography (Mario Pacheco) and some inventive camera work.

Very underseen, this may not be a high point in the genre, but it's certainly one that fans of such should be seeking out. One question though - how the hell did Lang Jeffries get to marry Rhonda Fleming? Must have been the gringo look that did it... 7/10