Texas 1867

This was the fifth(!) Spaghetti Western I've watched from director Castellari (whom I met at the 2004 Venice Film Festival) – it's not too bad an effort actually, though still far away from the admirably elegiac quality he would eventually achieve in KEOMA (1976).

The plot is pretty typical of the genre: after the end of the Civil War, a Confederate Colonel (Guy Madison) wants to keep up the fight and recruits a band of outlaws to finance his campaign through random pillaging; given that the original Italian title makes an explicit reference to the fact that the gang totals seven men, I guess the film intended to be a roguish version of THE MAGNIFICENT SEVEN (1960)! Anyway, as expected, an outsider (Edd Byrnes) soon joins their ranks – after having rescued one of them (Enio Girolami, the director's brother and who, in the role of a peon, irritatingly speaks almost exclusively in Spanish throughout!). However, it transpires (equally unsurprisingly) that he's really a government agent out to ensnare Madison and his men by ostensibly leading them to a buried cache' of Confederate money! Along the way, a female character is also thrown into the fray – which, naturally, causes discord among the Colonel and his 'underlings' since, rather than share her with them as was their habit, he decides to keep her for himself; at the end, she too turns out to have been on the side of the law (and in cahoots with Byrnes all along)!

The film features plenty of action – set to a rousing score by Francesco De Masi – and climaxes agreeably with an atmospheric sequence set inside a cave (where the now worthless money is stashed) that served as burial ground for some Indian tribe or other.

The title "Payment in Blood" appears to be a marketing title as another title of the movie was "Renegade Riders" as seen in the opening credits in the 1993 VHS released by MNTEX Entertainment. The transfer was low quality as the beginning credits were cut off since it was in "pan and scan" mode and not the "letterbox" mode usually used in the beginning to capture the full screen credits with the saloon style border.

The movie has all the classic Spaghetti-Western style and sound effects and out-of-sync voice dubbing that people love. It would be nice to see a new DVD transfer from the original film stock but there are no DVDs available although there are wide screen versions on the internet floating around.

When his career started to wane stateside, Edd "Kookie" Byrnes went to Europe and starred in several spaghetti westerns, including this one. I've seen several of Byrnes' spaghetti westerns, including this one, and in all of them he seems to be out of place. He looks too clean-cut to be stuck in the grittiness of the spaghetti western world. Still, he does give it his all, rolling around in the dirt and giving it his all.

As for the rest of the movie, it has its ups and downs. It has a great musical score by Francesco DeMasi, very memorable despite a lot of it being repeated as the movie runs. There are also some serviceable action sequences, which is fortunate because the parts of the movie between these action sequences is kind of slow and lacking plot and character development.

If you like spaghetti westerns, give this movie a go. If not, look for another movie.

Crazed Confederate raider Guy Madison can't stop raiding, even after the Civil War is over and done with. Ex-Confederate Edd "Kookie" Byrnes knows where a fortune in confederate treasure is buried and needs the bloodthirsty Madison and his band of cutthroats to get there, leading to an uneasy alliance and a harrowing trip across the frontier.

Another of director Enzo G. Castellari's patented brand of light-hearted adventure films, Payment In Blood is a decent enough, if not very original movie. It does have it's share of good action scenes, locations, and performances by it's lead actors, benefiting greatly from Byrnes charisma and Madison's machismo. The climax at the Indian burial ground is pretty neat too.

Castellari is actually pretty good at setting up and directing action sequences. He made his fair share of good movies, but I feel he really could have knocked it out of the park (and still can) if given the right script.

The Civil War is over. But not for Col. Thomas Blake (Guy Madison). He leads a gang of marauders who terrorize the area around the Mexican border, looting and pillaging, all in the name of the Confederacy. Blake dispatches Chamaco Gonzalez to the town of Manassas to learn the location of a lost Confederate payroll, presumably buried after the surrender at Appomattox by Gen. Beauregard's soldiers. But Camacho gets himself captured and has a date with a firing squad.

Enter a stranger named Stuart (Edd Byrnes) who rescues Chamaco and thereby earning a meeting with Blake.

He claims to know where the payroll is buried. He wants Blake's help in retrieving it, with the end goal of helping Southerners suffering because of the war.

Blake, of course, has other ideas for the buried fortune. With a handpicked group of men back across the Rio Grande to fetch the payroll, which Stuart says is buried in a sacred cave of the Apaches, near the town of Durango.

Along the way, a pretty lady named Manuela shows up, offering her assistance.

First up, Francesco De Masi's score is awesome, livening up the proceedings even more. Payment in Blood is the third Ed Brynes' spaghetti western and it's the serious one of the two. Not much humour, just a straightforward action tale that moves at a clip and provides a fair amount of uneasy alliances, double crosses and lead flying, body count piling up. It's quite fun with Guy Madison stealing the scene as Blake, an untrusting leader of a gang. Ed Brynes does well as the clean cut hero who has an agenda to fulfil. The finale set in an Indian burial ground is really exciting.