AVALIAÇÃO DA IMDb
8,5/10
27 mil
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Concebido pela Virgem Maria e passando por uma sofrida infância de peregrinação, Jesus veio à Terra com a missão de salvar os homens, mas é traído e humilhado justamente por eles. Após ser p... Ler tudoConcebido pela Virgem Maria e passando por uma sofrida infância de peregrinação, Jesus veio à Terra com a missão de salvar os homens, mas é traído e humilhado justamente por eles. Após ser preso, torturado e crucificado, ele ressuscita.Concebido pela Virgem Maria e passando por uma sofrida infância de peregrinação, Jesus veio à Terra com a missão de salvar os homens, mas é traído e humilhado justamente por eles. Após ser preso, torturado e crucificado, ele ressuscita.
- Indicado para 2 Primetime Emmys
- 2 vitórias e 8 indicações no total
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There has been no other biblical film that touched me like this one. Dispite all the little details that have been criticized and pointed out, these should be of no consequence. The illustration of Jesus' life story in this film was rich. Not only can you feel the strong presence of Christ through Robert Powell, but you also can get a taste of the times in which he lived.
Although the film, like many biblical films, tries to clearly depict the spiritual nature of Christianity, this one goes beyond that. It gives you a glimpse into the politics, social/religious hierarch, economics, and the mindstate of the Jewish and Roman communities throughout the era. It's more than just your typical Christ film. It's gives you a broader view and a complete understanding of what it was like to live in the times of Jesus Christ.
Besides being a historical landmark and the great religous story that it is, this film also takes you through the ups and downs. The doubts, the hardships, the miracles, and the uprising. A very 3 Dimensional drama.
I am a Christian, and while I might not be as devout as some, my faith is strong and this film re-enforced that spirituality. It was very moving to hear the lessons and wise preachings of Jesus in a similar setting to the one where he once stood. To see the dramas first hand, from an unbiased point of view.
I would advise everyone to see this movie atleast once. No matter if your a Christian or not. The morals and lessons taught by Jesus Christ can be appreciated by anyone. Not just as the Son Of God, but as a Man who strongly believed in Love and goodwill towards his fellow Man. Not only as a religious icon, but as a mentor, moral activist, and humanitarian to his people. His words are universal. What he stood for is greater than any man that ever walked the face of this Earth. This film gives you that insight. It goes farther than showing you a religious belief...it gives you the reason why it's worth believing in.
I give this film 9/10. Powerful, Enlightening, and Emotionally driven. The Greatest Story Ever Told dramatized for all to enjoy time and time again.
If you liked this film, I also recommend "The Robe (1953)" and "The Ten Commandments (1956)"
Although the film, like many biblical films, tries to clearly depict the spiritual nature of Christianity, this one goes beyond that. It gives you a glimpse into the politics, social/religious hierarch, economics, and the mindstate of the Jewish and Roman communities throughout the era. It's more than just your typical Christ film. It's gives you a broader view and a complete understanding of what it was like to live in the times of Jesus Christ.
Besides being a historical landmark and the great religous story that it is, this film also takes you through the ups and downs. The doubts, the hardships, the miracles, and the uprising. A very 3 Dimensional drama.
I am a Christian, and while I might not be as devout as some, my faith is strong and this film re-enforced that spirituality. It was very moving to hear the lessons and wise preachings of Jesus in a similar setting to the one where he once stood. To see the dramas first hand, from an unbiased point of view.
I would advise everyone to see this movie atleast once. No matter if your a Christian or not. The morals and lessons taught by Jesus Christ can be appreciated by anyone. Not just as the Son Of God, but as a Man who strongly believed in Love and goodwill towards his fellow Man. Not only as a religious icon, but as a mentor, moral activist, and humanitarian to his people. His words are universal. What he stood for is greater than any man that ever walked the face of this Earth. This film gives you that insight. It goes farther than showing you a religious belief...it gives you the reason why it's worth believing in.
I give this film 9/10. Powerful, Enlightening, and Emotionally driven. The Greatest Story Ever Told dramatized for all to enjoy time and time again.
If you liked this film, I also recommend "The Robe (1953)" and "The Ten Commandments (1956)"
With Franco Zeffirelli's 1977 made for television masterpiece and Anthony Burgess' screenplay, religious film simply does not get any better than this. Much as I admire Mel Gibson's monumental depiction of the last 12 hours of Jesus' life in "The Passion of the Christ", I still believe that the yardstick by which all 'passion play' genre films will be judged in future generations will be "Jesus of Nazareth".
After completing "Brother Son, Sister Moon", Zeffirelli turned (the Jewish) Sir Lew Grade down flat for this project, stubbornly refusing to engage on the project for a year and a half. As his other stage and screen projects turned to dust, however, he finally accepted the task. What finally convinced him was his conviction that the film could be compassionate towards the Jews, and thus could help undo some of the past hatred for which Christianity was renowned.
Burgess and Zeffirelli was a match made in heaven: Burgess turned in a script that took great liberties with the sacred text. Zeffirelli was uneasy with his liberalism, and sought to bring the script back to a more faithful rendition; yet Burgess' awesomely effective dramatic structure remains. Interestingly, Ingmar Bergman had already been asked to turn in a treatment, apparently before Zeffirelli was ever approached. However, the Roman Catholics who had been the original driving force for the project strongly objected to Bergman's idea of a series of mini lives of Jesus, as seen from the viewpoint of different characters.
Bergman was dismissive of the final Zeffirelli project, and it is certain that it would have been an entirely different film had he been asked to direct. While there is much to respect about Bergman, he would have been totally incapable of producing the beauty, purity and meaning in the hidden text that is so apparent in the final film.
Less than seven years later, Zeffirelli estimated that 750,000 people had seen the film. I saw the original transmission on American television in 1977, (it was aired nationwide at least twice in two years), and I also have an original and ageing VHS (PAL) copy. I plan a London revival of the series during Lent 2007, to mark the film's 30th anniversary. Back in 1977, it was the talk of the nation - in St. Louis, I heard of one lady who was instantly healed of cancer as she watched the crucifixion scene.
Interestingly, the resurrection scene nearly never got filmed. In fact, what we do see on screen is simply screen test material rescued from the editing bin at the final hour! The information above is documented in Franco Zeffirelli book, "Jesus: a Spiritual Diary" (1984: NY. Harper & Row) and Ingmar Bergman's "The Magic Lantern" (1988: London: Hamish Hamilton). However, there is no substitute for watching this masterpiece: in a word, it's awesome!
After completing "Brother Son, Sister Moon", Zeffirelli turned (the Jewish) Sir Lew Grade down flat for this project, stubbornly refusing to engage on the project for a year and a half. As his other stage and screen projects turned to dust, however, he finally accepted the task. What finally convinced him was his conviction that the film could be compassionate towards the Jews, and thus could help undo some of the past hatred for which Christianity was renowned.
Burgess and Zeffirelli was a match made in heaven: Burgess turned in a script that took great liberties with the sacred text. Zeffirelli was uneasy with his liberalism, and sought to bring the script back to a more faithful rendition; yet Burgess' awesomely effective dramatic structure remains. Interestingly, Ingmar Bergman had already been asked to turn in a treatment, apparently before Zeffirelli was ever approached. However, the Roman Catholics who had been the original driving force for the project strongly objected to Bergman's idea of a series of mini lives of Jesus, as seen from the viewpoint of different characters.
Bergman was dismissive of the final Zeffirelli project, and it is certain that it would have been an entirely different film had he been asked to direct. While there is much to respect about Bergman, he would have been totally incapable of producing the beauty, purity and meaning in the hidden text that is so apparent in the final film.
Less than seven years later, Zeffirelli estimated that 750,000 people had seen the film. I saw the original transmission on American television in 1977, (it was aired nationwide at least twice in two years), and I also have an original and ageing VHS (PAL) copy. I plan a London revival of the series during Lent 2007, to mark the film's 30th anniversary. Back in 1977, it was the talk of the nation - in St. Louis, I heard of one lady who was instantly healed of cancer as she watched the crucifixion scene.
Interestingly, the resurrection scene nearly never got filmed. In fact, what we do see on screen is simply screen test material rescued from the editing bin at the final hour! The information above is documented in Franco Zeffirelli book, "Jesus: a Spiritual Diary" (1984: NY. Harper & Row) and Ingmar Bergman's "The Magic Lantern" (1988: London: Hamish Hamilton). However, there is no substitute for watching this masterpiece: in a word, it's awesome!
"Jesus of Nazareth" is by far the most detailed movie on the life of Christ. I remember when it first aired on TV back in April of 1977. That was the week of my wedding and I remember watching it with my new bride on our honeymoon. Because of it's length and as a mini series it was able to cover most all the events in Jesus's life. There are many scenes and which I would say are some of my favorites but by far the best scene in the whole movie is when Earnest Borgnine, playing a Roman Centurian, approaches Jesus with a request that he heal a servant of his. A servant he loves as a son. Jesus says he will go to his home. The Centurian says that it won't be necessary since Jesus is a Jew and can't come into a Gentiles home. All Jesus has to do is give the word and he knows that Jesus would heal his servant. Jesus says that he has found no greater faith in all Israel than that of this Centurian. Although there were some artistic interpretations in the movie, they are so very few it isn't worth mentioning. I have seen the "Passion of the Christ" and I feel it is a very powerful movie on the last week of Christ, but it is so intense. I have to give "Jesus of Nazareth" the highest rating possible
Over the years, numerous attempts have been made to transfer the life of Christ to the screen, and one that succeeds is Franco Zefirelli's JESUS OF NAZARETH. The story is a straighforward retelling of the synoptic gospels(Matthew, Mark, and Luke), starting with the divine revelations to Mary and Joseph of their roles as Jesus's earthly parents on the the Resurrection. The score is beautific and reverent, and the big name actors who populate the film are well-cast(no Shelley Winters or John Wayne, thankfully). Also, British actor Robert Powell gives Jesus the proper reverence and poise. Zefirelli was correct to cast him; with his angular features, wavy brown hair and light eyes, this Jesus looks like every church icon and Sunday School picture I've ever seen, something Zefirelli was aware of and used to great effect. While he passes on accuracy for effect with Jesus, the apostles, it must be noted, all resemble the Hebrew peasants, publicans, and sinners they most certainly were. The length is tolerable, primarily because Zefirelli doesn't waste film on needless, arty panoramas or slow-moving dialogue. Zefirelli does keep the action moving, but one annoying technique he employs is the now dated-looking zoom close-up, but this happens infrequently. Highly recommended.
I have watched this film for many years with my family. Each year we follow the life of Jesus through Holy Week and Easter Sunday. The director has made this a film that is understandable for all ages and makes the realism unique. I would highly recommend this film for families. Even though I loved "The Passion of the Christ," I found this film easier to view for the family. Maybe we'll watch in earnest when the kids are a little older, teens perhaps. All in all this film takes you through an understanding of life as it would have been seen through the eyes of the common person. Perhaps it is this reality that allows people to gravitate toward a love for the film and a commitment to making the viewing of it each year and family tradition. Looking for a great family movie to help teach the faith, this is it.
Você sabia?
- CuriosidadesBecause Robert Powell looked so much like Jesus in pictures, every time he exited his dressing room in costume, the foul language the crew was using would suddenly stop.
- Erros de gravaçãoThe movie scripting refers to Pontius Pilate as a "procurator", a specific post that differs from the one that the Gospels imply that he held - prefect or governor. Historically, Pontius Pilate's title was thought to have been procurator but an inscription on a limestone block - apparently a dedication to Tiberius Caesar Augustus - that was discovered in 1961 in the ruins of an amphitheater called Caesarea Maritima refers to Pilate as "prefect of Judeaea". Archaeologists believe it to be genuine. In this instance, the Gospel account is supported by archaeology, since the surviving inscription discovered at Caeserae states that Pilate was prefect and the movie should have followed also as it is based on Gospel accounts.
- Versões alternativasThe Region 1 DVD is the original 1977 broadcast. The Region 2 Carlton DVD released in the UK is substantially cut and runs at 270 minutes. The Dutch DVD release (also Carlton Region 2) has a running time of 365 minutes (the 399 minute running time stated on the cover is a misprint).
- ConexõesFeatured in The 30th Annual Primetime Emmy Awards (1978)
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