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Bhumika

  • 1977
  • 2 h 22 min
AVALIAÇÃO DA IMDb
7,4/10
759
SUA AVALIAÇÃO
Bhumika (1977)
DramaDrama do mundo do espetáculo

Adicionar um enredo no seu idiomaA girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romanti... Ler tudoA girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romantic entanglements.A girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romantic entanglements.

  • Direção
    • Shyam Benegal
  • Roteiristas
    • Hansa Wadkar
    • Girish Karnad
    • Satyadev Dubey
  • Artistas
    • Smita Patil
    • Anant Nag
    • Naseeruddin Shah
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    759
    SUA AVALIAÇÃO
    • Direção
      • Shyam Benegal
    • Roteiristas
      • Hansa Wadkar
      • Girish Karnad
      • Satyadev Dubey
    • Artistas
      • Smita Patil
      • Anant Nag
      • Naseeruddin Shah
    • 16Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 2 indicações no total

    Fotos1

    Ver pôster

    Elenco principal29

    Editar
    Smita Patil
    Smita Patil
    • Usha
    Anant Nag
    Anant Nag
    • Rajan
    Naseeruddin Shah
    Naseeruddin Shah
    • Sunil Verma
    Amrish Puri
    Amrish Puri
    • Vinayak Kale
    Amol Palekar
    Amol Palekar
    • Keshav Dalvi
    Kulbhushan Kharbanda
    Kulbhushan Kharbanda
    • Film producer
    Sulabha Deshpande
    Sulabha Deshpande
    • Shanta
    Baby Rukshana
    • Young Usha
    • (as Baby Ruksana)
    B.V. Karanth
    • Usha's Father
    Dina Pathak
    Dina Pathak
    • Mrs. Kale
    Mohan Agashe
    Mohan Agashe
    • Siddharth
    Kusum Deshpande
    • Shanta's Mother
    Rekha Sabnis
    • Mrs. Yashwant Kale
    Baby Bitto
    • Young Sushma
    Savha Bajaj
    Sunila Pradhan
    Master Abhitab
    • Dinu
    H. Lani
    • Direção
      • Shyam Benegal
    • Roteiristas
      • Hansa Wadkar
      • Girish Karnad
      • Satyadev Dubey
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    7,4759
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    10

    Avaliações em destaque

    9ajji-2

    excellent, thought provoking cinema

    Excellent performance by the late Smita Patil energizes this story of a girl who is manipulated by almost every man she meets in the film industry. it may sound sordid, but credit goes to the director as well as the actors for handling the material with grace. that final scene where she talks to her daughter over the phone, is a classic example.
    10ankurkrazyy

    The real and the reel life!

    Well nothing much say except that the film really blew me away. What made this exceptionally brilliant is the amazing huge star cast but moreover their amazing appearance gradually.

    Smitha Patil is breathtaking as the main protagonist, one of her ever best films on female centric characters. She will surely be remembered for this role. Supporting her is the amazing Amol Palekar who is brutal but human at the same time as Keshav.

    Following them is a series of great performances from Anant, Naseer ,Agashe and Sulbha Deshpande. However the biggest surprise was Amrish Puri! Who was really really spellbinding as this calm gentle yet patriarchal man who is very much into his own principles.

    Overall worth watching and a total 10 on 10 from my side.
    7varuna12

    Smita Patil, Amol Palekar, Shyam Benegal at their best!

    Bhumika (1977) - A film by Shyam Benegal Sahab

    'Bhumika - The Role' is probably the best role ever played by Smita Patil in her career. 'Usha' the character played by her is throughout her life seeking happiness but she never attains. She falls in love and romantic liaisons with a number of men each of whom ends up unsatisfying her emotionally. One is weak and lacks confidence, another is too over the top philosophically who even hates the concept of 'love', another one almost deceives her with charm and confidence only later letting her realize that she will be a prisoner of his family traditions and their culture which won't even allow a women to step outside his house after death.

    In the end she is rescued by the man called Keshav, superbly played by Amol Palekar. He is in the first place the reason for all her misery to begin with. He has his own personal needs and agendas. He sees an opportunity to exploit young Usha's charm and abilities and gets her into the film business, convincing her mother with perhaps deceiving arguments and assurances. A young Usha was only supposed to be in the profession for three or fours years but we are introduced to her character when she is her late 30s or early 40s and still in the same business.

    Shyam Benegals Sahab has made a brilliant film which for majority of its running time runs in the flashbacks. A shoot is taking place. A mild twisting of an ankle by one of the background dancers halts the shoot where Usha is the lead. Since the scene cannot be completed the director decides to call for packup.

    Usha doesn't have any scenes so she can go home. From the this early moment in the film one can start to see her unhappiness. She was delightfully cheerful for the eyes and the mind while she was in front of the camera. As soon as she is back in the real world, she looks sad and disturbed and a bit gloomy. This is further established by an un- importantly tiny gesture that his fellow actor makes for her by giving her a lift back home which irritates Keshav, her much older husband.

    It is at this moment in story when the character Keshav is introduced. By his very looks and super makeup and costume, and on top his brilliant performance by Amol Palekar, we can anticipate and predict that the forthcoming interaction between the two characters is not going to be pleasant.

    Director Sahab doesn't waste any time in any illogical and unnecessary melodrama and instead take the story right to the point. After this brief interaction and her expression of angst and frustration we come to know that this is a common occurrence in her life. This leads to an argument which is followed by Usha walking out of the house and taking a refuge in hotel.

    It is at this familiar hotel in her familiar room that the flashbacks start. The very first flashback is of Usha's childhood which is brilliantly shot in black and white. A much younger looking Amol Palekar and Sulabha Deshpande who plays Usha's mother and a young Usha played by little girl (sorry couldn't find her name) perform with such sheer brilliance and conviction that you are suddenly taken back in their times and you get a feeling of actually being there.

    I can keep on going about this film with its wonderful cinematography, direction, editing and performances but I'll cut the chase out and get climax of my point!

    JUST WATCH THIS FILM!!!! It's a MUST WATCH!!!

    I feel like punching myself in face for not having seen this film earlier!

    Hats off to Shyam Benegal Sahab, Smita Patil and a very brilliant Amol Palekar sahab.
    8btshruti

    Stands the test of time

    This movie stands the test of time because of how relevant it is till date. Usha is the way she is, partially because of her toxic childhood. Even the choices that she makes , especially regarding her partners , give her only partial happiness. In the end , she remains stuck in a loop ; she fails to understand her true worth and you feel like giving her a big hug. The role needs a lot of emotional maturity from the Late Smita Patil ji and she nails the character to the T. I need to watch Hansa Wadkar ji's films , on which the character is based on. Amol Palekar and Amrish Puri 's characters are so different yet toxic in their own way, loved the way they were potrayed.
    7donalupe

    Benegal's detailed exploration of 40s filmmaking was intriguing!

    Artistically, Bhumika is Benegal's seminal work. Storytelling is convincing, locations play a part and chronology is color coded. It's hailed as a study of feminism and 'male gaze', it's rather a character study of our impulsive protagonist, done impressively by Patil, surrounded by a pool of stereotypical antagonists who, for the length of the film, could have been used a bit better than mere shallow devices. 7/10!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Based on the life of well-known Marathi Stage and screen actress of the 1940s, 'Hansa Wadkar'.
    • Conexões
      Referenced in Jhaptal

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 11 de novembro de 1977 (Índia)
    • País de origem
      • Índia
    • Idioma
      • Hindi
    • Também conhecido como
      • Die Schauspielerin
    • Empresa de produção
      • Blaze Film Enterprises
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 22 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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