A Maldição de Cathy

I'm not sure what the goal was with Cathy's Curse. It's a mix up for The Exorcist, The Bad Seed, and about a million other evil kid movies. The wintery atmosphere is a nice touch and, for a bit, one could be fooled into thinking this might end up being some lost 70's classic. Nope.

Cathy's Curse manages to get everything wrong from the hammy acting to the not-so-special effects to Cathy's "curses" that she hurls at people. "Cow" can't quite compare to some of the insults Regan threw at people in The Exorcist.

Don't let me confuse you - Cathy's Curse also has a lot to recommend. It's rarely boring and with such a short run time, I could think of worse ways to kill some time.

Cauchemars (nightmares in french, no "e" in word) was made using the tax credits afforded by Quebec and Canada governments; even if in co-production with France, it was made in English, in Westmount (rich English section in Montreal) with a ridiculous budget(The production co. doesn't exist anymore). Acting is really bad (but I suppose acting direction was also!). This is a bad "b" movie. Only for collectors of such genre (90% of action evolves in or around the house!). French actor Hubert Noel, who played the role of the doctor, dubbed the voice of Prentiss Hancock in the french (Quebec) version of Space:1999. You can find this movie in DVD collections (like 20 movies on 10 double-sided discs). Won't make history...

Hokey supernatural thriller about the possession of an innocent little girl by the spirit of a mean-spirited little girl who died in a car crash, and who would've grown up to be the first girl's aunt. The possessed girl now seems to have powers that equal those of the Antichrist in the "Omen" films, although how she got them is never explained, and we also never understand what exactly she is trying to accomplish with her random killings (she even kills the dog!). The film is totally unbelievable and ineptly edited, but there is the occasional effective moment (the scene with the spiders may give you the willies). (*1/2)

Cathy's Curse is a bargain basement version of The Omen meets Carrie, which were contemporary horror hits at the time. It's a truly terrible film that has the added disadvantage of seemingly being only available in prints that are in an atrocious state (in the one I saw, the colours were so bad that the blood was purple). But even if this movie was released on high definition it wouldn't change the fact that it's abysmal.

The story is senseless. A mother takes her son George away from the family home, leaving the father and daughter. The dad isn't too pleased about this, so he jumps in his car with his little girl Laura. They swerve off the road to avoid a rabbit and the car blows up. Thirty years later, the son returns to the family home with his wife and daughter, Cathy. Pretty much right away Cathy becomes possessed by George's sister Laura's old doll and becomes homicidal, killing various people. Laura seems to be an embittered soul, angered by her early death and wrecks havoc via her brother's offspring.

From the above synopsis, I think it's only fair to say that the film, strictly speaking should have been called Laura's Curse. But this is only a glaring detail and this film quite frankly doesn't concern itself with such trivialities. There are many moments of WTF in this film. At one point Cathy teleports from the bottom of the stairs to the top and vice-versa, and her mother, witnessing this, just gets annoyed; she doesn't actually seem to be, well, a little surprised that her daughter has developed the ability to teleport at will, she is merely irritated with her misbehaving child. In another scene Cathy sits down for breakfast and throws her plate across the room at the opposite wall, smashing it to bits, and the housekeeper simply picks it up and seems to imply that she just dropped it, rather than launched it 3 metres over the other side of the room. In other words, people in this movie do not act like Earthlings. A further example of utter madness, is where the medium takes hold of an old family picture then starts talking in creepy voices, getting progressively more and more demented until she smashes the picture on the floor while screaming; she then turns around and says that she's really had a marvellous time and would simply love to pop over again. It's just weird. What perhaps makes these people all the stranger is that absolutely no one can act. The performances are universally atrocious. The handyman is abysmal too, although it's maybe not surprising seeing as he appears to be Mick Fleetwood from Fleetwood Mac in a rare acting appearance.

There are one or two occasions when Cathy's Curse is almost effective. And it can't be argued that it's pretty bizarre throughout. But despite all this, it drags. The unintentional hilarity is something to behold but you really need some buddies and beer to enjoy this one.

Possessed by the spirit of her aunt, who died in a childhood car accident, a young girl acquires supernatural powers in this strange Canadian variation on 'The Omen' and 'The Exorcist'. The film gets off to a mediocre start with a poorly edited, intertitle-heavy exposition segment that tells us the circumstances by which the aunt died even though it has little bearing on the plot. The film improves somewhat as it cuts to decades later with an expressive Randi Allen well cast as the young protagonist who gradually progresses from using foul language to becoming totally unhinged as the movie plods along. The doll that she finds (and which supposedly leads to the possession) is pretty creepy too; same goes for a painting upstairs with glowing eyes. Unfortunately none of the adult actors here are up to Allen's level. Beverly Murray is particularly over-the-top as her overbearing mother and the less said about the man who plays a constantly coughing drunk who she befriends the better. The biggest issue (or 'curse' if you like) with the film though is that it never really makes up its mind what it wants to be. There is no tangible motivation driving the possessed aunt and a lot of what Allen does comes off as weird for the sake of it. The film does benefit from a pulsating music score and refreshingly minimal (decent) special effects, but to what end here is uncertain.