A Outra Face da Violência

I recently caught this semi-exploitative revenge flick on TV (Showtime), after wanting to see it for a while. Unfortunately, it's not on DVD and there's a good chance you're not going to find it on VHS (or laser disc) either, unless you go through eBay, maybe. Anyway, despite the fact that my first viewing of "Rolling Thunder" was in a modified format (unless the movie was shot in 1.33:1, which I doubt), I had a blast. William Devane is pretty great as the slightly psycho Vietnam vet who comes home to find that his small town life isn't waiting for him. And, of course, he goes *completely* psycho after...well, I won't spoil anything. Worth mentioning: this film is a big influence on Quentin Tarantino, who named his short-lived film release company after it (i.e. Rolling Thunder Pictures). What a shame that the company didn't survive long enough to re-release the film it's named for. If you're really into '70s cinema, action, sleaze, etc., you have to make an effort to see "Rolling Thunder". For real.

Good writing, acting and directing place this violent revenge melodrama a cut or two above most films of its genre. William Devane gives a strong, stoic performance as Major Charles Rane, an ex-Vietnam POW who returns home to his wife and son, only to have his peace-time dreams shattered by a gang of vicious, menacing home-invading hoods who murder his family and leave him permanently maimed. After rehabilitation, he goes gunning for the people responsible for the crime. Tommy Lee Jones is very good as his fellow Army buddy who willingly joins him on the vengeance trail. The film is enhanced by adding some psychological insights into Devane's character....we get a revealing peek at how his wartime experiences have changed him and what makes him tick. The film is tense and extremely violent in spots, but the violence is not gratuitous. Paul Schrader, who wrote the classic "Taxi Driver" also wrote the original story here...and it shows. This one's worth seeking out.

The low-budget production company American International Pictures got themselves a movie with a then-groundbreaking post-Vietnam War plot and message that deserved a far superior studio...

And that's because important subjects can be costly -- yet thanks to creative and economical director John Flynn, ROLLING THUNDER becomes an entertaining road movie on an exploitation vengeance trail...

Severely built into returning POW veterans William Devane and younger sidekick Tommy Lee Jones... one married with a wife and kid, the other harsh, haunted and born to lose...

So it's not long before Devane's Major Charles Rane, after a rare-coin-theft gone extremely bad... resulting in the shocking deaths of his separated wife, beloved yet distant son and the loss of his own hand... is (through irreversible reaction) thrust into action...

Paving way for who's at first an unlikable side-character in Lawrason Driscoll as Cliff... the wife and son's more typically befitting substitute dad... ultimately partaking in what feels like his own more basic and narrowed, location-hopping, investigatory revenge flick...

Blindly seeking the killers through dilapidated Mexico taverns and broken-down villas while Devane and blonde beauty Linda Haynes's POW groupie turned gun-moll provide a more fleshed-out, genuinely romantic mainline -- yet with the same gritty goal intact...

Meanwhile an underused Tommy Lee Jones's arsenal must wait for the bloody Sam Peckinpah-style ending (combined with director Martin Scorsese and this picture's screenwriter Paul Schrader's TAXI DRIVER) that has Devane -- progressively befitting a role he initially seems too old for -- finally becoming the grisly ultra-violent anti-hero...

Yet it's those previous scenes with Linda Haynes -- whose searing motivation to keep him away from trouble are as intense as what he's about to step into -- that really showcases what ROLLING THUNDER could and does afford well: a moving character-driven melodrama where the search means more than its inevitable (yet still unpredictable) outcome.

'Rolling Thunder' epitomizes to me what is great about 1970s movies. Just imagine this one remade today! It'd be a John Woo-esque shoot 'em up "action" blockbuster with slo mo explosions and a "hip" techno soundtrack! But we have here is an intelligent, well written (by Paul Shrader) and acted study of alienation AND a great revenge thriller as well. You can have your cake and eat it too! Something Hollywood seems to have forgotten...

Devane is superb as the Vietnam Vet who regards himself as already dead. He returns to a heroes welcome, a new car and ready cash, but finds it impossible to put his life back together. Tragedy strikes and he does the only thing he can do - seek revenge.

'Rolling Thunder' is often unfairly tagged a "vigilante movie" which brings 'Death Wish' to mind, when it really has more in common with another 1970s classic of obsession and violence, Peckinpah's 'Bring Me The Head Of Alfredo Garcia'. 'Rolling Thunder' isn't as great as that, and suffers from a few dead spots in the second half, but make no mistake, this is a superior thriller that wipes the floor with 99% of Hollywood's current output.

Screenplay of "Rolling Thunder" was co-written by Paul Schrader, who had just written "Taxi Driver". I feel this is William Devane's best movie, and a powerful start for Tommy Lee Jones. This is one dark movie, almost as dark as "Taxi Driver", and it misses by "not much". Basically, a gang of no-neck Bubbas do in Devane's wife and child, yet he survives the robbery. It is then revenge time, and the remainder of the movie is "out to kill", and kill it does. Devane and Jones, as recently returned inmates of the Hanoi Hilton are, in their own ways, tightly wrapped around the axle. At the movie's end, let it suffice to be known, they indeed find the bad guys. It is a real squeaker about just who the bad guys really are in this post-Vietnam movie.