Vale Tudo

Mostly hated by critics on its release, as much for its cynical viewpoint as its relentless profanity, "Slap Shot" has since become something of a cult classic.

Set in the low-rent world of minor-league hockey, the movie follows the efforts of player-coach Reggie Dunlop (Paul Newman) to turn around the Charlestown Chiefs' final, losing season in a dying Pennsylvania steel town. Reggie is not above using a dirty trick or two to manipulate his teammates or psych out opposing players, and cheerfully gets physical when he has to. Even Reggie recoils in disgust, however, when his tightwad manager (Strother Martin) brings in the Hanson Brothers, three thick-lensed, thicker-headed goons who are more interested in fighting than playing Reggie's brand of "old-time hockey".

When it becomes apparent that the hometown crowd loves the Hanson's rough and bloody style, Reggie decides to go with the flow, and to fire up his other players concocts the story that, if they can win the championship, the owner will be able to sell the franchise to a group of rich retirees in Florida. To do that, though, they will have to get past an opposing squad specially stocked with the league's most notorious goons...

A sometimes uneasy blend of slapstick and kitchen-sink realism , "Slap Shot" has some pertinent things to say about the American worship of success at all costs, and (long before the rise of the WWF) our fascination with violent sports. Echos of its gritty style can be seen not only in many later sporting films, such as "Bull Durham" and "Major League", but even in the wave of British movies in which characters fight to hold onto their lives after the collapse of hometown industry, such as "The Full Monty" and "Brassed Off".

The film really shines as a straight comedy, though, delivering some classic characters and set pieces: virtually every appearance of the Hansons; a clueless, toupee-wearing sportscaster (Andrew Duncan); the team's tiny Quebecker goalie (Yvon Barrette), and Newman himself, in one of his personal favorite roles. The females fare less well, although Jennifer Warren stands out as Dunlop's long-suffering, estranged wife.

Note: in the VHS version, the background music has been replaced by an inferior, generic soundtrack. The DVD version, with the original music, is preferable.

Despite a dismissive response from critics on release, "Slap Shot" has become THE hockey film everyone knows and loves, and it's easy to see why. It's also easy to understand its initial reception. The film is perhaps excessively profane, it doesn't really seem so today but taken in the context of the time one could easily see it as straining for shock value. Paul Newman's least classy role for sure, and George Roy Hill had made some big movies before this one.

Of course there are still plenty of people who accuse this of being vulgar, crass, cartoony trash. The comedy is, sure. But it's also good at being what it is in that regard. Kevin Smith is making a hockey movie about the goon era of hockey based on the Warren Zevon song "Hit Somebody!". If that isn't a rehash of "Slap Shot" I'll eat my hat. The humor is pretty much exactly Smith's style. I expect far more sentimentality from him than "Slap Shot" offers, though. Still, it's GOOD lowbrow humor, with the occasional clever bit that keeps it afloat. Incredibly sharp, memorable dialogue as well.

But what really sets "Slap Shot" apart from most sports flicks to me isn't the comedy, it's the drama. The characters are convincingly-drawn, even the ones which exist purely for comic relief. Nancy Dowd was a good writer and George Roy Hill was a great director. Together they found a perfect balance. Sure, you can watch this movie and laugh and get wasted with your buddies after a hockey game one night, but there's so much more to it. I find it works remarkably well as an examination of the society and community which the sport creates, and which lives around it. The portrayal of marital strife and a town in the midst of economic meltdown is tremendously affecting, the character's relationships and Reggie's story being the film's greatest achievement.

It's also a great examination of hockey, a sophisticated debate over what hockey is or should be. A recent survey found 99.5% of NHL players were in favor of keeping fighting in the game, but that's to the extent that it exists today. How many would want the goon era back? There are still people who 'watch hockey for the fights', "Slap Shot" seems to acknowledge that the goon era reduced hockey to nothing more than a freakshow. The WWE on ice. Don't get me wrong, I'll jump out of my seat with the rest of the crowd if a fight breaks out, but never have cared for hockey as played during the 70's in the US, with violence as the main attraction. The movie does away with the verbal arguments about the nobility of the sport for a comic finale, but even that makes its point quite clear. The very last scene of the film, the ambiguous ending, is even greater.

Great director, great cast, great writing. That's the recipe for a great movie. "Slap Shot" most certainly is one. Gene Siskel's biggest regret as a film critic was giving this a mediocre review on release, as he came to absolutely adore the film on repeat viewings. I think it's easy to mistake this for just another sports comedy, but there's so much more to it, and if you can't see that... well, I feel sorry for you, but to each their own.

This one belongs on the list of the greatest sports comedies ever made. The humor (and the language) is some of the saltiest you'll hear in a movie but it doesn't seem excessive at all. This tale of a minor-league hockey team having one last go at greatness is boisterous and bruisingly funny, even if you don't care for the sport itself. As the aging captain of the team who's constantly amazed at the crazy happenings around him , Newman is at his roguish, charming best. Rent it with "The Longest Yard" for a perfect double-bill. A four-star **** classic.

I love how they got Paul Newman for this part, and how great he looks out on the ice. The film parodies the violence in hockey, and it had some potentially interesting bits in the class aspects of a blue collar town facing a plant closing, as well as a mostly faceless owner who disdains the sport and simply looks forward to a tax write-off, but unfortunately these don't come to much. Worse is the cringe-inducing homophobia. The best part of the film are the hilarious Hanson brothers, and the film could have used a lot more of them.

One of the knocks that has always been given to Paul Newman was that he was not right for comedy. When you're talking about stuff like A New Kind of Love or Rally Round the Flag Boys that's probably true. But Slapshot shows that what Paul Newman needed to be good for comedy was something not quite so sophisticated.

Slapshot ain't Oscar Wilde, but it's not quite to the level of the Police Academy movies. It's just right for Paul Newman as the veteran player/coach with a team of misfits from one of hockey's minor leagues who's forever looking for a break from the majors.

The Charlestown Chiefs who seem to be the hockey equivalent of the New York Mets are having a perennial losing season. The town itself is one flush away from despondency with a mill that was the main employer in the town shutting down. That means the paltry attendance the Chiefs already have will diminish more. It's an uncertain future.

So with nothing to lose, Newman's boys turn the sport into a hockey facsimile of the World Wrestling Federation. In no other sport are fights among the players so accepted. But Newman ratchets it up to an exponential level.

And his team actually starts to win and the Charlestown Chiefs become a gate attraction.

There's a lot more to the resolution of the team's problems, but that championship game is unforgettable.

All Hail the Brothers Hanson.