Quinze anos depois de assassinar sua irmã na noite de Halloween em 1963, Michael Myers escapa do hospício e retorna para a pequena cidade de Haddonfield para matar novamente.Quinze anos depois de assassinar sua irmã na noite de Halloween em 1963, Michael Myers escapa do hospício e retorna para a pequena cidade de Haddonfield para matar novamente.Quinze anos depois de assassinar sua irmã na noite de Halloween em 1963, Michael Myers escapa do hospício e retorna para a pequena cidade de Haddonfield para matar novamente.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 9 vitórias e 3 indicações no total
Nancy Kyes
- Annie
- (as Nancy Loomis)
P.J. Soles
- Lynda
- (as P J Soles)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Possibly the most influential of all slasher films, John Carpenter's Halloween is the reason why this particular subgenre of horror even exists in the first place. Although it wasn't the first of its kind, it certainly was the game-changer for almost every other slasher flick that followed this low-budget indie horror only ended up imitating the formula that this classic originated.
Set in Haddonfield, Illinois, the story of Halloween begins on the titular night in 1963 where we witness the 6-years old Michael Myers stabbing his older sister to death with a kitchen knife. The plot then jumps 15 years in the span of which Myers remained silent in a mental hospital he was confined to, only to escape from the facility and returns to his hometown to kill some more.
Co-written & directed by John Carpenter, whose innate ability to churn out quality pictures from mere scraps of filmmaking elements has earned him a place amongst world cinema's most influential filmmakers, Halloween is one of the finest works of his career that presents the director in complete control of his craft, and the way he sets the pace & eerie tone from the beginning is a delight to watch.
Carpenter creates an uncanny mood during the title sequence only which has nothing but a jack-o-lantern on the black screen, accompanied by the now iconic score, and follows it up with an expertly shot prologue which instantly brings the audience into the story. The script is equally impressive for the character of Michael Myers is handled with extreme care, and the writers leave no stone unturned to show him as an unstoppable force of evil.
The technical aspects are skilfully executed, and every dollar of its low budget is efficiently used in service of the story. Setting the plot in a suburban location turns the very openness of the area into a playground of mayhem. Cinematography is inventive for the camera stalks our characters at all times, benefits from some ingenious placements, and is further uplifted by clever lighting while Editing makes sure that the suspenseful ambiance is kept alive from start to finish.
But the biggest contributor, in my opinion, is John Carpenter's minimal, synthesised score for it elevates the tension to a whole different level and greatly amplifies the desired effect of its disquieting camera-work & editing. Whenever its main theme surfaces on the screen, there's an uneasiness felt in those moments & whispers of an ominous presence dominate those sequences. It's one of Carpenter's most notable musical pieces & is a major reason behind this film's success.
Coming to the acting department, Halloween features a budget-friendly cast in Jamie Lee Curtis, Donald Pleasence, P.J. Soles, Nancy Loomis & Nick Castle. The film marks Curtis' acting debut and she does a neat job as Laurie; a high-school student who's continuously stalked by Myers throughout the movie. Pleasence is in as Myers' psychiatrist and the only person who knows what this homicidal maniac is capable of. And Soles & Loomis do a fine job as Laurie's friends who are also pursued by Myers.
But it's the character of Michael Myers and how he's portrayed in this film that establishes him as one of the greatest antagonists in cinema history. Using nothing but a cheap mask that conveys no emotions, keeping him mute throughout the story & giving him an almost mythic strength that renders him invincible, Carpenter presents Myers as a devil incarnate who kills without empathy, and intelligently uses his presence in the film to build a sinister aura, not to mention the very aspects of this character has gone on to inspire many more villains.
On an overall scale, Halloween remains one of the genre-defining films of the 1970s whose narrative structure has been adopted as a blueprint for slasher films ever since and its vast influence on cinema & pop culture cannot be downplayed. There were a couple of moments that bothered me but for the most part, this is a thrilling, entertaining & satisfying ride from Carpenter that is every bit worthy of its legendary status. A lesson in horror filmmaking that downplays the elements of gore & graphic violence to show the lasting effect a consistently maintained tense ambiance can have on the viewers, Halloween is the very definition of a slasher film.
Set in Haddonfield, Illinois, the story of Halloween begins on the titular night in 1963 where we witness the 6-years old Michael Myers stabbing his older sister to death with a kitchen knife. The plot then jumps 15 years in the span of which Myers remained silent in a mental hospital he was confined to, only to escape from the facility and returns to his hometown to kill some more.
Co-written & directed by John Carpenter, whose innate ability to churn out quality pictures from mere scraps of filmmaking elements has earned him a place amongst world cinema's most influential filmmakers, Halloween is one of the finest works of his career that presents the director in complete control of his craft, and the way he sets the pace & eerie tone from the beginning is a delight to watch.
Carpenter creates an uncanny mood during the title sequence only which has nothing but a jack-o-lantern on the black screen, accompanied by the now iconic score, and follows it up with an expertly shot prologue which instantly brings the audience into the story. The script is equally impressive for the character of Michael Myers is handled with extreme care, and the writers leave no stone unturned to show him as an unstoppable force of evil.
The technical aspects are skilfully executed, and every dollar of its low budget is efficiently used in service of the story. Setting the plot in a suburban location turns the very openness of the area into a playground of mayhem. Cinematography is inventive for the camera stalks our characters at all times, benefits from some ingenious placements, and is further uplifted by clever lighting while Editing makes sure that the suspenseful ambiance is kept alive from start to finish.
But the biggest contributor, in my opinion, is John Carpenter's minimal, synthesised score for it elevates the tension to a whole different level and greatly amplifies the desired effect of its disquieting camera-work & editing. Whenever its main theme surfaces on the screen, there's an uneasiness felt in those moments & whispers of an ominous presence dominate those sequences. It's one of Carpenter's most notable musical pieces & is a major reason behind this film's success.
Coming to the acting department, Halloween features a budget-friendly cast in Jamie Lee Curtis, Donald Pleasence, P.J. Soles, Nancy Loomis & Nick Castle. The film marks Curtis' acting debut and she does a neat job as Laurie; a high-school student who's continuously stalked by Myers throughout the movie. Pleasence is in as Myers' psychiatrist and the only person who knows what this homicidal maniac is capable of. And Soles & Loomis do a fine job as Laurie's friends who are also pursued by Myers.
But it's the character of Michael Myers and how he's portrayed in this film that establishes him as one of the greatest antagonists in cinema history. Using nothing but a cheap mask that conveys no emotions, keeping him mute throughout the story & giving him an almost mythic strength that renders him invincible, Carpenter presents Myers as a devil incarnate who kills without empathy, and intelligently uses his presence in the film to build a sinister aura, not to mention the very aspects of this character has gone on to inspire many more villains.
On an overall scale, Halloween remains one of the genre-defining films of the 1970s whose narrative structure has been adopted as a blueprint for slasher films ever since and its vast influence on cinema & pop culture cannot be downplayed. There were a couple of moments that bothered me but for the most part, this is a thrilling, entertaining & satisfying ride from Carpenter that is every bit worthy of its legendary status. A lesson in horror filmmaking that downplays the elements of gore & graphic violence to show the lasting effect a consistently maintained tense ambiance can have on the viewers, Halloween is the very definition of a slasher film.
10reeceicy
The best slasher ever made, and arguably one of the best horror movies ever made. John Carpenter is a genius. Amazing direction, an atmosphere built upon suspense and terror, effective use of first person pov shots. Immensely influential this movie birthed the best slasher villain, the best final girl, and the best soundtrack/theme. Above average acting and great performances from Jaime lee Curtis and Donald Pleasence (RIP). Although Texas Chainsaw and Black Christmas came before, this was the blueprint that sent the 80's into a slasher frenzy.
Oh the memories! I was 9 years old when I first saw this movie on HBO with my younger cousin and older brother....it was about 1980. It was so creepy. When the movie went off me and my cousin were too scaried to go to bed so we stayed up until the infamous "Night Tracks" went off on TBS (REMEMBER NIGHT TRACKS??). The 'Halloween' Movie Theme stayed with me for years. Everytime I hear the theme I think back to when I was a kid. I would often dread when my parents would go out on the weekends and let my older brother babysit me. I just knew that Micheal Myers would know that my parents were not home and kill me. In my opinion, a movie should stay with you long after the movie is over. That's what 'Halloween' did for me. Each Halloween night, I remember back to 1978, when 'Halloween' came out. I think of the young scared child that I was and how good the first 'Halloween'movie really was!
Halloween is a hands down classic horror film. John Carpenter made a film that was often imaited but never duplicated. The camera angles are one of the many things that make the film scary. Carpetner allows the viewer to see through the eyes of the killer with the subjective camera and then there's the classic music score. Jamie Lee Curtis had a star making role in this movie and if you've never seen the film you should.
I was 20 back in 1978, and saw this on opening weekend. I knew nothing of it, and after growing up on the old Hammer films, followed by a period of almost nothing, this was quite a nice surprise. It really worked! Had me checking the back seat in cars, gave me a sinking feeling when I lost my keys, etc. The low death toll and relative lack of blood, as compared to subsequent slasher films, has me really admiring how effectively it created the atmosphere & suspense that kept me on edge, and made me jump at the right places. I certainly don't jump any more at it, but I do have fun remembering what it was like watching it when the now-cliches were fresh & new. I laugh at the 'horror' flicks of the 30s & 40s, but when they were new, I bet they were something. And I bet in another 20 years, today's toddlers will find Scream/IKWYDLS, et al, to be tame and passe too, at least compared to what they'll (& I'll) be watching then!
I'm surprised at the number of people half my age who wish they could've been around to see this film when it was brand new!
Looking back, Halloween probably scared me more when it was new, than other horror movies have,when they were new. Horror films are indebted to Halloween for breaking some new ground, and I can't wait for the next horror film that will do something on a similar scale.
I'm surprised at the number of people half my age who wish they could've been around to see this film when it was brand new!
Looking back, Halloween probably scared me more when it was new, than other horror movies have,when they were new. Horror films are indebted to Halloween for breaking some new ground, and I can't wait for the next horror film that will do something on a similar scale.
Você sabia?
- CuriosidadesFrom a budget of $300,000 over a 20 day shoot, the film went on to gross $47 million at the US box office. In 2008, takings that would be the equivalent of $150 million, making 'Halloween' one of the most successful independent films of all time.
- Erros de gravação(at around 18 mins) When Michael goes to the school and gets in the car to follow Tommy, the passenger side window is no longer smashed from the previous night's attack on the nurse.
- Cenas durante ou pós-créditosThe music for the film -- written and performed by John Carpenter -- is instead credited to "The Bowling Green Philharmonic Orchestra." Carpenter grew up in Bowling Green, Kentucky.
- Versões alternativasFor the 20th Anniversary restoration in 1998, new sounds were added to the film's audio track under John Carpenter's approval. New thunder sounds were added to the Loomis car scene. Wind sounds were added as well. The 1999 DVD release contains both the original unaltered mono sound and a Dolby Digital 5.1 option with the added sound effects.
- ConexõesEdited into Halloween II: O Pesadelo Continua (1981)
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- How long is Halloween?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Halloween
- Locações de filme
- Meridian Avenue & Mission Street, South Pasadena, Califórnia, EUA(Intersection where Michael drives behind Dr. Loomis who is standing in front of the hardware store.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 325.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 47.160.000
- Faturamento bruto mundial
- US$ 47.173.315
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